Category: Asia

A Legend of Kwannon

In the days of the gods, Ama-no-Hashidate symbolized the link between heaven and earth. Saion Zenji, a holy man, built a shrine to Kwannon the Merciful there, dedicating his life to prayer. In a harsh winter, starving, he reluctantly ate the flesh of a mystical deer. Later, this proved to be a miracle of Kwannon herself, affirming her compassion and Zenji’s faith.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Sacred Spaces: The hermit Saion Zenji builds a shrine dedicated to Kwannon the Merciful at Ama-no-Hashidate, a place revered as the “Floating Bridge of Heaven,” highlighting the significance of holy locations.

Divine Intervention: During a harsh winter, when Saion Zenji faces starvation, he consumes the flesh of a mystical deer, which later reveals itself as a miracle of Kwannon, demonstrating the gods’ influence in mortal affairs.

Harmony with Nature: The narrative emphasizes the interconnectedness between Saion Zenji and his natural surroundings, as he perceives trees, rocks, and the sea as sentient beings joining in praise, reflecting a harmonious relationship with the environment.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

In the days of the gods, Ama-no-Hashidate was the Floating Bridge of Heaven. By way of this bridge came the deities from heaven to earth, bearing their jewelled spears, their great bows and heavenly-feathered arrows, their wonder robes and their magic mirrors. Afterwards, when the direct way was closed that had been between earth and heaven, and the deities walked no more upon the Land of Fresh Rice Ears, the people still called a place Ama-no-Hashidate, for the sake of happy memory. This place is one of the Three Fair Views of Yamato. It is where a strip of land runs out into the blue sea, like a floating bridge covered with dark pine trees.

► Continue reading…

There was a holy man of Kioto called Saion Zenji. He had followed the Way of the Gods from his youth up. He was also a disciple of the great Buddha; well versed was he in doctrines and philosophies; he knew the perils of illusion and the ineffable joys of Nirvana. Long hours would he pass in mystic meditation, and many of the Scriptures he had by heart. When he was on a pilgrimage he came to Ama-no-Hashidate, and he offered up thanks because the place was so lovely in his eyes.

He said, “The blind and ignorant have it that trees and rocks and the green sea-water are not sentient things, but the wise know that they also sing aloud and praise the Tathagata. Here will I take up my rest, and join my voice with theirs, and will not see my home again.”

So Saion Zenji, the holy man, climbed Nariai-San, the mountain over against Ama-no-Hashidate. And when he had come to the place of the Lone Pine, he built him a shrine to Kwannon the Merciful, and a hut to cover his own head.

All day he chanted the Holy Sutras. From dawn to eventide he sang, till his very being was exalted and seemed to float in an ecstasy of praise. Then his voice grew so loud and clear that it was a marvel. The blue campanula of the mountain in reverence bowed its head; the great white lily distilled incense from its deep heart; the cicala shrilled aloud; the Forsaken Bird gave a long note from the thicket. About the hermit’s hut there fluttered dragon-flies and butterflies innumerable, which are the souls of the happy dead. In the far valleys the peasant people were comforted in their toil, whether they planted out the green young rice, or gathered in the ears. The sun and the wind were tempered, and the rain fell softly upon their faces. Ever and again they climbed the steep hillside to kneel at the shrine of Kwannon the Merciful, and to speak with the holy man, whose wooden bowl they would fill with rice or millet, or barley-meal or beans. Sometimes he came down and went through the villages, where he soothed the sick and touched the little children. Folks said that his very garments shone.

Now in that country there came a winter season the like of which there had not been within the memory of man. First came the wind blowing wildly from the north, and then came the snow in great flakes which never ceased to fall for the period of nine days. All the folk of the valleys kept within doors as warm as might be, and those that had their winter stores fared none so ill. But, ah me, for the bitter cold upon the heights of Nariai-San! At the Lone Pine, and about the hermit’s hut, the snow was piled and drifted. The shrine of Kwannon the Merciful could no more be seen. Saion Zenji, the holy man, lived for some time upon the food that was in his wooden bowl. Then he drew about him the warm garment of thought, and passed many days in meditation, which was meat and drink and sleep to him. Howbeit, even his clear spirit could not utterly dispel the clouds of illusion. At length it came to earth and all the man trembled with bodily weakness.

“Forgive me, O Kwannon the Merciful,” said Saion Zenji; “but verily it seems to me that if I have no food I die.”

Slowly he rose, and painfully he pushed open the door of his hut. The snow had ceased; it was clear and cold. White were the branches of the Lone Pine, and all white the Floating Bridge.

“Forgive me, O Kwannon the Merciful,” said Saion Zenji; “I know not the reason, but I am loath to depart and be with the Shades of Yomi. Save me this life, O Kwannon the Merciful.”

Turning, he beheld a dappled hind lying on the snow, newly dead of the cold. He bowed his head. “Poor gentle creature,” he said, “never more shalt thou run in the hills, and nibble the grass and the sweet flowers.” And he stroked the hind’s soft flank, sorrowing.

“Poor deer, I would not eat thy flesh. Is it not forbidden by the Law of the Blessed One? Is it not forbidden by the word of Kwannon the Merciful?” Thus he mused. But even as he mused he seemed to hear a voice that spoke to him, and the voice said:

“Alas, Saion Zenji, if thou die of hunger and cold, what shall become of my people, the poor folk of the valleys? Shall they not be comforted any more by the Sutras of the Tathagata? Break the law to keep the law, beloved, thou that countest the world well lost for a divine song.”

Then presently Saion Zenji took a knife, and cut him a piece of flesh from the side of the dappled hind. And he gathered fir cones and made a little fire and cooked the deer’s flesh in an iron pot. When it was ready he ate half of it. And his strength came to him again, and he opened his lips and sang praises to the Tathagata, and the very embers of the dying fire leapt up in flame to hear him.

“Howbeit I must bury the poor deer,” said Saion Zenji. So he went to the door of his hut. But look where he might no deer nor dappled hind did he see, nor yet the mark of one in the deep snow.

“It is passing strange,” he said, and wondered.

As soon as might be, up came the poor folk from the valley to see how their hermit had fared through the snow and the stormy weather. “The gods send he be not dead of cold or hunger,” they said one to another. But they found him chanting in his hut, and he told them how he had eaten of the flesh of a dappled hind and was satisfied.

“I cut but a hand’s breadth of the meat,” he said, “and half of it is yet in the iron pot.”

But when they came to look in the pot, they found there no flesh of deer, but a piece of cedar wood gilded upon the one side. Marvelling greatly, they carried it to the shrine of Kwannon the Merciful, and when they had cleared away the deep snow, all of them went in to worship. There smiled the image of the sweet heavenly lady, golden among her golden flowers. In her right side there was a gash where the gilded wood was cut away. Then the poor folk from the valley reverently brought that which they had found in the hermit’s pot, and set it in the gash. And immediately the wound was healed and the smooth gold shone over the place. All the people fell on their faces, but the hermit stood singing the high praise of Kwannon the Merciful.

The sun set in glory. The valley folk crept softly from the shrine and went down to their own homes. The cold moon and the stars shone upon the Lone Pine and the Floating Bridge and the sea. Through a rent in the shrine’s roof they illumined the face of Kwannon the Merciful, and made visible her manifold arms of love. Yet Saion Zenji, her servant, stood before her singing in an ecstasy, with tears upon his face:

“O wonder-woman, strong and beautiful,
Tender-hearted, pitiful, and thousand-armed!
Thou hast fed me with thine own flesh–
Mystery of mysteries!
Poor dead dappled hind thou cam’st to me;
In the deep of mine own heart thou spoke to me
To keep, yet break, and breaking, keep thy law–
Mystery of mysteries!
Kwannon, the Merciful Lady, stay with me,
Save me from the perils of illusion;
Let me not be afraid of the snow or the Lone Pine.
Mystery of mysteries–
Thou hast refused Nirvana,
Help me that I may lose the world, content,
And sing the Divine Song.”

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Fire Quest

The Wise Poet watches moths, cockchafers, and dragonflies perish in the flame of his taper, lamenting their futile pursuit of light. He recounts the tale of the Firefly Queen, who deceived her suitors by sending them on a hopeless quest for fire, laughing all the while. Ignoring his warnings, the insects persist, and the Poet extinguishes his light, choosing darkness to save them.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Quest: The insects embark on a perilous journey to obtain fire, driven by their desire to win the Firefly Queen’s favor.

Sacrifice: The moths, cockchafers, and dragonflies sacrifice their lives in pursuit of the unattainable fire, highlighting the fatal consequences of their devotion.

Illusion vs. Reality: The insects are lured by the illusion of gaining the Firefly Queen’s love, failing to perceive the deadly reality of their quest.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

The Wise Poet sat reading by the light of his taper. It was a night of the seventh month. The cicala sang in the flower of the pomegranate, the frog sang by the pond. The moon was out and all the stars, the air was heavy and sweet-scented. But the Poet was not happy, for moths came by the score to the light of his taper; not moths only, but cockchafers and dragon-flies with their wings rainbow-tinted. One and all they came upon the Fire Quest; one and all they burned their bright wings in the flame and so died. And the Poet was grieved.

► Continue reading…

“Little harmless children of the night,” he said, “why will you still fly upon the Fire Quest? Never, never can you attain, yet you strive and die. Foolish ones, have you never heard the story of the Firefly Queen?”

The moths and the cockchafers and the dragon-flies fluttered about the taper and paid him no heed.

“They have never heard it,” said the Poet; “yet it is old enough. Listen:

“The Firefly Queen was the brightest and most beautiful of small things that fly. She dwelt in the heart of a rosy lotus. The lotus grew on a still lake, and it swayed to and fro upon the lake’s bosom while the Firefly Queen slept within. It was like the reflection of a star in the water.

“You must know, oh, little children of the night, that the Firefly Queen had many suitors. Moths and cockchafers and dragon-flies innumerable flew to the lotus on the lake. And their hearts were filled with passionate love. ‘Have pity, have pity,’ they cried, ‘Queen of the Fireflies, Bright Light of the Lake.’ But the Firefly Queen sat and smiled and shone. It seemed that she was not sensible of the incense of love that arose about her.

“At last she said, ‘Oh, you lovers, one and all, what make you here idly, cumbering my lotus house? Prove your love, if you love me indeed. Go, you lovers, and bring me fire, and then I will answer.’

