Flood legends from St. Michael

The Norton Sound Eskimo tell of an ancient flood that submerged the earth, sparing only a high mountain. Some animals survived by climbing its slopes, while a few humans lived in an umiak, relying on fish until the waters receded. As the floodwaters shaped the land into mountains and valleys, survivors descended, repopulating the earth. Similar legends exist among other Bering Sea Eskimo groups.

Source: 
The Eskimo about Bering Strait 
by Edward William Nelson 
[Smithsonian Institution] 
Bureau of American Ethnology 
Eighteenth Annual Report 
Washington, 1900


► Themes of the story

Creation: It explains how the current world, with its mountains and valleys, came into being after a great flood.

Origin of Things: The story provides an explanation for natural phenomena, specifically the formation of the earth’s topography.

Loss and Renewal: It depicts a cycle of destruction through the flood and subsequent rebirth as survivors repopulate the earth.

► From the same Region or People

Learn more about Inuit peoples


Legends very similar to this are widely spread among other Eskimo on the coast of Bering sea.

The Norton sound Eskimo have a legend that in the first days the earth was flooded except a very high mountain in the middle. The water came up from the sea and covered all the land except the top of this mountain; only a few animals were saved, which escaped by going up the mountain side. A few people escaped by going into an umiak and subsisting on the fish they caught until the water subsided.

Finally, as the waters lowered, the people who were saved went to live upon the mountains, eventually descending to the coast; the animals also came down and replenished the earth with their kind. During the flood the waves and currents cut the surface of the land into hollows and ridges, and then, as the water receded, it ran back into the sea, leaving the mountains and valleys as they are today.

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The origin of the sun, moon, and stars

In these legends, cosmic phenomena are vividly explained through myth. The sun and moon originated from siblings involved in a tragic pursuit, with the stars born from flying sparks. Auroras are spirits guiding souls to a bountiful afterlife, while the sky is a frosty dome controlling weather through divine figures. Winds are personified spirits, each influencing the world with their breath and power.

Source: 
Ethnology of the Ungava District, 
Hudson Bay Territory 
by Lucien M. Turner 
[Smithsonian Institution] 
Bureau of American Ethnology 
Eleventh Annual Report, 1889-1890 
Washington, 1894


► Themes of the story

Creation: The tale explains the emergence of celestial bodies—the sun, moon, and stars—detailing their origins and the dynamics between them.

Transformation: Central to the story is the metamorphosis of human figures into cosmic entities, illustrating a shift from mortal to celestial forms.

Forbidden Knowledge: The narrative begins with the revelation of a concealed truth, leading to significant consequences and the eventual transformation of the siblings.

► From the same Region or People

Learn more about Inuit peoples


At a time when darkness covered the earth a girl was nightly visited by some one whose identity she could not discover. She determined to find out who it could be. She mixed some soot with oil and painted her breast with it.

The next time she discovered, to her horror, that her brother had a black circle of soot around his mouth. She upbraided him and he denied it. The father and mother were very angry and scolded the pair so severely that the son fled from their presence.

The daughter seized a brand from the fire and pursued him. He ran to the sky to avoid her, but she flew after him. The man changed into the moon and the girl who bore the torch became the sun.

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The sparks that flew from the brand became the stars. The sun is constantly pursuing the moon, which keeps in the darkness to avoid being discovered. When an eclipse occurs they are supposed to meet.

Auroras

Auroras are believed to be the torches held in the hands of spirits seeking the souls of those who have just died, to lead them over the abyss terminating the edge of the world. A narrow pathway leads across it to the land of brightness and plenty, where disease and pain are no more, and where food of all kinds is always ready in abundance. To this place none but the dead and the raven can go. When the spirits wish to communicate with the people of the earth they make a whistling noise and the earth people answer only in a whispering tone. The Eskimo say that they are able to call the aurora and converse with it. They send messages to the dead through these spirits.

