Why the Fowl and Dog Are Abused by the Birds

In this tale, birds and animals once lived in the sky. When cold and rain struck, they sent the Dog to fetch fire. Distracted by food on the ground, he forgot his mission. The Fowl, sent to hurry him, also succumbed to earthly temptations. Today, bird cries mock the Dog and Fowl for their selfishness, a symbolic reminder of their abandonment of friends in need.

Source
Among Congo Cannibals
by John H. Weeks
Seeley, Service & Co.,London, 1913


► Themes of the story

Cunning and Deception: The tale highlights the deceptive nature of the Dog and Fowl, who, instead of fulfilling their promise to bring fire, indulge in earthly pleasures, leading to their downfall.

Community and Isolation: The story underscores the importance of communal responsibility and the isolation that results from failing to support one’s community in times of need.

Echoes of the Past: The ongoing mockery by certain birds serves as a reminder of past transgressions, illustrating how historical actions can influence present relationships and societal norms.

► From the same Region or People

Learn more about Bantu peoples


There was a time when all the birds and animals lived in the sky. One day it was very rainy and cold—so cold that they were all shivering. The birds said to the Dog: “Go down and fetch us some fire to warm ourselves.”

The Dog descended, but seeing plenty of bones and pieces of fish Iying about on the ground he torgot to take the fire to the shivering birds. The birds and animals waited, and the Dog not returning they sent the Fowl to hasten him with the fire.

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The Fowl, however, on arriving below, beheld plenty of palm nuts, pea nuts, maize, and other good things, so he did not tell the Dog to take up the fire, and did not take any himself.

This is the reason why you can hear of an evening a bird that sings with notes like this, “Nsusu akende bombo! nsusu akende bombo!” which means. The Fowl has become a slave! the Fowl has become a slave! And the Heron sometimes sits on a tree near a village and cries, “Mbwa owa! mbwa owa!” = Dog, you die! dog, you die! [I have often heard these birds, and their notes quickly suggested the phrases quoted above, and undoubtedly gave rise to the story.]

This is why you hear these birds jeer at and abuse the Fowl and Dog, because they left their friends to shiver in the cold while they enjoyed themselves in warmth and plenty.


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Mbungi and his Punishment

Mbungi, a selfish husband, deceived his wife to keep all the meat from their hunting trips while denying her food. In retaliation, she cleverly withheld fish she caught. Enraged, Mbungi killed her, but her vengeful spirit pursued him relentlessly. Eventually, her family discovered the truth and executed him, marking the origin of murder in this tale. The story explores greed, justice, and supernatural retribution.

Source
Among Congo Cannibals
by John H. Weeks
Seeley, Service & Co.,London, 1913


► Themes of the story

Good vs. Evil: Mbungi’s selfishness and deceit contrast sharply with his wife’s fairness, highlighting the moral struggle between malevolent and virtuous behaviors.

Revenge and Justice: After Mbungi murders his wife, her spirit seeks retribution, and ultimately, her family enacts justice by executing him, underscoring themes of vengeance and moral reckoning.

Divine Punishment: Mbungi’s relentless torment by his wife’s spirit can be interpreted as a form of divine retribution for his heinous acts.

► From the same Region or People

Learn more about Bantu peoples


Mbungi one day said to his wife: “Dig up some cassava, prepare it, and cut down some plantain, for we will go hunting and fishing.”

The wife did as she was told, and in a short time everything was ready for the journey. They put their goods into a canoe and paddled away to their hunting and fishing camp. After resting, the man went and dug a hole and set his traps; and the next morning he found an antelope and a bush-pig in the hole. These he took to the camp, cut up, and gave to his wife to cook.

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By and by when all was cooked she brought the meat to her husband, and as she was taking her portion he said: “Wait, I will ask the forest-folk (or spirits) if you may eat it.”

He went and pretended to ask the forest-folk, and brought back a message that if she ate the meat the traps would lose their luck and catch no more animals. In this way the selfish husband had all the meat for himself and his wife went hungry, [a person considered he had not made a meal if he had no meat or fish to eat with his cassava] Mbungi found many animals in his traps, and the woman, because of the prohibition, did not have her share of them.

One day the woman made some fish-traps and set them, and on her return to the camp the husband wanted to know where she had been, but she refused to tell him. Next day she went to look at her traps and found many fish in them, which she brought to the camp and cooked. Mbungi, however, returned unsuccessful from his traps; but when he saw his wife’s fish he laughed and said: “Bring the fish here for me to eat.”

“Wait,” answered the woman, “I will ask the forest-folk if you may eat the fish.” And she brought back a reply that he was not to eat the fish, for if he did so the fish-traps would lose their luck.