“Then, oh, little children of the night, there was a swift whirr of wings, for the moths and the cockchafers and the dragon-flies innumerable swiftly departed upon the Fire Quest. But the Firefly Queen laughed. Afterwards I will tell you the reason of her laughter.

“So the lovers flew here and there in the still night, taking with them their desire. They found lighted lattices ajar and entered forthwith. In one chamber there was a girl who took a love-letter from her pillow and read it in tears, by the light of a taper. In another a woman sat holding the light close to a mirror, where she looked and painted her face. A great white moth put out the trembling candle-flame with his wings.

“‘Alack! I am afraid,’ shrieked the woman; ‘the horrible dark!’

“In another place there lay a man dying. He said, ‘For pity’s sake light me the lamp, for the black night falls.’

“‘We have lighted it,’ they said, ‘long since. It is close beside you, and a legion of moths and dragon-flies flutter about it.’

“‘I cannot see anything at all,’ murmured the man.

“But those that flew on the Fire Quest burnt their frail wings in the fire. In the morning they lay dead by the hundred and were swept away and forgotten.

“The Firefly Queen was safe in her lotus bower with her beloved, who was as bright as she, for he was a great lord of the Fireflies. No need had he to go upon the Fire Quest. He carried the living flame beneath his wings.

“Thus the Firefly Queen deceived her lovers, and therefore she laughed when she sent them from her on a vain adventure.”

* * * * *

“Be not deceived,” cried the Wise Poet, “oh, little children of the night. The Firefly Queen is always the same. Give over the Fire Quest.”

But the moths and the cockchafers and the dragon-flies paid no heed to the words of the Wise Poet. Still they fluttered about his taper, and they burnt their bright wings in the flame and so died.

Presently the Poet blew out the light. “I must needs sit in the dark,” he said; “it is the only way.”

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Cold Lady

An old man and a young man lose their way in a snowstorm and shelter in a hut. A mysterious, white, cold woman spares the young man’s life after extracting an oath of silence. Years later, the woman—now his wife, O’Yuki—reveals herself when he breaks the oath. Grieving his betrayal, she vanishes like snow, leaving him with their children.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Forbidden Knowledge: The young man is bound by an oath of silence regarding his encounter with the Cold Lady, highlighting the theme of hidden truths.

Love and Betrayal: The young man marries O’Yuki, unaware of her true identity. His eventual revelation of the secret leads to her departure, embodying betrayal.

Divine Punishment: The young man’s breach of his oath results in the loss of his wife, serving as a consequence for breaking a vow to a supernatural being.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

Once an old man and a young man left their village in company, in order to make a journey into a distant province. Now, whether they went for pleasure or for profit, for matters of money, of love or war, or because of some small or great vow that they had laid upon their souls, it is no longer known. All these things were very long since forgotten. It is enough to say that it is likely they accomplished their desires, for they turned their faces homewards about the setting-in of the winter season, which is an evil time for wayfarers, Heaven knows.

► Continue reading…

Now as they journeyed, it happened that they missed their way, and, being in a lonely part of the country, they wandered all the day long and came upon no good soul to guide them. Near nightfall they found themselves upon the brink of a broad and swift-flowing river. There was no bridge, no ford, no ferry. Down came the night, with pitch-black clouds and a little shrewd wind that blew the dry and scanty reeds. Presently the snow came. The flakes fell upon the dark water of the river.

“How white, how white they are!” cried the young man.

But the old man shivered. In truth it was bitter cold, and they were in a bad case. Tired out, the old man sat him down upon the ground; he drew his cloak round him and clasped his hands about his knees. The young man blew upon his fingers to warm them. He went up the bank a little, and at last he found a small poor hut, deserted by a charcoal-burner or ferryman.

“Bad it is at the best,” said the young man, “yet the gods be praised for any shelter on such a night.” So he carried his companion to the hut. They had no food and no fire, but there was a bundle of dried leaves in the corner. Here they lay down and covered themselves with their straw rain-coats; and in spite of the cold, they soon fell asleep.

About midnight the young man was awakened by an icy air upon his cheek. The door of the hut stood wide open, and he could see the whirling snow-storm without. It was not very dark. “A pest upon the wind!” said the young man. “It has blown open the door, and the snow has drifted in and covered my feet,” and he raised himself upon his elbow. Then he saw that there was a woman in the hut.

She knelt by the side of the old man, his companion, and bent low over him till their faces almost met. White was her face and beautiful; white were her trailing garments; her hair was white with the snow that had fallen upon it. Her hands were stretched forth over the man that slept, and bright icicles hung from her finger-tips. Her breath was quite plainly to be seen as it came from her parted lips. It was like a fair white smoke. Presently she made an end of leaning over the old man, and rose up very tall and slender. Snow fell from her in a shower as she moved.

“That was easy,” she murmured, and came to the young man, and sinking down beside him took his hand in hers. If the young man was cold before, he was colder now. He grew numb from head to heel. It seemed to him as if his very blood froze, and his heart was a lump of ice that stood still in his bosom. A deathly sleep stole over him.

“This is my death,” he thought. “Can this be all? Thank the gods there is no pain.” But the Cold Lady spoke.

“It is only a boy,” she said. “A pretty boy,” she said, stroking his hair; “I cannot kill him.”

“Listen,” she said. The young man moaned.

“You must never speak of me, nor of this night,” she said. “Not to father, nor mother, nor sister, nor brother, nor to betrothed maid, nor to wedded wife, nor to boy child, nor to girl child, nor to sun, nor moon, nor water, fire, wind, rain, snow. Now swear it.”

He swore it. “Fire–wind–rain–snow …” he murmured, and fell into a deep swoon.

When he came to himself it was high noon, the warm sun shone. A kind countryman held him in his arms and made him drink from a steaming cup.

“Now, boy,” said the countryman, “you should do. By the mercy of the gods I came in time, though what brought me to this hut, a good three ri out of my way, the August Gods alone know. So you may thank them and your wondrous youth. As for the good old man, your companion, it is a different matter. He is past help. Already his feet have come to the Parting of the Three Ways.”

“Alack!” cried the young man. “Alack, for the snow and the storm, and the bitter, bitter night! My friend is dead.”

But he said no more then, nor did he when a day’s journey brought him home to his own village. For he remembered his oath. And the Cold Lady’s words were in his ear.

“You must never speak of me, nor of this night, not to father, nor mother, nor sister, nor brother, nor to betrothed maid, nor to wedded wife, nor to boy child, nor to girl child, nor to sun, nor moon, nor water, fire, wind, rain, snow….”

Some years after this, in the leafy summer time, it chanced that the young man took his walks abroad alone, and as he was returning homewards, about sundown, he was aware of a girl walking in the path a little way before him. It seemed as though she had come some distance, for her robe was kilted up, she wore sandals tied to her feet, and she carried a bundle. Moreover, she drooped and went wearily. It was not strange that the young man should presently come up with her, nor that he should pass the time of day. He saw at once that the girl was very young, fair, and slender.

“Young maiden,” he said, “whither are you bound?”

She answered, “Sir, I am bound for Yedo, where I intend to take service. I have a sister there who will find me a place.”

“What is your name?” he asked.

“My name is O’Yuki.”

“O’Yuki,” said the young man, “you look very pale.”

“Alas! sir,” she murmured, “I faint with the heat of this summer day.” And as she stood in the path her slender body swayed, and she slid to his feet in a swoon.

The young man lifted her gently, and carried her in his arms to his mother’s house. Her head lay upon his breast, and as he looked upon her face, he shivered slightly.

“All the same,” he said to himself, “these summer days turn chilly about sundown, or so it seems to me.”

When O’Yuki was recovered of her swoon, she thanked the young man and his mother sweetly for their kindness, and as she had little strength to continue her journey, she passed the night in their house. In truth she passed many nights there, and the streets of Yedo never knew her, for the young man grew to love her, and made her his wife ere many moons were out. Daily she became more beautiful–fair she was, and white. Her little hands, for all she used them for work in the house and work in the fields, were as white as jasmine flowers; the hot sun could not burn her neck, or her pale and delicate cheek. In the fulness of time she bore seven children, all as fair as she, and they grew up tall and strong with straight noble limbs; their equal could not be found upon that country-side. Their mother loved them, reared them, laboured for them. In spite of passing years, in spite of the joys and pains of motherhood, she looked like a slender maiden; there came no line upon her forehead, no dimness to her eyes, and no grey hairs.

All the women of the place marvelled at these things, and talked of them till they were tired. But O’Yuki’s husband was the happiest man for miles round, what with his fair wife and his fair children. Morning and evening he prayed and said, “Let not the gods visit it upon me if I have too much joy.”

On a certain evening in winter, O’Yuki, having put her children to bed and warmly covered them, was with her husband in the next room. The charcoal glowed in the hibachi; all the doors of the house were closely shut, for it was bitter cold, and outside the first big flakes of a snow-storm had begun to fall. O’Yuki stitched diligently at little bright-coloured garments. An andon stood on the floor beside her, and its light fell full upon her face.

Her husband looked at her, musing….

“Dear,” he said, “when I look at you to-night I am reminded of an adventure that came to me many years since.”

O’Yuki spoke not at all, but stitched diligently.

“It was an adventure or a dream,” said the man her husband, “and which it was I cannot tell. Strange it was as a dream, yet I think I did not sleep.”

O’Yuki went on sewing.

“Then, only then, I saw a woman, who was as beautiful as you are and as white … indeed, she was very like you.”

“Tell me about her,” said O’Yuki, not lifting her eyes from her work.

“Why,” said the man, “I have never spoken of her to anybody.” Yet he spoke then to his undoing. He told of his journey, and how he and his companion, being benighted in a snow-storm, took shelter in a hut. He spoke of the white Cold Lady, and of how his friend had died in her chill embrace.

“Then she came to my side and leaned over me, but she said, ‘It is only a boy … a pretty boy … I cannot kill him.’ Gods! How cold she was … how cold…. Afterwards she made me swear, before she left me she made me swear….”

“You must never speak of me, nor of this night,” O’Yuki said, “not to father, nor mother, nor brother, nor sister, nor to betrothed maid, nor to wedded wife, nor to boy child, nor to girl child, nor to sun, nor moon, nor water, fire, wind, rain, snow. All this you swore to me, my husband, even to me. And after all these years you have broken your oath. Unkind, unfaithful, and untrue!” She folded her work together and laid it aside. Then she went to where the children were, and bent her face over each in turn.