The sky

The sky is supposed to be an immense dome, of hard material, reared over the earth, long from east to west and shorter from north to south. The edges of the land and sea are bounded by high, precipitous sides, shelving outward or sloping inward to prevent anything living on the earth from going to the region beyond. There is the source of light and heat. The dome of the sky is very cold, and at times covered with crystals of frost which fall in the form of snow or frost films to the earth, and then the sky becomes clear. The clouds are supposed to be large bags of water, controlled by two old women who run with them across the sky, and as the water escapes from the seams it falls in the form of rain to the earth. The thunder is their voice and the lightning is their torch. If a spark falls from this on anyone he dies and goes to the region above.

The winds

At each of the corners of the earth there dwells an immense but invincible spirit, whose head is many times larger than all the remainder of his body. When he breathes the wind blows and his breath is felt. Some breathe violent storms and others gentle zephyrs. The male spirits dwell at the north, northeast, northwest, and west. The females dwell at the remaining points, and each principal spirit has innumerable intermediate and less powerful attendants.


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Story of the orphan boy

A mistreated orphan boy, subjected to cruelty by his caretakers, finds solace in the kindness of a young girl. Desperate for freedom, he pleads to the man in the moon for help. Granted immense strength after a beating, he exacts revenge on his tormentors, sparing only the girl who aided him. Restored to normal size, he marries her and lives peacefully.

Source: 
Ethnology of the Ungava District, 
Hudson Bay Territory 
by Lucien M. Turner 
[Smithsonian Institution] 
Bureau of American Ethnology 
Eleventh Annual Report, 1889-1890 
Washington, 1894


► Themes of the story

Transformation: The boy undergoes a significant change, gaining immense strength after his encounter with the man in the moon.

Divine Intervention: The man in the moon responds to the boy’s plea for help, directly influencing the events that follow.

Revenge and Justice: The boy exacts revenge on his tormentors, bringing justice for the mistreatment he endured.

► From the same Region or People

Learn more about Inuit peoples


This story was obtained from a man from Labrador. The Eskimo assert that this occurred near Ohak (or Okak), now a missionary station. They show the rock, which a little imagination gives the appearance of having dried blood and brains still upon it.

A small boy, who had neither father, mother, nor any living relatives, was dwelling with some people who maltreated him in every way their fancy could suggest. He was kept in the entry way to the hut, like a dog, and was permitted to eat only of the skin of walrus when they had it to give him. At other times they would throw to him what they themselves would not eat. They forbade him to have a knife with which to cut his food, and he was compelled to gnaw the bones like a dog. A little girl, the daughter of the head of the family with whom he lived, would secretly take to him a knife with which to divide the tough skin of the walrus. She also carried food of better quality to him when she could do so clandestinely. These kind attentions pleased him very much, and made him long for an opportunity to escape. But how was he to better his condition when the hand of everybody was raised against him on account of his treatment at home? The little girl who had so often befriended him could not assist him to escape from such a life. He endeavored to lay a plan, but it came to naught. There seemed no help for him. One night he abandoned all hope and threw himself on the ground in despair.

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While there he gazed at the bright moon, and the more intently his gaze was fixed upon it the more he thought he discerned the face of a man in it, and at last he cried to the man to come and help him escape from his miserable life. The man came down from the moon and gave the poor boy a frightful beating, but the more he was beaten the larger he seemed to grow. After awhile he became so strong that he could handle a large rock as easily as he had hitherto handled a little stone. A large, round bowlder from the beach was no more to him than a bullet held in the hand of a strong man.

The moon man then told the boy that he was large enough to take care of himself and do as he pleased with the people who had treated him so badly. With this the two parted, and the moon man went to his hole in the sky, while the boy walked along the beach picking up rocks and tossing them along the shore until the character of the water’s edge was entirely changed. When the boy arrived at the hut it was daylight, for he had tarried so long on the beach testing his strength that the night had slipped away.