It was now Mbungi’s turn to be hungry. Days and days passed and he caught no more animals; but his wife always had plenty of fish. He became very thin and angry. One day he drew his large knife, and cutting off the head of his wife he buried the head and the trunk together in the ground, and departed for his town.

Mbungi had not gone very far on his way when he heard a voice shouting: “Mbungi, wait for me, we will go together!” He wondered who was calling him, so he hid himself, and in a little time he saw the head of his wife coming along the road calling after him.

He went, and catching the head he cut it into small pieces and buried it again; but before he had gone far he heard it shouting: “Mbungi, wait for me, we will go together!” He cut and buried it again and again, but it was no use, it continued to follow and call after him.

Mbungi reached his town, and his wife’s family asked him: “Where is your wife?” “Oh, she is coming on behind,” he replied. They accused him of killing her, but this he strongly denied. While he was denying the charge of murder the head came right into the town; and when the family saw it they immediately tied up Mbungi and killed him. This was how murder was first introduced into the world.


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The Punishment of the Inquisitive Man

Motu, a farmer, married a Cloud-woman named Favourite after catching her stealing his bananas. Favourite introduced fire and cooking to the village, transforming their lives. However, she warned Motu never to open a mysterious basket. Succumbing to curiosity, he disobeyed, finding it empty. Feeling betrayed, Favourite and her Cloud-people returned to the sky, leaving Motu alone and diminished in stature.

Source
Among Congo Cannibals
by John H. Weeks
Seeley, Service & Co.,London, 1913


► Themes of the story

Forbidden Knowledge: Motu’s curiosity drives him to uncover what is hidden, despite explicit warnings, leading to his downfall.

Divine Intervention: Favourite, a being from the clouds, brings transformative gifts like fire and cooking to the human realm.

Loss and Renewal: Motu experiences loss when Favourite and her people depart, highlighting the transient nature of his newfound prosperity.

► From the same Region or People

Learn more about Bantu peoples


Motu made a large garden, and planted it with many bananas and plantain. The garden was in a good position, so the fruit ripened quickly and well. Arriving one day at his garden he found the ripe bunches of bananas and plantain had been cut off and carried away.

After that he did not go once to his garden without finding that some of the fruit had been stolen, so at last he made up his mind to watch the place carefully, and hiding himself he lay in ambush for the thief.

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Motu had not been in hiding very long before he saw a number of Cloud-folk descending, who cut down his bananas, and what they could not eat they tied into bundles to carry away. Motu rushed out, and, chasing them, caught one woman whom he took to his house, and after a short time he married her, and gave her a name which meant Favourite.

Although Favourite had come from the Cloud-land she was very intelligent, and went about her housework and farming just like an ordinary woman of the earth. Up to that time neither Motu nor the people of his village had ever seen a fire. They had always eaten their food raw, and on cold, windy, rainy days had sat shivering in their houses because they did not know anything about fire and warmth.

Favourite, however, told some of the Cloud-folk to bring some fire with them next time they came to visit her, which they did. And then she taught the people how to cook food, and how to sit round a fire on cold days.

Motu was very happy with his wife, and the villagers were very glad to have her among them, and, moreover, Favourite persuaded many of the Cloud-folk to settle in her husband’s village.

One day Favourite received a covered basket, and putting it on a shelf in the house she said to her husband, “We are now living with much friendship together; but while I am away at the farm you must not open that basket, if you do we shall all leave you.”

“All right,” replied the husband, “I will never undo it.”

Motu was now very glad in his heart, for he had plenty of people, a clever wife, and the villagers treated him as a great man. But he had one trouble: Why did his wife warn him every day not to open the basket? What was in that basket? What was she hiding from him? And foolish-like he decided to open it. Waiting therefore until his wife had gone as usual to the farm he opened the basket, and — there was nothing in it, so laughingly he shut it up and put it in its place.

By and by Favourite returned, and, looking at her husband, she asked him: “Why did you open that basket?” And he was speechless at her question.

On the first opportunity, while Motu was away hunting, Favourite gathered her people, and ascended with them to Cloud-land, and never again returned to the earth.

That is how the earth-folk received their fire and a knowledge of cooking; and that is also how Motu through being too inquisitive lost his wife, his people, and his importance as a big man in the village.


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The Fowl and the Hippopotamus; or, the Cause of the Enmity among Birds and Animals

A Fowl’s deceptive claim of selling its leg for wealth leads a greedy Hippopotamus to sell its own leg, resulting in its death. Blaming the Fowl, Hippopotami enlist Hawks, Kites, and wildcats to attack Fowls, prompting retaliation involving Crocodiles and humans. This tale explains how deceit introduced lasting enmity, violence, and death among animals and birds, weaving a cautionary lesson on honesty and greed.