The eldest murmured “Cold … Cold …” so she drew the quilt up over his shoulder.

The youngest cried, “Mother” … and threw out his little arms.

She said, “I have grown too cold to weep any more.”

With that she came back to her husband. “Farewell,” she said. “Even now I cannot kill you for my little children’s sakes. Guard them well.”

The man lifted up his eyes and saw her. White was her face and beautiful; white were her trailing garments; her hair was white as it were with snow that had fallen upon it. Her breath was quite plainly to be seen as it came from her parted lips. It was like a fair white smoke.

“Farewell! Farewell!” she cried, and her voice grew thin and chill like a piercing winter wind. Her form grew vague as a snow wreath or a white vaporous cloud. For an instant it hung upon the air. Then it rose slowly through the smoke-hole in the ceiling and was no more seen.

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Singing Bird of Heaven

Ama Terassu, Goddess of the Sun, commands her August Child, the Conqueror, to rule the Land of Reed Plains. However, strife prevents his descent. The gods send others, including the Young Prince, who becomes entangled in earthly love and forgets his divine mission. Deceived, he slays Heaven’s Singing Bird, and in consequence, a returning arrow pierces his heart, leading to his tragic death and Heaven’s sorrow.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Love and Betrayal: The Young Prince becomes entangled in earthly love with the Princess Undershining, leading him to neglect his divine mission and betray the expectations of the heavenly deities.

Prophecy and Fate: The narrative revolves around the destined role of the August Child to rule the land, and the consequences of deviating from this fate.

Tragic Flaw: The Young Prince’s susceptibility to earthly desires and emotions leads to his downfall, highlighting a fatal weakness in his character.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

Ama Terassu, the Glorious, the Light of High Heaven, commanded, saying, “His Augustness, my August Child, who is called the Conqueror, shall descend to the land. For it is a Land of Luxuriant Reed Plains, a Land of Fresh Rice Ears, a Land of a Thousand Autumns. So of this land he shall be king.”

Now his Augustness, the August Child, the Conqueror, stood upon the Floating Bridge of Heaven and looked down, and he saw that there was a great unquietness upon the Land of the Reed Plains. For earthly deities made strife, and blood ran, and fearful sounds of war arose, even to High Heaven.

► Continue reading…

So the August Child, the heavenly born, turned back across the Floating Bridge, and swore he would not descend to rule the land until it should be cleansed.

And Ama Terassu, the Light of High Heaven, who had the sun set fast between her eyes, bound her head with jewels, and gathered the deities together in a divine assembly, to hold council in the Tranquil River Bed. And she spoke and said, “Who shall subdue the land that I have given to the August Child?”

And all the deities cried, “O Thine Augustness, send down the Lord of Spears.” Therefore the Lord of Spears went lightly down by the Floating Bridge; and there were bound upon his back eight hundred spears. Howbeit, he made a truce with the Lord of the Reed Plains and tarried there; and for three years there was no report.

Therefore, once more the Queen of Heaven called him whom the gods name Wonderful, and she called the Lord of Deep Thoughts, and likewise she called every deity of Heaven, and they came to council in the Tranquil River Bed, so that upon the sand there was left the print of their august feet. And Ama Terassu said, “Behold now the Lord of Spears is faithless. Whom shall we send to rule the land?” And the Young Prince answered, “O Mother of Heaven, Thine Augustness, send me.” And all the deities assented with one accord and cried, “Send him, send him,” till there was a sound like thunder in the River Bed.

So the Young Prince bound on his sandals, and they brought to him the great bow that stands in the Hall of High Heaven, and bestowed it upon him, and they gave him many heavenly-feathered arrows. So they made him ready, and they brought him to the Floating Bridge. And the Young Prince descended lightly, while his garments shone with the glory of Heaven. But when he touched the tops of the high hills, his heart beat fast and his blood ran warm. Therefore he cut the fastening of his sandals and cast them behind him, and he ran upon his bare feet, like an earthly deity, and came to the palace upon the Reed Plains.

Now, at the door of the palace the Princess Undershining stood, like a growing flower. So the Young Prince beheld her and loved her, and he built him a dwelling upon the Reed Plains, and took the Princess for his bride. And, because he loved her and her earthly children, he brought no report to High Heaven, and he forgot the waiting deities. For Heaven was vague to him as a dream.

But the gods were weary.

And Ama Terassu said, “Long, long tarries our messenger, and brings no word again. My Lord, the August Child, waxes impatient; whom now shall we send?” Thereupon, all the deities, and the Lord of Deep Thoughts, replied, “Send down the Singing Bird, the beloved of High Heaven.”

So Ama Terassu took the golden Singing Bird, and said, “Sweet music of the divine gods, spread thou thy bright wings, and fly to the Land of Reed Plains, and there search out the Young Prince, the messenger of Heaven, and, when thou hast found him, sing in his ear this song: ‘Ama Terassu, the Goddess of the Sun, has sent me saying, How fares the quest of High Heaven, and how fares the message? Where is the report of the gods?’”

So the bird departed, singing. And she came to the Land of the Reed Plains, and perched upon the branch of a fair cassia tree which grew hard by the Young Prince’s dwelling. Day and night, she sang, and the gods in Heaven thought long for their sweet Singing Bird. Howbeit she returned not again, but sat upon the branch of the cassia tree.

But the Young Prince gave no heed.

And She that Speaketh Evil heard the words that the bird sang. And she whispered in the Young Prince’s ear, “See now, my lord, this is an evil bird, and evil is its cry; therefore take thou thine arrows and go forth and slay it.” So she urged continually, and, by glamour, she prevailed upon him. Then the Young Prince arose, and took his bow and his heavenly-feathered arrows, and he let fly an arrow into the branches of the cassia tree. And suddenly the sweet sound of singing ceased, and the golden bird fell dead, for the aim was true.

But the heavenly-feathered arrow took wing and pierced the floor of Heaven, and reached the high place, where sat the Sun Goddess, together with her August Counsellors, in the Tranquil River Bed of Heaven. And the god called Wonderful took up the arrow, and beheld the blood upon its feathers. And the Lord of Deep Thoughts said, “This is the arrow that was given to the Young Prince,” and he showed it to all the deities. And he said, “If the Young Prince has shot this arrow at the evil deities, according to our command, let it do him no hurt. But, if his heart be not pure, then let the Young Prince perish by this arrow.” And he hurled the arrow back to earth.

Now the Young Prince lay upon a couch, sleeping. And the arrow fell, and pierced his heart that he died.

Yet the sweet Singing Bird of Heaven returned no more; and the gods were sorrowful.

Howbeit, the Young Prince lay dead upon his bed; and the wailing of his spouse, the Princess Undershining, re-echoed in the wind, and was heard in Heaven. So the Young Prince’s father descended with cries and lamentations, and there was built a mourning house upon the Land of Reed Plains, and the Young Prince was laid there.

And there came to mourn for him the wild goose of the river, and the pheasant, and the kingfisher. And they mourned for him eight days and eight nights.

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Robe of Feathers

Mio Strand, a sacred, wind-swept shore beneath Mount Fuji, is home to the Strange People, ethereal beings who leave no trace except ruffled sand. A fisherman discovers a feathered robe belonging to a Moon Fairy. She pleads for its return, promising a celestial dance. She honors her word, dances magnificently, and ascends to the heavens, leaving the fisherman only a single dove’s feather as a memory.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Sacred Objects: The feathered robe is central to the narrative, symbolizing the fairy’s celestial origin and her ability to return to the heavens.

Magic and Enchantment: The tale is imbued with magical elements, from the fairy’s descent to the earthly realm to her enchanting dance that captivates the fisherman.

Sacred Spaces: Mio Strand, beneath Mount Fuji, serves as a mystical setting where the mortal world intersects with the divine.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

Mio Strand is in the Province of Suruga. Its sand is yellow and fine, strewn with rose shells at the ebb tide. Its pine trees are ancient and they lean all one way, which is the way that the wild wind wills. Before Mio rolls the deep sea, and behind Mio rises Fugi, the most sacred, the mountain of mountains. Small marvel that the Strange People should come to Mio.

Of the Strange People not much is known, even at Mio, though it is sure they come there. It seems they are shy indeed, more’s the pity. They come through the blue air, or across the mysterious paths of the sea.

► Continue reading…

Their footprints are never, never seen upon the wet beach, for they tread too lightly. But sometimes in their dancing they sweep their robes upon the sand and leave it ribbed and ruffled; so, often enough, it may be seen at Mio.

This is not all. Once a fisherman of Mio set eyes upon a maiden of the Strange People, and talked with her and made her do his bidding. This is a true thing, and thus it came about.

The fisherman was out in his boat all night. He cast his net here and he cast his net there, but he caught nothing at all for his pains. It may be believed that he grew weary enough before the morning. In the cold of the dawn he brought his boat to shore and set foot on Mio Strand, shivering.

Then, so he says, a warm wind met him and blew through his garments and his hair, so that he flushed and glowed. The very sand was full of comfort to his chilly feet. Upon the warm wind a fragrance was borne, cedar and vervain, and the scent of a hundred flowers.

Flowers dropped softly through the air like bright rain. The fisherman stretched out his hands and caught them, lotus and jessamine and pomegranate. And all the while sweet music sounded.

“This is never Mio Strand,” cried the fisherman, bewildered, “where I have pulled my boat ashore a thousand times or flown kites upon a holiday. Alack, I fear me I have sailed to the Fortunate Isles unawares, or come unwilling to the Sea King’s garden; or very like I am dead and never knew it, and this is Yomi. O Yomi, Land of Yomi, how like thou art to Mio Strand, my dear home!”

After he had said this, the fisherman looked up the beach and down the beach, and he turned and saw Fuji, the mountain of mountains, and then he turned and saw the deep rolling sea and knew he was at Mio and no other place, and gave a long sigh.

“Thanks be,” he said, and lifting his eyes he saw a robe of feathers hanging upon the branch of a pine tree. In the robe were feathers of all the birds that fly, every one; the kingfisher and the golden pheasant, the love bird, the swan, the crow, the cormorant, the dove, the bullfinch, the falcon, the plover, and the heron.