The people were terrified when they saw to what enormous proportions the abused boy had grown. He became frenzied the instant he saw his former persecutors, and seizing first one and then the other in his hands dashed them against the rocks. The blood and brains ran in streams. One of the men, seeing his doom, begged for his life and promised his kaiak, spears, sled, and wife if he should be spared. The enraged boy continued the slaughter until only the little girl who had so often befriended him was left. She became his wife, and in the course of a few hours the man, whose name was Kou je yuk, became of a natural size again and passed his life in comfort.


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The jealous man

A jealous man forbade his two lovers from interacting with others, leading them to flee. They found refuge near a whale carcass but were discovered after the man consulted a conjurer. He captured one woman and blinded the other to control her. While staying at the site, he profited by trapping animals attracted to the carcass before returning to his camp.

Source: 
Ethnology of the Ungava District, 
Hudson Bay Territory 
by Lucien M. Turner 
[Smithsonian Institution] 
Bureau of American Ethnology 
Eleventh Annual Report, 1889-1890 
Washington, 1894


► Themes of the story

Forbidden Love: The man’s jealousy leads him to impose strict restrictions on his two lovers, forbidding them from interacting with others.

Cunning and Deception: The women, weary of the man’s control, deceive him by fleeing along the coast to escape his oppressive behavior.

Divine Punishment: The man’s actions result in dire consequences for the women, including capture and blindness, reflecting a form of retribution for their defiance.

► From the same Region or People

Learn more about Inuit peoples


A man fell in love with two women and was so jealous of them that he would not permit them to look upon others, much less speak to them. The women finally wearied of the restrictions placed upon them and resolved to desert the man. They fled along the coast until they were faint from hunger.

At length they came upon the body of a whale cast on the shore. Here they determined to dwell for a time. The man sought for the women in every possible place with no success. A conjurer was consulted, and after much deliberation, he told the deserted man to journey to a place where he would find the carcass of a whale and to secrete himself in the vicinity and watch for the women.

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He started out accordingly and before long had the pleasure of seeing the two women. They detected the man hastening toward them and tried to secrete themselves until he should get by. He seized one of them, however, and bound her with thongs. The other was less disposed to submit, and the man put out her eyes to deprive her of the privilege of looking at any man. They remained about that locality for some time, and various animals of the land came to the carcass to feast upon the remains. The man caught a great number of foxes and other valuable furs and after a time returned to the camp whence he came.


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The rivals

Two rivals sought to prove their superior strength. One created an island by throwing a massive rock into the sea. The other pushed it with his foot so forcefully that it landed atop a distant island, leaving a visible footprint. This site became known as Tu kik’ tok, symbolizing their extraordinary contest of power.

Source: 
Ethnology of the Ungava District, 
Hudson Bay Territory 
by Lucien M. Turner 
[Smithsonian Institution] 
Bureau of American Ethnology 
Eleventh Annual Report, 1889-1890 
Washington, 1894


► Themes of the story

Conflict with Nature: The rivals manipulate natural elements—rocks and the sea—to showcase their strength.

Cultural Heroes: The protagonists’ extraordinary feats contribute to local lore, embodying traits admired in their culture.

Mythical Creatures: While the story doesn’t feature traditional mythical beings, the rivals themselves perform superhuman acts, elevating them to legendary status.

► From the same Region or People

Learn more about Inuit peoples


A tale from Labrador:

Between two men there existed keen rivalry. Each asserted himself to be the stronger and endeavored to prove himself superior to the other.

One of them declared his ability to form an island where none had hitherto existed. He picked up an immense rock and hurled it into the sea where it became an island. The other, with his foot, pushed it so hard that it landed on the top of another island lying far beyond.

The mark of the footprint is visible to this day, and that place is now known as Tu kik’ tok.