Source
Among Congo Cannibals
by John H. Weeks
Seeley, Service & Co.,London, 1913


► Themes of the story

Cunning and Deception: The Fowl deceives the Hippopotamus by pretending to have sold its leg for wealth, leading the Hippopotamus to a fatal decision.

Conflict with Nature: The tale depicts the ensuing strife between different animal species, highlighting the disruption of natural harmony due to individual actions.

Origin of Things: This narrative explains the cause of the enduring enmity among birds and animals, providing a mythological origin for observed natural hostilities.

► From the same Region or People

Learn more about Bantu peoples


A Fowl, on returning from a trading journey, hid one of his legs under his wing and said: “I sold my leg for two thousand brass rods in the towns I have been visiting.” A greedy hippopotamus, hearing this, said: “If the Fowl could receive two thousand brass rods for his small leg, how much shall I receive for mine?” So calling some of his friends they entered a canoe and paddled down-river to the towns. On arriving, the leg of the Hippopotamus was cut off, carried ashore, and sold for a large number of brass rods.

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When the Hippopotami returned to the canoe, after selling the leg, they discovered that their friend had bled to death, so they picked up their paddles in great anger and returned to their town.

On arriving at their town they sought out the Fowl and charged him with the death of their friend, for they said, “Because of your lying deception he went and sold his leg.”

In their anger they called on the Hawks and Kites to swoop down and carry off the chickens belonging to the Fowls; and they told the wild bush-cat that whenever he found the door of the Fowl-house open he was to creep in and kill the Fowls.

In this way so many Fowls were killed, that in defence the Fowls called on the Crocodiles to bite the Hippopotami and wound them to death; and they asked Man whenever he saw a Hippopotamus to hurl his spear at it and kill it. Thus, through the Fowl’s one deception, enmity, quarrels, and death were first introduced among the birds and animals.


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The Adventures of Libanza; or, a Boloki version of Jack and the Beanstalk

Libanza and Nsongo’s journey intertwines magic, resilience, and folklore. Libanza disguises himself, showcasing extraordinary abilities, like catching monkeys or breaking pestles, to escape oppressive masters. Through transformation, wit, and strength, he overcomes challenges, rescues his sister, and ultimately defeats Ngombe the Swallower using molten iron. Rooted in Boloki myths, Libanza’s tales emphasize his mystical origins, resourcefulness, and legendary deeds, embodying cultural storytelling and heroism.

Source
Among Congo Cannibals
by John H. Weeks
Seeley, Service & Co.,London, 1913


► Themes of the story

Cunning and Deception: Libanza uses his wit and deceptive transformations to outsmart those who oppress him and his sister, enabling their escape and success in various situations.

Quest: The narrative follows Libanza and his sister, Nsongo, on their journey filled with trials and adventures, reflecting the classic quest motif.

Trials and Tribulations: Throughout their journey, Libanza and Nsongo face and overcome numerous challenges, including oppressive masters and dangerous creatures, highlighting the theme of enduring and surmounting hardships.

► From the same Region or People

Learn more about Bantu peoples


Libanza and his sister, Nsongo, started on their travels in the long ago, and as they journeyed Libanza changed himself into a boy covered with yaws. A man out hunting turned aside from his party of hunters, and meeting Libanza and his sister, he exclaimed: “I have found some slaves!” He thereupon took possession of them and led them to the hunting camp. Their new master and the other hunters were there for the purpose of snaring monkeys, and although their master caught some, yet he was not very successful. So one day Libanza said to him: “Give me the snares, and let me try to catch some monkeys.”

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But as he appeared to be such a poor, weak boy covered with yaws, the master laughed at him, and twitted him with his smallness. However, on being repeatedly asked, the master gave the boy the snares, and he caught thirty monkeys in a very little time, and brought them back to the camp to be divided among the hunters.

While the hunters were busy dividing the monkeys, Libanza and his sister took some meat and ran away. After journeying for a long distance they came near to a large town, and again Libanza turned himself into a boy covered with yaws.

The people of the town were pounding sugar-canes for making sugar-cane wine; but a man seeing them claimed them as his slaves, and brought them and sat them on the end of the large wooden mortar in which the other men were pounding up the canes.

After a time Libanza said: “Give me a pestle, [the pestles for crushing sugar-canes are like heavy clubs, made of hard wood, and weigh from 20 lbs. to 30 lbs. each] so that I may crush the canes.” But the people laughed that so small a lad should make such a request.

However, after he had repeatedly asked, they gave him a pestle, and Libanza used it with such vigour that it snapped in two. They brought him two others, and taking one in each hand he pounded so strongly that they also broke; and thus he broke all they had in the town except the last one, and with that he ran away, and the people feared to follow him.