“Ah, the pretty fluttering thing!” said the fisherman, and he took it from the pine tree where it hung.

“Ah, the warm, sweet, fairy thing!” said the fisherman; “I’ll take it home for a treasure, sure no money could buy it, and I’ll show it to all the folk of the village.” And off he set for home with the fairy feathers over his arm.

Now the maiden of the Strange People had been playing all this time with the White Children of the Foam that live in the salt sea. She looked up through the cold clear water and marked that her robe hung no longer on the pine-tree branch.

“Alas, alas!” she cried, “my robe, my feather robe!” Swifter than any arrow she sprang from the water, and sped, fleet of foot, along the wet sand. The White Children of the Foam followed at her flashing heels. Clad in the cloak of her long hair, she came up with the fisherman.

“Give me my feather robe,” she said, and held out her hand for it.

“Why?” said the fisherman.

“’Tis mine. I want it. I must have it.”

“Oho,” said the fisherman, “finding’s keeping,” and he didn’t give her the feather robe.

“I am a Fairy,” she said.

“Farewell, Fairy,” said the fisherman.

“A Moon Fairy,” she said.

“Farewell, Moon Fairy,” said the fisherman, and he made to take his way along Mio Strand. At that she snatched at the feather robe, but the fisherman held fast. The feathers fluttered out and dropped upon the sand.

“I wouldn’t do that,” said the fisherman. “You’ll have it all to pieces.”

“I am a Moon Fairy, and at dawn I came to play upon fair Mio Strand; without my feathers I cannot go back to my place, my home in High Heaven. Therefore give me my feathers.”

“No,” said the fisherman.

“Oh, fisherman, fisherman, give me my robe.”

“I couldn’t think of it,” said the fisherman.

At this the maiden fell upon her knees and drooped like a lily in the heat of the day. With her arms she held the fisherman about the knees, and as she clung to him beseeching him, he felt her tears upon his bare feet.

She wept and said:

“I am a bird, a frail bird,
A wounded bird with broken wings,
I must die far from home,
For the Five Woes are come upon me.
The red flowers in my hair are faded;
My robe is made unclean;
Faintness comes upon me;
I cannot see–farewell, dear sight of my eyes;
I have lost joy.
Oh, blessed flying clouds, and happy birds,
And golden dust in the wind,
And flying thoughts and flying prayers!
I have lost all joy.”

“Oh, stop,” said the fisherman, “you may have your robe.”

“Give,” she cried.

“Softly, softly,” said the fisherman. “Not so fast. I will give you your robe if you will dance for me here on Mio Strand.”

“What must I dance?” she asked.

“You must dance the mystic dance that makes the Palace of the Moon turn round.”

She said, “Give me my feathers and I will dance it. I cannot dance without my feathers.”

“What if you cheat me, what if you break your promise and fly immediately to the moon and no dancing at all?”

“Ah, fisherman,” she said, “the faith of a Fairy!”

Then he gave her the robe.

Now, when she had arrayed herself and flung back her hair, the Fairy began to dance upon the yellow sand. In and out of the feather robe crept her fairy feet. Slowly, softly, she went with folded wings and sang:

“Oh, the gold and silver mountains of the Moon,
And the sweet Singing Birds of Heaven!
They sing in the branches of the cinnamon tree,
To entertain the thirty kings that are there.
Fifteen kings in white garments,
To reign for fifteen days.
Fifteen kings in black garments,
To reign for fifteen days.
I hear the music of Heaven;
Away, away, I fly to Fairy Places.”

At this the Fairy spread her rainbow-coloured wings, and the wind that they made fluttered the red flowers in her hair. Out streamed the robe of feathers bright and gay.

The Fairy laughed. Her feet touched the waves of the sea; her feet touched the grass and the flowers inshore. They touched the high branches of the pines and then the white clouds.

“Farewell, fisherman!” the Fairy cried, and he saw her no more.

Long, long he stood gazing up into the sky. At length he stooped and picked up a little feather from the shore, a grey dove’s feather. He smoothed it out with his finger and hid it in his girdle.

Then he went to his home.

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Maiden of Unai

The Maiden of Unai, hidden for years to avert a tragic prophecy, grew into unparalleled beauty. Despite her seclusion, two noble warriors—one from near, the other from afar—sought her love. To end their strife, she sacrificed herself, leaping into a river. The warriors followed, drowning alongside her. Together in death, their story became one of beauty, love, and sorrow that reached even the heavens.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Prophecy and Fate: The narrative is driven by a soothsayer’s prophecy foretelling the maiden’s beauty and the tragic events it will incite, highlighting the inescapable nature of destiny.

Sacrifice: To end the strife between her suitors and prevent further discord, the maiden sacrifices herself by leaping into a river, an act of selflessness aimed at restoring peace.

Tragic Love: The love triangle culminates in sorrow, with all three characters meeting their demise, underscoring the devastating consequences of unfulfilled love and rivalry.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

The Maiden of Unai was fair as an earthly deity, but the eyes of man might not behold her. She dwelt in a hidden place in her father’s house, and of what cheer she made the live-long day not a soul could tell, but her father who kept watch, and her mother who kept ward, and her ancient nurse who tended her. The cause was this.

When the maid was about seven years old, with her black hair loose and hanging to her shoulder, an ancient man, a traveller, came, footsore and weary, to her father’s house.

► Continue reading…

He was made welcome, served with rice and with tea, whilst the master of the house sat by, and the mistress, to do him honour. Meanwhile the little maid was here and there, catching at her mother’s sleeve, pattering with bare feet over the mats, or bouncing a great green and scarlet ball in a corner. And the stranger lifted his eyes and marked the child.

After he had eaten, he called for a bowl of clear water, and taking from his wallet a handful of fine silver sand he let it slip through his fingers and it sank to the bottom of the bowl. In a little he spoke.

“My lord,” he said to the master of the house, “I was hungry and weary, and you have fed me and refreshed me. I am a poor man and it is hard for me to show my gratitude. Now I am a soothsayer by profession, very far-famed for the skill of my divination. Therefore, in return for your kindness I have looked into the future of your child. Will you hear her destiny?”

The child knelt in a corner of the room bouncing her green and scarlet ball.

The master of the house bade the soothsayer speak on.

This one looked down into the bowl of water where the sand was, and said: “The Maiden of Unai shall grow up fairer than the children of men. Her beauty shall shine as the beauty of an earthly deity. Every man who looks upon her shall pine with love and longing, and when she is fifteen years old there shall die for her sake a mighty hero from near, and a valiant hero from afar. And there shall be sorrow and mourning because of her, loud and grievous, so that the sound of it shall reach High Heaven and offend the peace of the gods.”

The master of the house said, “Is this a true divination?”

“Indeed, my lord,” said the soothsayer, “it is too true.” And with that he bound on his sandals, and taking his staff and his great hat of rice-straw, he spoke no other word, but went his ways; neither was he any more seen nor heard tell of upon that country-side.

And the child knelt in a corner of the room, bouncing her green and scarlet ball.

The father and mother took counsel.

The mother wept, but she said, “Let be, for who can alter the pattern set up upon the looms of the weaving women of Heaven?” But the father cried, “I will fight. I will avert the portent; the thing shall not come to pass. Who am I that I should give credence to a dog of a soothsayer who lies in his teeth?” And though his wife shook her head and moaned, he gave her counsel no heed, for he was a man.

So they hid the child in a secret chamber, where an old wise woman tended her, fed her, bathed her, combed her hair, taught her to make songs and to sing, to dance so that her feet moved like rosy butterflies over the white mats, or to sit at a frame with a wonder of needlework stretched upon it, drawing the needle and the silken thread hour after hour.

For eight years the maid set eyes upon no human being save her father, her mother, and her nurse, these three only. All the day she spent in her distant chamber, far removed from the sights and the sounds of the world. Only in the night she came forth into her father’s garden, when the moon shone and the birds slept and the flowers had no colour. And with every season that passed the maid grew more beautiful. Her hair hung down to her knees and was black as a thundercloud. Her forehead was the plum blossom, her cheek the wild cherry, and her mouth the flower of the pomegranate. At fifteen years old she was the loveliest thing that ever saw the light, and the sun was sick with jealousy because only the moon might shine upon her.

In spite of all, the fame of her beauty became known, and because she was kept so guarded men thought of her the more, and because she might not be seen men longed to behold her. And because of the mystery and the maiden, gallants and warriors and men of note came from far and near and flocked to the house of Unai; and they made a hedge about it with themselves and their bright swords; and they swore that they would not leave the place till they had sight of the maid, and this they would have either by favour or by force.

Then the master of the house did even as he must, and he sent her mother to bring the maid down. So the mother went, taking with her a robe of grey silk and a great girdle of brocade, green and gold; and she found the maid, her daughter, sitting in her secret chamber singing.

The maid sang thus:

“Nothing has changed since the time of the gods,
Neither the running of water nor the way of love.”

And the mother was astonished and said, “What manner of song is this, and where heard you of such a thing as love?”

And she answered, “I have read of it in a book.”

Then they took her, her mother and the wise woman, and they tied her hair and pinned it high upon her head with gold and coral pins, and held it with a great lacquer comb. She said, “How heavy it is!”

While they dressed her in the robe of grey silk, and tied the girdle of brocade, first she shuddered and said, “I am cold.” Then they would have thrown over her a mantle broidered with plum blossom and pine, but she would have none of it, saying, “No, no, I burn.”

They painted her lips with beni, and when she saw it she murmured, “Alack, there is blood upon my lips!” But they led her down and out on to a balcony, where the men who were assembled might see her. She was fairer than the children of men, and her beauty shone like the beauty of an earthly deity. And all the warriors who were there looked upon her and were silent, for already they were faint with love and longing. And the maid stood with eyes cast down, and slowly the hot blush rose to her cheek and she was lovelier than before.

Three or four score men of name sought her hand, being distraught for love of her, and amongst them were two braver and nobler than the rest. The one came from afar and was the champion of Chinu, and the other came from near, the champion of Unai. They were young, strong, and black-haired. They were equal in years, in strength, and in valour. Both were girded with great swords, and full-charged quivers were upon their backs, and six-foot bows of white wood were in their hands. Together they stood beneath the balcony of the maiden of Unai, like twin brothers in beauty and attainments. Together they cried aloud with passionate voices, telling of their eternal love, and bidding the maiden choose between them.