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Story of the man and his fox wife

A solitary hunter discovered his home tidied and meals prepared during his absences, seemingly by an unseen wife. Curious, he feigned departure and observed a fox entering his home. Confronting the fox, he found it transformed into a beautiful woman who claimed to be his wife. When he questioned her musky scent, she reverted to her fox form and disappeared, never returning to men.

Source: 
Ethnology of the Ungava District, 
Hudson Bay Territory 
by Lucien M. Turner 
[Smithsonian Institution] 
Bureau of American Ethnology 
Eleventh Annual Report, 1889-1890 
Washington, 1894


► Themes of the story

Supernatural Beings: The narrative features a fox that transforms into a woman, highlighting interactions between humans and shape-shifting entities.

Transformation: Central to the story is the fox’s ability to change form, symbolizing themes of change and the fluidity of identity.

Love and Betrayal: The relationship between the hunter and the fox-woman reflects themes of love, trust, and the consequences of questioning or doubting one’s partner.

► From the same Region or People

Learn more about Inuit peoples


A hunter who lived by himself found when he returned to the place after an absence that it had been visited and everything put in order as a dutiful wife should do. This happened so often with no visible signs of tracks that the man determined to watch and see who would scrape his skin clothing and boots, hang them out to dry, and cook nice hot food ready to be eaten when he returned. One day he went away as though going off on a hunt, but secreted himself so as to observe the entrance of anything into the house. After a while he saw a fox enter. He suspected that the fox was after food. He quietly slipped up to the house and on entering saw a most beautiful woman dressed in skin clothing of wondrous make. Within the house, on a line, hung the skin of a fox. The man inquired if it was she who had done these things.

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She replied that she was his wife and it was her duty to do them, hoping that she had performed her labor in a manner satisfactory to him.

After they had lived together a short time the husband detected a musky odor about the house and inquired of her what it was. She replied that she emitted the odor and if he was going to find fault with her for it she would leave. She dashed off her clothing and, resuming the skin of the fox, slipped quietly away and has never been disposed to visit a man since that time.


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Origin of living things on the earth and in the water

This collection of myths explains the origins of various creatures and natural phenomena in Inuit culture. From a woman’s severed fingers turning into sea animals to children transforming into guillemots after a tragic fall, each tale is rich with symbolic meaning. Other stories recount the creation of loons, ravens, gulls, and mosquitoes, often involving transformation, punishment, or adaptation to hardships.

Source: 
Ethnology of the Ungava District, 
Hudson Bay Territory 
by Lucien M. Turner 
[Smithsonian Institution] 
Bureau of American Ethnology 
Eleventh Annual Report, 1889-1890 
Washington, 1894


► Themes of the story

Creation: These narratives delve into the beginnings of various creatures, illustrating how the world and its inhabitants came into existence.

Transformation: Central to these stories is the concept of metamorphosis, where beings change forms, such as a woman’s severed fingers becoming sea animals, symbolizing physical and spiritual evolution.

Supernatural Beings: The tales feature interactions with otherworldly entities, highlighting the influence of spirits and deities in shaping the natural world and human experiences.

► From the same Region or People

Learn more about Inuit peoples


A long time ago a man who was cutting down a tree observed that the chips continued in motion as they fell from the blows. Those that fell into the water became the inhabitants of the water. Those that fell on the land became the various animals and in time were made the food of mankind. (This was the version given me by a person living at Fort Chimo.)

Another person from farther west gave the following account of the origin of the living things of the earth: Previous to a time when water covered the earth the people lived on such food as they could always find prepared for them in abundance. They did not know of any animals at that time on the land or in the water.

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The water finally went away and the seaweeds became trees, shrubs, bushes, and grass. The long seaweeds were the trees and the smaller kinds became the bushes and grass. The grass, however, was in some manner put in various places by a walrus at a later date than the appearance of the trees.