As they travelled, Nsongo caught sight of a person in the distance and wanted to marry him; but on being called the person would not come to her. So Libanza changed himself, first into a shell and then into a saucepan, and followed the man; but in these disguises Libanza was not able to catch the man for his sister because he ran away filled with fear,

Libanza then turned himself into the handle of an axe, and when the man came to pick up the handle, Libanza caught him and led him to his sister. Now this person had only one leg and simple stumps for fingers; and Nsongo, on a closer view observing these deformities, refused to have him for a husband.

Libanza and his sister, Nsongo, resumed their wanderings, and on passing a palm tree Nsongo saw a bunch of ripe palm nuts, and she implored her brother to ascend the tree and cut down the nuts. Libanza climbed the palm tree, and as he ascended it the palm tree grew higher and higher and higher, until the top was hid in the heavens, [the word used here is bolobo = the upper regions, of which place they had very hazy ideas. About tlie lower regions — longa — they always spoke more definitely, and would describe what took place there] and there Libanza alighted, leaving his sister down below on the earth.

When Nsongo was left on the earth she heard a rumbling noise, which she thought was her brother, Libanza, scolding up above. She called a “wizard,” and asked him how she could rejoin her brother.

The “wizard” said: “You must call a Hawk, and tell him you want to send a packet to your brother, Libanza; and then tie yourself up into a packet and put yourself on the roof of a house, and when the Hawk sees it he will say, ‘That is surely the parcel I am to take,’ and the Hawk will carry you up above.”

Nsongo did as she was told by the “wizard,” and the Hawk saw the bundle and picked it up; but twice on the way the Hawk rested and tried to open the parcel, and would have done so, but at each attempt he heard a deep sigh proceed from the interior of the bundle, and desisted.

At last the Hawk reached the place where Libanza was, and said to him, “Here is a packet which your sister has sent to you.” Now when Libanza essayed to undo the parcel, out came his sister.

Libanza became a blacksmith, and there was in that country a person whose name was Ngombe, and because he swallowed people every day he was also called Emele Ngombe (Ngombe the Swallower).

When Libanza heard about this Swallower of people, he called his bellows blower, Nkumba (Tortoise), and they heated an ingot of iron. Now as the Swallower was passing the smithy he made the sound “Kililili,” and Libanza mocked him by sajnng, “Alalalala.” Ngombe the Swallower then asked: “Who dares to ridicule me?” And again he murmured, “Kililili.” And Libanza answered him by saying: “Ngalalala, [his is the full name of Libanza. It means: The one who makes things with force and noise and runs oif with them, whose scraped fingernails are tied with cane, he who is Libanza the brother of Nsongo] I am anjaka-njaka lokwala la lotungi, Libanza, the brother of Nsongo.”

The Swallower went at Libanza with his mouth wide[1]stretched to gulp him down, and as he went his lower jaw dragged along the ground. Libanza stirred the molten metal, the Tortoise blew the bellows, and as the Swallower rushed forward with his mouth wide open Libanza threw the liquid metal right into the gaping jaws, and the Swallower of people fell dead.

There are several folk-lore stories that have crystallized for us their ideas concerning Libanza, and it is interesting to note that such stories are called Mabanza (plural form of Libanza), and these contain a statement of some of the doings of Libanza, whereas their word for fable, parable, story is mokulu. The common opinion was that Libanza lived on the earth, and was the first to go into heaven. His origin, life, and adventures as told in their folk stories are briefly as follows:

Libanza’s mother (names of father and mother were never given) gave birth first to elephants, the various kinds of bush animals, the different varieties of flies and insects, and to the amphibia; then his mother told him to come out, but before Libanza would do so he ordered his mother to scrape her finger-nails; when she had done this he threw out spears, shield, a chair covered with brass nails, and finally came out himself.

Libanza’s father, according to another folk story, was trapped and killed while stealing some nsafu fruit for his wife. And he acquainted his wife of his death by causing a fetish horn he had left with her to overflow with blood. As soon as Libanza was born he inquired about his father and the manner of his death, and set himself to punish the one who had killed him, which after a series of futile attempts he finally accomplished by slaying the murderer of his father. Then comes the story of his own adventures, which reach their climax in the destruction of the Swallower of people.

It is not at all improbable that Libanza is the name of some great chief who by his resource and courage delivered the people from great peril and oppression, and around whose name have gathered many myths, and to him is ascribed great magical power. In the original story much magic is performed to meet the various difficulties that arise, as changing himself into different shapes, making horns and saucepans move and speak, and resurrecting broken and dead animals. No moral qualities were ascribed to Libanza, but he was regarded as being very strong, and rich. When our steamer, the Peace, made her first journey up-river, the Boloki of Monsembe told me that they thought it was “Libanza going to Singitingi (Stanley Falls) to visit his sister Nsongo.” They could hear the noise of the engines, but as they could see no paddles they thought that “the river mingoli (water-spirits) were pushing the steamer along.”


Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page