She lifted up her eyes and looked fixedly upon them, but spoke no word.

Then they drew their swords and made as if to fight the matter out there and then; but the maid’s father spoke: “Put up your swords, fair sirs; I have devised a better way for the decision of this thing. If it please you, enter my house.”

Now part of the house of Unai was built out upon a platform over the river that flowed past. It was the fifth month and the wistaria was in blossom upon the trellis, and hung downwards nearly into the water. The river was swift and deep. Here the master of the house brought the champions, and the maiden was there also. But the mother and the wise woman stood a little way apart, and hid their faces in their long sleeves. Presently a white water-bird dropped from the blue sky, and rocked to and fro upon the water of the river.

“Now, champions,” cried the father of the maiden, “draw me your bows and let fly each of you an arrow at yonder white bird that floats upon the river. He that shall strike the bird and prove himself to be the better marksman, he shall wed my daughter, the peerless Maiden of Unai.”

Then immediately the two champions drew their bows of white wood and let fly each of them an arrow. Each arrow sped swift; each arrow struck true. The champion of Chinu struck the water-bird in the head, but the champion of Unai struck her in the tail so that the white feathers were scattered. Then the champions cried, “Enough of this trifling. There is but one way.” And again their bright swords leapt from their scabbards.

But the maid stood trembling, holding the gnarled stem of the wistaria in her hands. She trembled and shook the branches so that the frail flowers fell about her. “My lords, my lords,” she cried, “oh, brave and beautiful heroes of fame, it is not meet that one of you should die for such as I am. I honour you; I love you both–therefore farewell.” With that, still holding to the wistaria, she swung herself clear of the balcony and dropped into the deep and swift-flowing river. “Weep not,” she cried, “for no woman dies to-day. It is but a child that is lost.” And so she sank.

Down sprang the champion of Chinu into the flood, and in the same instant down sprang the champion of Unai. Alack, they were heavy with the arms that they bore, and they sank and were entangled in the long water weeds. And so the three of them were drowned.

But at night when the moon shone, the pale dead rose, floating to the surface of the water. The champion of Unai held the maiden’s right hand in his own, but the champion of Chinu lay with his head against the maiden’s heart, bound close to her by a tress of her long hair; and as he lay he smiled.

The three corpses they lifted from the water, and laid them together upon a bier of fair white wood, and over them they strewed herbs and sweet flowers, and laid a veil over their faces of fine white silk. And they lighted fires and burned incense. Gallants and warriors and men of note who loved the maiden, alive or dead, stood about her bier and made a hedge with themselves and their bright swords. And there was sorrow and mourning, loud and grievous, so that the sound of it reached High Heaven and offended the peace of the gods.

A grave was dug wide and deep, and the three were buried therein. The maid they laid in the middle, and the two champions upon either side. Idzumo was the native place of the champion of Chinu, so they brought earth from thence in a junk, and with this earth they covered him.

So the maid slept there in the grave, the champions faithfully guarding her, for they had buried with them their bows of white wood and their good armour and their spears and their bright swords. Nothing was forgotten that is needful for adventure in the Land of Yomi.

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Bell of Dōjōji

The young monk Anchin, devout and scholarly, encounters Kiohimé, a magical lady of irresistible allure. Entranced by her beauty, he struggles between his sacred vows and newfound love. Despite penance, Kiohimé’s relentless pursuit transforms her into a vengeful dragon. Anchin seeks refuge under the Dōjōji temple bell, but she coils around it, unleashing flames, and seals his tragic fate in a fiery embrace.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Transformation: Kiohimé’s metamorphosis from a beautiful woman into a fearsome dragon symbolizes the destructive power of unrequited love and obsession.

Tragic Love: The doomed relationship between Anchin and Kiohimé highlights the sorrowful consequences of forbidden or unfulfilled love.

Divine Punishment: Anchin’s struggle between his monastic vows and his attraction to Kiohimé, followed by his tragic end, suggests a form of retribution for breaking sacred commitments.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

The monk Anchin was young in years but old in scholarship. Every day for many hours he read the Great Books of the Good Law and never wearied, and hard characters weren’t hard to him.

The monk Anchin was young in years but old in holiness; he kept his body under by fastings and watchings and long prayers. He was acquainted with the blessedness of sublime meditations. His countenance was white as ivory and as smooth; his eyes were deep as a brown pool in autumn; his smile was that of a Buddha; his voice was like an angel’s.

► Continue reading…

He dwelt with a score of holy men in a monastery of the mountains, where he learned the mystic “Way of the Gods.” He was bound to his order by the strictest vows, but was content, rejoicing in the shade of the great pine trees and the sound of the running water of the streams.

Now it happened that on a day in spring-time, the old man, his Abbot, sent the young monk Anchin upon an errand of mercy. And he said, “My son, bind your sandals fast and tie spare sandals to your girdle, take your hat and your staff and your rosary and begging bowl, for you have far to go, over mountain and stream, and across the great plain.”

So the monk Anchin made him ready.

“My son,” the Abbot said, “if any wayfarer do you a kindness, forget not to commend him to the gods for the space of nine existences.”

“I will remember,” said the monk, and so he set forth upon his way.

Over mountain and stream he passed, and as he went his spirit was wrapped in contemplation, and he recited the Holy Sutras aloud in a singing voice. And the Wise Birds called and twittered from branch to branch of the tall trees, the birds that are beloved of Buddha. One bird chanted the grand Scripture of the Nicheten, the Praise of the Sutra of the Lotus, of the Good Law, and the other bird called upon his Master’s name, for he cried:

“O thou Compassionate Mind! O thou Compassionate Mind!”

The monk smiled. “Sweet and happy bird,” he said.

And the bird answered, “O thou Compassionate Mind!… O thou Compassionate Mind!”

When the monk Anchin came to the great plain, the sun was high in the heavens, and all the blue and golden flowers of the plain languished in the noon-tide heat. The monk likewise became very weary, and when he beheld the Marshy Mere, where were bulrush and sedge that cooled their feet in the water, he laid him down to rest under a sycamore tree that grew by the Marshy Mere.

Over the mere and upon the farther side of it there hung a glittering haze.

Long did the monk Anchin lie; and as he lay he looked through the glittering haze, and as he looked the haze quivered and moved and grew and gathered upon the farther side of the mere. At the last it drew into a slender column of vapour, and out of the vapour there came forth a very dazzling lady. She wore a robe of green and gold, interwoven, and golden sandals on her slender feet. In her hands were jewels–in each hand one bright jewel like a star. Her hair was tied with a braid of scarlet, and she had a crown of scarlet flowers. She came, skirting the Marshy Mere. She came, gliding in and out of the bulrush and the sedge. In the silence there could be heard the rustle of her green skirt upon the green grass.

The monk Anchin stumbled to his feet and, trembling, he leaned against the sycamore tree.

Nearer and nearer came the lady, till she stood before Anchin and looked into his eyes. With the jewel that was in her right hand she touched his forehead and his lips. With the jewel that was in her left hand she touched his rice-straw hat and his staff and his rosary and his begging bowl. After this she had him safe in thrall. Then the wind blew a tress of her hair across his face, and when he felt it he gave one sob.

For the rest of his journey the monk went as a man in a dream. Once a rich traveller riding on horseback threw a silver coin into Anchin’s begging bowl; once a woman gave him a piece of cake made of millet; and once a little boy knelt down and tied the fastening of his sandal that had become loose. But each time the monk passed on without a word, for he forgot to commend the souls of these compassionate ones for the space of nine existences. In the tree-tops the Wise Birds of Buddha sang for him no more, only from the thicket was heard the cry of the Hototogisu, the bird lovelorn and forsaken.

Nevertheless, well or ill, he performed his errand of mercy and returned to the monastery by another way.

Howbeit, sweet peace left him from the hour in which he had seen the lady of the Marshy Mere. The Great Books of the Good Law sufficed him no longer; no more was he acquainted with the blessedness of divine meditations. His heart was hot within him; his eyes burned and his soul longed after the lady of the green and golden robe.

She had told him her name, and he murmured it in his sleep. “Kiohimé–Kiohimé!” Waking, he repeated it instead of his prayers–to the great scandal of the brethren, who whispered together and said, “Is our brother mad?”

At length Anchin went to the good Abbot, and in his ear poured forth all his tale in a passion of mingled love and grief, humbly asking what he must do.

The Abbot said, “Alack, my son, now you suffer for sin committed in a former life, for Karma must needs be worked out.”

Anchin asked him, “Then is it past help?”

“Not that,” said the Abbot, “but you are in a very great strait.”

“Are you angry with me?” said Anchin.

“Nay, Heaven forbid, my poor son.”

“Then what must I do?”

“Fast and pray, and for a penance stand in the ice-cold water of our mountain torrent an hour at sunrise and an hour at sunset. Thus shall you be purged from carnal affection and escape the perils of illusion.”

So Anchin fasted and prayed, he scourged his body, and hour after hour he did penance in the ice-cold water of the torrent. Wan as a ghost he grew, and his eyes were like flames. His trouble would not leave him. A battle raged in his breast. He could not be faithful to his vows and faithful to his love.

The brethren wondered, “What can ail the monk Anchin, who was so learned and so holy–is he bewitched by a fox or a badger, or can he have a devil?”

But the Abbot said, “Let be.”

Now on a hot night of summer, the monk being sleepless in his cell, he was visited by Kiohimé, the magic lady of the mere. The moonlight was on her hands and her long sleeves. Her robe was green and gold, interwoven; golden were her sandals. Her hair was braided with scarlet and adorned with scarlet flowers.

“Long, long have I waited for thee on the plains,” she said. “The night wind sighs in the sedge–the frogs sing by the Marshy Mere. Come, lord….”

But he cried, “My vows that I have vowed–alas! the love that I love. I keep faith and loyalty, the bird in my bosom … I may not come.”

She smiled, “May not?” she said, and with that she lifted the monk Anchin in her arms.

But he, gathering all his strength together, tore himself from her and fled from the place. Barefooted and bareheaded he went, his white robe flying, through the dark halls of the monastery, where the air was heavy with incense and sweet with prayers, where the golden Amida rested upon her lotus, ineffably smiling. He leaped the grey stone steps that led down from her shrine and gained the pine trees and the mountain path. Down, down he fled on the rough way, the nymph Kiohimé pursuing. As for her, her feet never touched the ground, and she spread her green sleeves like wings. Down, down they fled together, and so close was she behind him that the monk felt her breath upon his neck.