A woman who had lost her husband lived among strangers. As they desired to change the place of their habitation, they resolved to journey to another point of land at a distance. The woman who was depending on charity had become a burden of which they wished to rid themselves. So they put all their belongings into the umiak and when they were on the way they seized the woman and cast her overboard. She struggled to regain the side of the boat, and when she seized it, the other’s cut off her fingers which fell into the water and changed to seals, walrus, whales, and white bears. The woman in her despair, screamed her determination to have revenge for the cruelty perpetrated upon her. The thumb became a walrus, the first finger a seal, and the middle finger a white bear. When the former two animals see a man they try to escape lest they be served as the woman was.

The white bear lives both on the land and in the sea, but when he perceives a man revengeful feelings fill him, and he determines to destroy the person who he thinks mutilated the woman from whose finger he sprang.

Origin of the guillemots

While some children were playing on the level top of a high cliff overhanging the sea, the older children watched the younger ones lest they should fall down the bluff. Below them the sea was covered with ice, and the strip along the shore had not yet loosened to permit the seals to approach. Soon afterward a wide crack opened and the water was filled with seals, but the children did not observe them. The wind was cold, and the children romped in high glee, encouraging each other to greater exertion in their sports and shouted at the top of their voices.

The men saw the seals and hastened to the shore to put their kaiaks into the water to pursue them. At this the children increased their shouts, which frightened the seals till they dived out of sight. One of the men was angry, and exclaimed to the others, “I wish the cliff would topple over and bury those noisy children for scaring the seals.” In a moment the cliff tipped over and the poor children fell among the fragments of huge rocks and stones at the bottom. Here they were changed into guillemots or sea-pigeons, with red feet, and even to this day they thus dwell among the debris at the foot of cliffs next to the water of the sea.

Origin of the raven

The raven was a man, who, while other people were collecting their household property preparatory to removing to another locality, called to them that they had forgotten to bring the lower blanket of deerskin used for a bed. This skin in the Eskimo language is called kak. The man used the word so often that they told him to get it himself. He hurried so much that he was changed into a raven, and now uses that sound for his note. Even to this day when the camp is being removed the raven flies over and shouts “Kak! kak!” or, in other words, “Do not forget the blanket.”

Origin of the quadrangular spots on the loon’s back

A man had two children that he wished might resemble each other. He painted the one (loon) with a white breast and square spots on the back. The other (raven) saw how comical the loon appeared, and laughed so much that the loon became ashamed and escaped to the water, where it always presents its white breast in order to hide the spots of the back which caused so much ridicule. The raven eluded the attempt to be painted in like manner, and stoutly refused to come near.

Origin of the gulls

Some people in a boat desired to go around a point of land which projected far into the water. As the water there was always in a violent commotion under the end of the point which terminated in a high cliff some of the women were requested to walk over the neck of land. One of them got out with her children in order to lighten the boat. She was directed to go over the place, and they promised to wait for her on the other side. The people in the boat had gone so far that their voices, giving the direction, became indistinct. The poor woman became confused and suspected they wanted to desert her. She remained about the cliff, constantly crying the last words she heard. She ultimately changed into a gull, and now shouts only the sound like “go over, goover, over, ove,” etc.

Origin of the hawks

Among the people of a village was a woman who was noted for the shortness of her neck. She was so constantly teased and tormented about it that she often sat for hours on the edge of high places. She changed into a hawk, and now when she sees anyone she immediately exclaims, “Kea! kea! kea! who, who, who was it that cried ‘short neck’?”

Origin of the swallow

Some small children, who were extraordinarily wise, were playing at building toy houses on the edge of a high cliff near the village in which they dwelt. They were envied for their wisdom, and to them was given the name “Zulugagnak” or, like a raven, which was supposed to know all the past and future. While these children were thus amusing themselves they were changed into small birds, which did not forget their last occupation, and even to this day they come to the cliffs, near the camps of the people, and build houses of mud, which they affix to the side of the rock. Even the raven does not molest them, and the Eskimo children love to watch the swallow build his iglugiak of mud.

The hare

The hare was a child who was so ill treated and abused by the other people, because it had long ears, that it went to dwell by itself. When it sees anyone the ears are laid down on the back, for, if it hears the shout of a person, it thinks they are talking of its long ears. It has no tail, because it did not formerly have one.

The wolf

The wolf was a poor woman, who had so many children that she could not find enough for them to eat. They became so gaunt and hungry that they were changed into wolves, constantly roaming over the land seeking food. The cry of the mother may be heard as she strives to console her hungry children, saying that food in plenty will soon be found.

Lice

Lice are supposed to drop from the body of a huge spirit, dwelling in the regions above, who was punished by having these pests constantly torment him. In his rage to free himself the lice dropped down upon the people who condemned him to this punishment.

Origin of mosquitoes

A man had a wife who was negligent and failed to scrape his skin clothing properly when he returned from his expeditious. He endeavored to persuade her to mend her ways and do as a wife should do. She was again directed to remove the accumulated layer of dirt from the man’s coat. She petulantly took the garment and cleaned it in such a slovenly way that when the husband discovered the condition of the coat he took some of the dirt from it and flung it after her. The particles changed into mosquitoes, and now (in spring), when the warm days come and the women have the labor of cleaning clothes to perform, the insects gather around them, and the women are thus reminded of the slovenly wife and what befel her.


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The Coming of the White People

Facing starvation, the Eskimo were desperate for survival. The greatest Tungaksoak prophesied the arrival of light-haired, white-skinned people in a massive umiak. He sent two puppies adrift on objects; one returned with Indians. Years later, a strange vessel brought the prophesied people. A man, once a puppy, announced their arrival before transforming back into a dog, fulfilling the prophecy.

Source: 
Ethnology of the Ungava District, 
Hudson Bay Territory 
by Lucien M. Turner 
[Smithsonian Institution] 
Bureau of American Ethnology 
Eleventh Annual Report, 1889-1890 
Washington, 1894


► Themes of the story

Prophecy and Fate: The tale centers on a prophecy by the Tungaksoak, foretelling the arrival of white-skinned people who would bring salvation to the starving community.

Divine Intervention: The transformation of puppies into messengers and the fulfillment of the prophecy suggest a supernatural influence guiding the events to ensure the community’s survival.

Cultural Heroes: The Tungaksoak, as a spiritual leader, plays a pivotal role in guiding and protecting the community through his prophetic vision, embodying the qualities of a cultural hero.

► From the same Region or People

Learn more about Inuit peoples


The Eskimo were on the verge of starvation and had eaten nearly all their food. They saw that in a few more days death would come. The greatest Tungaksoak or great Tungak determined to bring relief and prophesied that people having light hair and white skins would come in an immense umiak. He placed a young puppy on a chip and another on an old sealskin boot, and set them adrift on the water. The puppies drifted in different directions, and in the course of time the one on the chip returned and brought with it the Indians. A long time after that, when the people had nearly forgotten the other puppy, a strange white object like an iceberg came directly toward the shore. In a few moments the puppy, now a man, announced that the people had come with many curious things in their vessel. The man immediately became a dog.

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The owl and the raven

The owl and the raven were close friends who exchanged gifts—a dress for the owl and boots for the raven. When the owl tried to fit the raven with a white dress, the raven’s restless hopping led to the owl’s anger. In frustration, the owl poured oil over the raven, turning it black forever. The raven’s cry, “Qaq! Qaq!” marked the moment.

Source: 
The Central Eskimo 
by Franz Boas 
[Bureau of American Ethnology] 
Sixth Annual Report 
Washington, 1888


► Themes of the story

Transformation: The tale explains the physical change in the raven’s appearance from white to black feathers.

Trickster: The raven’s restless behavior and the resulting transformation align with the trickster archetype common in many myths.

Origin of Things: This story provides an explanation for the natural phenomenon of the raven’s black coloration.