“As a young goddess, she is fleet of foot …” he moaned.

At last they came to the famed temple of Dōjōji, which was upon the plains. By this Anchin sobbed and staggered as he ran; his knees failed him and his head swam.

“I am lost,” he cried, “for a hundred existences.” But with that he saw the great temple bell of Dōjōji that hung but a little way from the ground. He cast himself down and crept beneath it, and so deemed himself sheltered and secure.

Then came Kiohimé, the Merciless Lady, and the moonlight shone upon her long sleeves. She did not sigh, nor cry, nor call upon her love. She stood still for a little space and smiled. Then lightly she sprang to the top of the great bronze bell of Dōjōji, and with her sharp teeth she bit through the ropes that held it, so that the bell came to the ground and the monk was a prisoner. And Kiohimé embraced the bell with her arms. She crept about it, she crawled about it and her green robe flowed over it. Her green robe glittered with a thousand golden scales; long flames burst from her lips and from her eyes; a huge and fearsome Dragon, she wound and coiled herself about the bell of Dōjōji. With her Dragon’s tail she lashed the bell, and lashed it till its bronze was red hot.

Still she lashed the bell, while the monk called piteously for mercy. And when he was very quiet she did not stop. All the night long the frogs sang by the Marshy Mere and the wind sighed in the sedges. But the Dragon Lady was upon the bell of Dōjōji, and she lashed it furiously with her tail till dawn.

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Mallet

Two farmer brothers, Cho and Kanè, live very different lives. Cho, a miserly rich man, mistreats his kindhearted but poor brother Kanè. Cho tricks Kanè with dead silk-worm eggs and bad rice, but miraculously, Kanè thrives. Envious, Cho seeks similar luck but instead angers fairies, earning a comically long nose. Kanè’s kindness redeems Cho, and he restores the fairies’ magical mallet to its rightful place.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Cunning and Deception: Cho’s attempts to deceive Kanè with dead silk-worm eggs and bad rice showcase the use of deceit, which ultimately backfires.

Supernatural Beings: The involvement of fairies who bestow and later retrieve the magical mallet introduces elements of the supernatural.

Transformation: Cho’s punishment of developing a comically long nose serves as a physical transformation symbolizing the consequences of his greed.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

There were once two farmer men who were brothers. Both of them worked hard in seed-time and in harvest-time. They stood knee-deep in water to plant out the young rice, bending their backs a thousand times an hour; they wielded the sickle when the hot sun shone; when the rain poured down in torrents, there they were still at their digging or such like, huddled up in their rice-straw rain coats, for in the sweat of their brows did they eat their bread. The elder of the two brothers was called Cho. For all he laboured so hard he was passing rich. From a boy he had had a saving way with him, and had put by a mint of money.

► Continue reading…

He had a big farm, too, and not a year but that he did well, what with his rice, and his silk-worms, and his granaries and storehouses. But there was nothing to show for all this, if it will be believed. He was a mean, sour man with not so much as a “good day” and a cup of tea for a wayfarer, or a cake of cold rice for a beggar man. His children whimpered when he came near them, and his wife was much to be pitied.

The younger of the two brothers was called Kanè. For all he laboured so hard he was as poor as a church mouse. Bad was his luck, his silk-worms died, and his rice would not flourish. In spite of this he was a merry fellow, a bachelor who loved a song and an honest cup of saké. His roof, his pipe, his meagre supper, all these he would share, very gladly, with the first-comer. He had the nimblest tongue for a comical joke, and the kindest heart in the world. But it is a true thing, though it is a pity all the same, that a man cannot live on love and laughter, and presently Kanè was in a bad way.

“There’s nothing for it,” he says, “but to pocket my pride” (for he had some) “and go and see what my brother Cho will do for me, and I’m greatly mistaken if it will be much.”

So he borrows some clothes from a friend for the visit, and sets off in very neat hakama, looking quite the gentleman, and singing a song to keep his heart up.

He sees his brother standing outside his house, and the first minute he thinks he is seeing a boggart, Cho is in such ragged gear. But presently he sings out, “You’re early, Cho.”

“You’re early, Kanè,” says Cho.

“May I come in and talk a bit?” asks Kanè.

“Yes,” says Cho, “you can; but you won’t find anything to eat at this time of day, nor yet to drink, so let disappointments be avoided.”

“Very well,” says Kanè; “as it happens, it’s not food I’ve come for.”

When they were inside the house and sitting on the mats, Cho says, “That’s a fine suit of clothes you’ve got on you, Kanè. You must be doing well. It’s not me that can afford to go about the muddy roads dressed up like a prince. Times are bad, very bad.”

In spite of this not being a good beginning, Kanè plucks up his courage and laughs. And presently he says:

“Look here, brother. These are borrowed clothes, my own will hardly hold together. My rice crop was ruined, and my silk-worms are dead. I have not a rin to buy rice seed or new worms. I am at my wits’ end, and I have come to you begging, so now you have it. For the sake of the mother that bore us both, give me a handful of seed and a few silk-worms’ eggs.”

At this Cho made as if he would faint with astonishment and dismay.

“Alack! Alack!” he says. “I am a poor man, a very poor man. Must I rob my wife and my miserable children?” And thus he bewailed himself and talked for half an hour.

But to make a long story short, Cho says that out of filial piety, and because of the blessed mother of them both, he must make shift to give Kanè the silk-worms’ eggs and the rice. So he gets a handful of dead eggs and a handful of musty and mouldy rice. “These are no good to man or beast,” says the old fox to himself, and he laughs. But to his own blood-brother he says, “Here, Kanè. It’s the best silk-worms’ eggs I am giving you, and the best rice of all my poor store, and I cannot afford it at all; and may the gods forgive me for robbing my poor wife and my children.”

Kanè thanks his brother with all his heart for his great generosity, and bows his head to the mats three times. Then off he goes, with the silk-worms’ eggs and the rice in his sleeve, skipping and jumping with joy, for he thought that his luck had turned at last. But in the muddy parts of the road he was careful to hold up his hakama, for they were borrowed.

When he reached home he gathered great store of green mulberry leaves. This was for the silk-worms that were going to be hatched out of the dead eggs. And he sat down and waited for the silk-worms to come. And come they did, too, and that was very strange, because the eggs were dead eggs for sure. The silk-worms were a lively lot; they ate the mulberry leaves in a twinkling, and lost no time at all, but began to wind themselves into cocoons that minute. Then Kanè was the happy man. He went out and told his good fortune to all the neighbours. This was where he made his mistake. And he found a peddlar man who did his rounds in those parts, and gave him a message to take to his brother Cho, with his compliments and respectful thanks, that the silk-worms were doing uncommonly well. This was where he made a bigger mistake. It was a pity he could not let well alone.

When Cho heard of his brother’s luck he was not pleased. Pretty soon he tied on his straw sandals and was off to Kanè’s farm. Kanè was out when he got there, but Cho did not care for that. He went to have a look at the silk-worms. And when he saw how they were beginning to spin themselves into cocoons, as neat as you please, he took a sharp knife and cut every one of them in two. Then he went away home, the bad man! When Kanè came to look after his silk-worms he could not help thinking they looked a bit queer. He scratches his head and he says, “It almost appears as though each of them has been cut in half. They seem dead,” he says. Then out he goes and gathers a great lot of mulberry leaves. And all those half silk-worms set to and ate up the mulberry leaves, and after that there were just twice as many silk-worms spinning away as there were before. And that was very strange, because the silk-worms were dead for sure.

When Cho heard of this he goes and chops his own silk-worms in two with a sharp knife; but he gained nothing by that, for the silk-worms never moved again, but stayed as dead as dead, and his wife had to throw them away next morning.

After this Kanè sowed the rice seed that he had from his brother, and when the young rice came up as green as you please he planted it out with care, and it flourished wonderfully, and soon the rice was formed in the ear.

One day an immense flight of swallows came and settled on Kanè’s rice-field.

“Arah! Arah!” Kanè shouted. He clapped his hands and beat about with a bamboo stick. So the swallows flew away. In two minutes back they came.

“Arah! Arah!” Kanè shouted, and he clapped his hands and beat about with his bamboo stick. So the swallows flew away. In two minutes back they came.

“Arah! Arah!” Kanè shouted. He clapped his hands and beat about with his bamboo stick. So the swallows flew away. In two minutes back they came.

When he had scared them away for the ninth time, Kanè takes his tenegui and wipes his face. “This grows into a habit,” he says. But in two minutes back came the swallows for the tenth time. “Arah! Arah!” Kanè shouted, and he chased them over hill and dale, hedge and ditch, rice-field and mulberry-field, till at last they flew away from his sight, and he found himself in a mossy dell shaded by spreading pine trees. Being very tired with running he lies down his full length upon the moss, and presently falls fast asleep and snoring.

The next thing was that he dreamed. He thought he saw a troop of children come to the mossy glade, for in his dream he remembered very well where he was. The children fluttered here and there among the pine-trees’ trunks. They were as pretty as flowers or butterflies. One and all of them had dancing bare feet; their hair hung down, long, loose and black; their skins were white like the plum blossom.

“For good or for evil,” says Kanè to himself, “I have seen the fairies’ children.”

The children made an end of their dancing, and sat them upon the ground in a ring. “Leader! Leader!” they cried. “Fetch us the mallet.” Then there rose up a beautiful boy, about fourteen or fifteen years old, the eldest and the tallest there. He lifted a mossy stone quite close to Kanè’s head. Underneath was a plain little mallet of white wood. The boy took it up and went and stood within the circle of children. He laughed and cried, “Now what will you have?”

“A kite, a kite,” calls out one of the children.

The boy shakes the mallet, and lo and behold he shakes a kite out of it!–a great kite with a tail to it, and a good ball of twine as well.

“Now what else?” asks the boy.

“Battledore and shuttlecock for me,” says a little girl.

And sure enough there they are, a battledore of the best, and twenty shuttlecocks, meetly feathered and gilded.

“Now what else?” says the boy.

“A lot of sweets.”

“Greedy!” says the boy, but he shakes the mallet, and there are the sweets.

“A red crêpe frock and a brocade obi.”

“Miss Vanity!” says the boy, but he shakes all this gravely out of the mallet.

“Books, story books.”

“That’s better,” says the boy, and out come the books by the dozen and score, all open to show the lovely pictures.

Now, when the children had their hearts’ desires, the leader put away the mallet beneath its mossy stone, and after they had played for some time they became tired; their bright attires melted away into the gloom of the wood, and their pretty voices grew distant and then were heard no more. It was very still.

Kanè awoke, good man, and found the sun set and darkness beginning to fall. There was the mossy stone right under his hand. He lifted it, and there was the mallet.

“Now,” said Kanè, taking it up, “begging the pardon of the fairies’ children, I’ll make bold to borrow that mallet.” So he took it home in his sleeve and spent a pleasant evening shaking gold pieces out of it, and saké, and new clothes, and farmers’ tools, and musical instruments, and who knows what all!

It is not hard to believe that pretty soon he became the richest and jolliest farmer in all that country-side. Sleek and fat he grew, and his heart was bigger and kinder than ever.

But what like was Cho’s heart when he got wind of all this? Ay, there’s the question. Cho turned green with envy, as green as grass. “I’ll have a fairy mallet, too,” he says, “and be rich for nothing. Why should that idiot spendthrift Kanè have all the good fortune?” So he goes and begs rice from his brother, which his brother gives him very willingly, a good sackful. And he waits for it to ripen, quite wild with impatience. It ripens sure enough, and sure enough a flight of swallows comes and settles upon the good grain in the ear.

“Arah! Arah!” shouted Cho, clapping his hands and laughing aloud for joy. The swallows flew away, and Cho was after them. He chased them over hill and dale, hedge and ditch, rice-field and mulberry-field, till at last they flew away from his sight, and he found himself in a mossy dell shaded by spreading pine-trees. Cho looks about him.

“This should be the place,” says he. So he lies down and waits with one wily eye shut and one wily eye open.

Presently who should trip into the dell but the fairies’ children! Very fresh they were as they moved among the pine-tree trunks.

“Leader! Leader! Fetch us the mallet,” they cried. Up stepped the leader and lifted away the mossy stone. And behold there was no mallet there!

Now the fairies’ children became very angry. They stamped their little feet, and cried and rushed wildly to and fro, and were beside themselves altogether because the mallet was gone.

“See,” cried the leader at last, “see this ugly old farmer man; he must have taken our mallet. Let us pull his nose for him.”

With a shrill scream the fairies’ children set upon Cho. They pinched him, and pulled him, and buffeted him, and set their sharp teeth in his flesh till he yelled in agony. Worst of all, they laid hold of his nose and pulled it. Long it grew, and longer. It reached his waist. It reached his feet.

Lord, how they laughed, the fairies’ children! Then they scampered away like fallen leaves before the wind.

Cho sighed, and he groaned, and he cursed, and he swore, but for all that his nose was not an inch shorter. So, sad and sorry, he gathered it up in his two hands and went to Kanè’s house.

“Kanè, I am very sick,” says he.

“Indeed, so I see,” says Kanè, “a terrible sickness; and how did you catch it?” he says. And so kind he was that he never laughed at Cho’s nose, nor yet he never smiled, but there were tears in his eyes at his brother’s misfortunes. Then Cho’s heart melted and he told his brother all the tale, and he never kept back how mean he had been about the dead silk-worms’ eggs, and about the other things that have been told of. And he asked Kanè to forgive him and to help him.

“Wait you still a minute,” says Kanè.

He goes to his chest, and he brings out the mallet. And he rubs it very gently up and down Cho’s long nose, and sure enough it shortened up very quickly. In two minutes it was a natural size. Cho danced for joy.

Kanè looks at him and says, “If I were you, I’d just go home and try to be different.”

When Cho had gone, Kanè sat still and thought for a long time. When the moon rose that night he went out and took the mallet with him. He came to the mossy dell that was shaded with spreading pine trees, and he laid the mallet in its old place under the stone.

“I’m the last man in the world,” he said, “to be unfriendly to the fairies’ children.”

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

Flower of the Peony

Aya, the beloved daughter of a daimyo, grows up in solitude. Betrothed to the Lord of Ako, she encounters a mysterious youth in her moonlit garden who saves her. Aya falls into melancholy, pining for him. A vision of the youth and a perfect peony flower restores her health. She weds the Lord of Ako, but the peony withers the same day, hinting at unfulfilled longing.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Transformation through Love: Aya’s emotional journey, influenced by her encounter and feelings, leads to significant changes in her well-being and life circumstances.

Sacred Objects: The peony flower holds symbolic significance, representing Aya’s emotions and the transient nature of her desires.

Illusion vs. Reality: The distinction between Aya’s visions and her real-life experiences highlights the theme of discerning truth from perception.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

Aya, sweet maid, was the only child of a daimyo of the Province of Omi. Mother had she none, and her father was a noble lord and a warrior. He was at the Court of the Shogun, or he had weighty affairs at the capital, or he went here and there with armies and overcame his enemies. Aya saw little of him.

Long years she dwelt with her nurse and her maidens within the walls of her father’s castle. High walls were they and well-guarded, and at their foot was a deep moat which was rosy with lotus flowers all the seventh month.

► Continue reading…

When the Lady Aya was some sixteen years old her father the daimyo came home victorious from a foray, and she went with her maidens to meet him in the gate. She was dressed in her bravest, and as became her rank.

“My lord and father,” she said, “sweet is your honourable return.”

“Child, how you have grown!” her father said, astonished. “How old are you, Aya?”

“Sixteen years old, lord,” she said.

“By all the gods, you are become a little great young lady, and I thought you were a baby and brought you home a doll for a home-coming gift.”

He laughed, but presently afterwards grew grave, and in deep thought he went into the castle.

Soon after this he began to look about him, to find a fitting husband for his daughter.

“Best it should be done now,” he said, “for a wonder has come to pass, and I am at peace with every daimyo in the land–and it will not last.”

The Lord of Ako, in Harima, had three tall sons, fine young men and warriors all.

“The eldest is over old,” said the Lord of Omi. “The youngest is a boy–but what of the middle brother? It seems to me that the middle brother should do well. They say that second thoughts are best,” said the Lord of Omi.

So after messengers had come and gone, the Lady Aya was betrothed to the young Lord of Ako, and there was great rejoicing in all the country-side, for all the man and the maiden had never set eyes on one another.

The Lady Aya was very glad when she saw the presents that came from her bridegroom’s house. She sat with the seamstress of the castle and fingered the soft stuffs of her fine new robes. For the rest, she played with her maidens the live-long day, or took her broidery frame, plying the needle and long silken thread. It was the month of May, and very often they took the air in a garden gallery, where Aya and her maids laughed together, and sometimes they spoke of the young Lord of Ako and how brave and beautiful he was, how skilful in art and in war, and how rich. When evening came they slipped down the gallery steps and into the garden, where they went hither and thither, hand in hand, to enjoy the cool air and the sweet scent of the flowers.

One night the Lady Aya walked in the garden according to her wont. The moon rose, round and silver.

“Ah me,” sighed one of the maidens, “the moon is a love-lorn lady. Look how pale and wan she goes, and even now she will hide her eyes with her long sleeve of cloud.”

“You speak sooth,” returned Aya, “the moon is a love-lorn lady; but have you seen her faint sister who is sadder and fairer than she?”

“Who, then, is the moon’s sister?” asked all the maidens at once.

Aya said, “Come and see–come.”

With that she drew them along the paths of the garden to the still pond, where were the dancing fireflies and the frogs that sang musically. Holding each other’s hands, the maidens looked down into the water, and one and all they beheld the moon’s sister, and they laughed softly together. While they played by the water’s brim, the Lady Aya’s foot slipped upon a smooth stone, and most assuredly she would have fallen into the pond. But all of a sudden a youth leapt forward out of the sweet secrecy of the night, and caught her in his arms. For a moment all the maidens beheld the glimmer of his garments. Then he was gone. Aya stood alone, trembling. Down gazed the moon, wide-eyed and sorrowful; and still more sorrowful and sweet, upwards gazed the moon’s pale sister. They saw a band of silent maidens who stood in a wilderness of blossoming peony flowers, that grew to the water’s edge. It was the Lady Aya who loved them and had them planted so.

Now the lady turned without a word and moved along the paths of the garden very slowly, hanging her head. When she came to the garden gallery she left all her maidens save one, and went silently to her bower.

There she was for a long space, saying nothing. She sat and traced the pattern on her robe with the point of her finger. And Sada, her maiden, was over against her.

At length, “He was a great lord,” said Aya.

“Truth, lady.”

“He was young.”

“He was passing well-favoured.”

“Alas! he saved my life, and I had not time to thank him.”

“The moon shone upon the jewelled mounting of his sword.”

“And his robe that was broidered with peony flowers–my peony flowers.”

“Lady, the hour grows very late.”

“Well, then, untie my girdle.”

“You look pale, lady.”

“Small marvel, I am weary.”

“Lady, what of the young Lord of Ako?”

“What of him? Why, I have not seen him. Enough, let be–no more of him. Alas! I am drowsy, I know not what I say.”

After this night the Lady Aya, that had been so fresh and fair and dancing gay as a wave of the sea, fell into a pale melancholy. By day she sighed, and by night she wept. She smiled no more as she beheld her rich wedding-garments, and she would not play any more with her maidens upon the garden gallery. She wandered like a shadow, or lay speechless in her bower. And all the wise men and all the wise women of that country-side were not able to heal her of her sickness.

Then the maid Sada, weeping and hiding her face with her sleeve, went to the Lord of the House and told him of the moonlight adventure and the fair youth of the peony bed.

“Ah me,” she said, “my sweet mistress pines and dies for the love of this beautiful young man.”

“Child,” said the daimyo, “how you talk! My daughter’s garden is well guarded by walls and by men-at-arms. It is not possible that any stranger should enter it. What, then, is this tale of the moon and a samurai in peony garments and all manner of other foolishness, and how will such a tale sound in the ears of the Lord of Ako?”

But Sada wept and said, “My mistress will die.”

“To fight in the field, to flatter at Court and to speak in Council, all these are easy,” said the daimyo, “but preserve me from the affairs of my women, for they are too hard for me.”

With that he made a search of all the castle and the castle grounds, but not a trace did he find of any stranger in hiding.