► From the same Region or People

Learn more about Inuit peoples


The owl and the raven were fast friends. One day the raven made a new dress, dappled white and black, for the owl, who in return made a pair of boots of whalebone for the raven and then began to make a white dress. But when he was about to try it on, the raven kept hopping about and would not sit still.

The owl got angry and said: “Now sit still or I shall pour out the lamp over you.” As the raven continued hopping about, the owl fell into a passion and poured the oil upon it. Then the raven cried “Qaq! Qaq!” and since that day has been black all over.

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Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The bear story

A woman adopted a polar bear cub, Kunikdjuaq, raising him as her son. He grew into a skilled hunter, supporting her with seals and salmon. When envious villagers plotted his death, she warned him to flee but asked him to remain nearby. Despite his departure, their bond endured, with Kunikdjuaq providing for her during her times of need, exemplifying unwavering loyalty and love over many years.

Source: 
The Central Eskimo 
by Franz Boas 
[Bureau of American Ethnology] 
Sixth Annual Report 
Washington, 1888


► Themes of the story

Transformation through Love: The deep bond between the woman and Kunikdjuaq transforms a wild animal into a devoted provider, highlighting love’s power to transcend natural boundaries.

Family Dynamics: Despite being of different species, the woman and Kunikdjuaq form a familial relationship, exploring themes of maternal love, loyalty, and the complexities of non-traditional family structures.

Conflict with Authority: The villagers’ envy and decision to kill Kunikdjuaq represent societal opposition to the unconventional bond, illustrating the tension between individual relationships and communal norms.

► From the same Region or People

Learn more about Inuit peoples


Many moons ago, a woman obtained a polar bear cub but two or three days old. Having long desired just such a pet, she gave it her closest attention, as though it were a son, nursing it, making for it a soft warm bed alongside her own, and talking to it as a mother does to her child. She had no living relative, and she and the bear occupied the house alone. Kunikdjuaq, as he grew up, proved that the woman had not taught him in vain, for he early began to hunt seals and salmon, bringing them to his mother before eating any himself, and receiving his share from her hands. She always watched from the hilltop for his return, and if she saw that he had been unsuccessful, she begged from her neighbors blubber for his food.

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She learned how this was from her lookout, for if successful, he came back in the tracks made on going out, but if unsuccessful always by a different route. Learning to excel the Inuit in hunting, he excited their envy, and, after long years of faithful service, his death was resolved upon. On hearing this, the old woman, overwhelmed with grief, offered to give up her own life if they would but spare him who had so long supported her. Her offer was sternly refused. Upon this, when all his enemies had retired to their houses, the woman had a long talk with her son — now well known in years — telling him that wicked men were about to kill him, and that the only way to save his life and hers was for him to go off and not return. At the same time she begged him not to go so far that she could not wander off and meet him, and get from him a seal or something else which she might need. The bear, after listening to what she said with tears streaming down her furrowed cheeks, gently placed one huge paw on her head, and then throwing both around her neck, said, “Good mother, Kunikdjuaq will always be on the lookout for you and serve you as best he can.” Saying this, he took her advice and departed, almost as much to the grief of the children of the village as to the mother.

Not long after this, being in need of food, she walked out on the sea ice to see if she could not meet her son, and soon recognized him as one of two bears who were lying down together. He ran to her, and she patted him on the head in her old familiar way, told him her wants, and begged him to hurry away and get something for her. Away ran the bear, and in a few moments the woman looked upon a terrible fight going on between him and his late companion, which, however, to her great relief, was soon ended by her son’s dragging a lifeless body to her feet. With her knife she quickly skinned the dead bear, giving her son large slices of the blubber, and telling him that she would soon return for the meat, which she could not, at first carry to her house, and when her supply should again fail she would comeback for his help. This she continued to do for “a long, long time,” the faithful bear always serving her and receiving the same unbroken love of his youth.


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