That night the Lady Aya called piteously for the cooler air, so they bore her out on to her garden gallery, where she lay in O Sada’s arms. A minstrel of the household took his biwa, and to soothe her he made this song:

“Music of my lute–
Is it born, does it die,
Is it truth or a lie?
Whence, whence and where,
Enchanted air?
Music of my lute
Is mute.

“Sweet scents in the night–
Do they float, do they seem,
Are they essence of dream,
Or thus are they said
The thoughts of the Dead?
Sweet scents in the night
Delight.”

Now, while the minstrel sang and touched his instrument, a fair youth stood up from the rosy sea of peonies by the pond. All there saw him clearly, his bright eyes, his sword, and his dress broidered with flowers. The Lady Aya gave a wild cry and ran to the edge of the garden gallery, holding out her white arms. And immediately the vision passed away. But the minstrel took up his biwa once more and sang:

“Love more strange than death–
Is it longer than life,
Is it hotter than strife?
Strong, strong and blind,
Transcending kind–
Love more strange than death
Or breath.”

At this the mysterious knight of the flowers stood once again straight and tall, and his shining eyes were fixed upon the Lady Aya.

Then a gentleman of the company of the daimyo, who was a mighty man of war, drew his sword forthwith and leapt down amongst the peonies to do battle with the bold stranger that so gazed upon his master’s daughter. And at that a cloud drew across the moon’s face as if by faery, and of a sudden a great hot wind blew from the south. The lights died upon the garden gallery, the maidens held their garments together while their long gossamer sleeves floated out. All the peony bed was tossed about like a troubled sea, and the pink and white petals flew like foam. A mist, damp and over-sweet, hung upon the wind, so that all who were there grew faint and clung to one another, trembling.

When they were recovered, they found the night still and the moon undimmed. The soldier of the daimyo’s company stood panting and white as death at the steps of the garden gallery. In his right hand he held his unstained sword, in his left a perfect peony flower.

“I have him,” he shouted; “he could not escape me. I have him fast.”

Aya said, “Give me the flower”; and he gave it her without a word, as one in a dream.

Then Aya went to her bower and slept with the peony upon her breast and was satisfied.

For nine days she kept the flower. The sweet colour came to her face, and the light to her eyes. She was perfectly healed of her sickness.

She set the peony in a bronze vase and it did not droop or fade, but grew larger and more lovely all the nine days.

At the end of this time the young Lord of Ako came riding in great pomp and state to claim his long-promised lady. So he and the Lady Aya were wed in the midst of much feasting and rejoicing. Howbeit, they say she made but a pale bride. And the same day the peony withered and was thrown away.

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Wind in the Pine Tree

A divine Pine Tree planted by a heavenly deity at Takasaga becomes sacred, home to spirits of wood, water, air, and sea foam. A maiden and a youth, drawn by destiny, unite under its boughs. They grow old together, yet in death, transform into youthful, eternal beings, ascending through the Pine Tree’s branches, where the wind eternally sings of love and life’s mysteries.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Sacred Spaces: The Pine Tree, planted by a heavenly deity, becomes a sacred site inhabited by various spirits, symbolizing a holy and haunted place.

Eternal Life and Mortality: Their transformation in death into youthful, eternal beings signifies themes of immortality and the transcendence of life.

Transformation: The metamorphosis of the lovers into eternal beings illustrates a significant change, both physical and spiritual.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

It was a Deity from High Heaven that planted the Pine Tree.

So long ago that the crane cannot remember it, and the tortoise knows it only by hearsay from his great-grandmother, the heavenly deity descended. Lightly, lightly he came by way of the Floating Bridge, bearing the tree in his right hand. Lightly, lightly his feet touched the earth.

He said, “I have come to the Land of the Reed Plains. I have come to the Land of Fresh Rice Ears. It is a good land; I am satisfied.”

► Continue reading…

And he planted the Pine Tree within the sound of the sea at Takasaga, which is in the Province of Harima. Then he went up again to High Heaven by way of the Floating Bridge.

But the Pine Tree flourished. So great it grew, there was not a greater in all the Land of the Reed Plains. Its trunk was rosy red, and beneath it spread a brown carpet of fallen needles.

In the sweet nights of summer the Children of the Woods came hand in hand to the Pine Tree by moonlight, slipping their slim dark feet upon the moss, and tossing back their long green hair.

The Children of the Water came by moonlight, all drenching wet their sleeves, and the bright drops fell from their finger-tips. The Children of the Air rested in the Pine Tree’s branches, and made murmuring music all the live-long night. The Children of the Sea Foam crept up the yellow sands; and from the confines of Yomi came the Mysteries, the Sounds and the Scents of the Dark–with faces veiled and thin grey forms, they came, and they hung upon the air about the place where the Pine Tree was, so that the place was holy and haunted.

Lovers wandering upon the beach at Takasaga would hear the great company of Spirits singing together.

“Joy of my heart,” they said to one another, “do you hear the wind in the Pine Tree?”

Poor souls lying sick a-bed would listen, and fishermen far out at sea would pause in their labour to whisper, “The wind, the wind in the Pine Tree! How the sound carries over the water!”

As for the coming of the Maiden, the crane cannot remember it, but the tortoise has it of his great-grandmother that she was born of poor parents in Takasaga. The Maiden was brown and tall and slender; in face and form most lovely. Her hair hung down to her knees. She rose at dawn to help her mother; she found sticks for the fire, she drew water at the well. She could spin and weave with the best; and for long, long hours she sat and plied her wheel or her shuttle in the shade of the great Pine Tree, whilst her ears heard the sound of the wind in its branches. Sometimes her eyes looked out over the paths of the sea, as one who waits and watches. She was calm, not restless, more grave than gay, though she smiled not seldom. Her voice was the voice of a Heavenly Being.

Now concerning the Youth from the far province, of him the crane knows something, for the crane is a great traveller. She was flying over the streams and the valleys of the far province, so she says, when she saw the Youth at work in the green rice-fields. The crane lingered, circling slowly in the bright air. The Youth stood up. He looked round upon the valleys and streams; he looked into the sky.

“I hear the call,” he said. “I may tarry no longer. Voice in my heart, I hear and I obey.”

With that he left the rice-field, and bade farewell to his mother and his father and his sisters and his brothers and his friends. All together, they came down to the seashore, weeping and clinging to each other. The Youth took a boat and went away to sea, and the rest of them stood upon the beach.

On sped the boat for many a day over the unknown paths of the sea. And the white crane flew behind the boat. And when the wind failed, she pushed the boat forward with the wind of her strong wings.

At last, one evening about the hour of sunset, the Youth heard the sound of sweet singing. The sound came to him from the land, and it travelled over the paths of the sea. He stood up in his boat, and the crane beat her strong white wings and guided his boat to the shore till its keel touched the yellow sand of the sea-beach of Takasaga.

When the Youth had come ashore he pushed the boat out again with the waves, and watched it drift away. Then he turned his face inland. The sound of music was still in his ears. The voice was like the voice of a Heavenly Being, and strange and mystical were the words of the song:–

“The lover brought a love gift to his mistress,
Jewels of jade upon a silken string;
Well-carved jewels,
Well-rounded jewels,
Green as the grass,
Upon a silken string.
The jewels know not one another,
The string they know,
Oh, the strength of the silken string!”

The Youth went inland and came to the great Pine Tree and to the Maid that sat beneath, weaving diligently and singing. The crane came flying with her strong white wings, and perched upon the Tree’s topmost branches. The tortoise lay below on the brown carpet of needles. He watched and saw much with his little eyes, but he said nothing, being very silent by nature.

The Youth stood before the Maiden, waiting.

“Whence come you?” she said, lifting up her eyes.

“I have come across the sea path. I have come from afar.”

“And wherefore came you?”

“That you must know best, seeing it was your voice that sang in my heart.”

“Do you bring me the gift?” she said.

“Indeed, I bring you the complete gift, jewels of jade upon a silken string.”

“Come,” she said, and rose and took him by the hand. And they went to her father’s house.

So they drank the “Three Times Three,” and were made man and wife, and lived in sweet tranquillity many, many years.

All the time the crane dwelt in the Pine Tree’s topmost branches, and the tortoise on the brown carpet of needles below.

At last the Youth and Maiden, that once were, became white-haired, old, and withered, by the swift, relentless passage of years.

“Fair love,” said the old man, “how weary I grow! It is sad to be old.”

“Say not so, dear delight of my heart,” said the old woman; “say not so, the best of all is to come.”

“My dear,” said the old man, “I have a desire to see the great Pine Tree before I die, and to listen once more to the song of the wind in its branches.”

“Come, then,” she said, and rose and took him by the hand.

Old and faint and worn, with feeble, tottering steps, and hand in hand they came.

“How faint I grow,” said the old man. “Ah, I am afraid! How dark it is! Hold you my hand….”

“I have it fast in mine. There, lie down, lie down, dear love; be still and listen to the wind in the Pine Tree.”

He lay on the soft brown bed beneath the Pine Tree’s boughs; and the wind sang.

She who was his love and his wife bent over him and sheltered him. And he suffered the great change.

Then he opened his eyes and looked at her. She was tall and straight and slender, in face and form most lovely, and each of them was young as the gods are young. He put out his hand and touched her. “Your long black hair …” he said.

Once more she bade him, “Come.” Lightly they left the ground. To the sound of the wind’s music they swayed, they floated, they rose into the air. Higher they rose and higher. The branches of the Pine Tree received them, and they were no more seen.

Still, in the sweet nights of summer, the Children of the Woods come hand in hand to the Pine Tree by moonlight, slipping their slim dark feet upon the moss, and tossing back their long green hair.

The Children of the Water come by moonlight, all drenching wet their sleeves, and the bright drops fall from their finger-tips. The Children of the Air rest in the Pine Tree’s branches, and make murmuring music all the live-long night. The Children of the Sea Foam creep up the yellow sands; and from the confines of Yomi come the Mysteries, the Sounds and the Scents of the Dark–with faces veiled and thin grey forms, they come, and they hang upon the air about the place where the Pine Tree is, so that the place is holy and haunted.

Lovers wandering upon the beach at Takasaga hear the great company of Spirits singing together.

“Joy of my heart,” they say to one another, “do you hear the wind in the Pine Tree?”

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page