The Monkey and the Turtle

A hungry monkey and a turtle team up to steal banana plants. The monkey selfishly eats the ripe bananas, ignoring the turtle’s hunger. Angered, the turtle tricks the monkey, leading to his demise. The turtle sells the monkey’s meat to other monkeys, who unwittingly eat it. Later, he outsmarts the monkeys, causing their downfall. This story explains why monkeys avoid eating meat.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Trickster: The turtle uses cunning to outsmart the selfish monkey.

Revenge and Justice: The turtle seeks retribution for the monkey’s greed, leading to the monkey’s demise.

Moral Lessons: The tale teaches the consequences of greed and selfishness.

► From the same Region or People

Learn more about Philippines peoples


A monkey, looking very sad and dejected, was walking along the bank of the river one day when he met a turtle.

“How are you?” asked the turtle, noticing that he looked sad.

The monkey replied, “Oh, my friend, I am very hungry. The squash of Mr. Farmer were all taken by the other monkeys, and now I am about to die from want of food.”

“Do not be discouraged,” said the turtle; “take a bolo and follow me and we will steal some banana plants.”

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So they walked along together until they found some nice plants which they dug up, and then they looked for a place to set them. Finally the monkey climbed a tree and planted his in it, but as the turtle could not climb he dug a hole in the ground and set his there.

When their work was finished they went away, planning what they should do with their crop. The monkey said:

“When my tree bears fruit, I shall sell it and have a great deal of money.”

And the turtle said: “When my tree bears fruit, I shall sell it and buy three varas of cloth to wear in place of this cracked shell.”

A few weeks later they went back to the place to see their plants and found that that of the monkey was dead, for its roots had had no soil in the tree, but that of the turtle was tall and bearing fruit.

“I will climb to the top so that we can get the fruit,” said the monkey. And he sprang up the tree, leaving the poor turtle on the ground alone.

“Please give me some to eat,” called the turtle, but the monkey threw him only a green one and ate all the ripe ones himself.

When he had eaten all the good bananas, the monkey stretched his arms around the tree and went to sleep. The turtle, seeing this, was very angry and considered how he might punish the thief. Having decided on a scheme, he gathered some sharp bamboo which he stuck all around under the tree, and then he exclaimed:

“Crocodile is coming! Crocodile is coming!”

The monkey was so startled at the cry that he fell upon the sharp bamboo and was killed.

Then the turtle cut the dead monkey into pieces, put salt on it, and dried it in the sun. The next day, he went to the mountains and sold his meat to other monkeys who gladly gave him squash in return. As he was leaving them he called back:

“Lazy fellows, you are now eating your own body; you are now eating your own body.”

Then the monkeys ran and caught him and carried him to their own home.

“Let us take a hatchet,” said one old monkey, “and cut him into very small pieces.”

But the turtle laughed and said: “That is just what I like, I have been struck with a hatchet many times. Do you not see the black scars on my shell?”

Then one of the other monkeys said: “Let us throw him into the water,”

At this the turtle cried and begged them to spare his life, but they paid no heed to his pleadings and threw him into the water. He sank to the bottom, but very soon came up with a lobster. The monkeys were greatly surprised at this and begged him to tell them how to catch lobsters.

“I tied one end of a string around my waist,” said the turtle. “To the other end of the string I tied a stone so that I would sink.”

The monkeys immediately tied strings around themselves as the turtle said, and when all was ready they plunged into the water never to come up again. And to this day monkeys do not like to eat meat, because they remember the ancient story.


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The Story of Bantugan

Before Spanish rule in Mindanao, the tale of Bantugan unfolds—a legendary hero seeking the Sultan’s daughter in marriage. His son Balatama braved mythical trials, securing the Sultan’s consent with divine gifts. Yet, treachery from a Spanish general incited war. Despite Bantugan’s ultimate sacrifice in battle, his spirit and his warriors endure on the island of Bongos, a mystical testament to his legacy.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Hero’s Journey: Bantugan’s son, Balatama, embarks on a perilous quest to secure a marriage proposal, facing numerous challenges that test his bravery and determination.

Trials and Tribulations: Balatama encounters and overcomes various obstacles, including battling a giant snake and enduring a storm of stones, demonstrating resilience and courage.

Sacrifice: Bantugan ultimately sacrifices his life in battle, highlighting themes of personal sacrifice for honor and the well-being of his people.

► From the same Region or People

Learn more about Philippines peoples


Before the Spaniards occupied the island of Mindanao, there lived in the valley of the Rio Grande a very strong man, Bantugan, whose father was the brother of the earthquake and thunder.

Now the Sultan of the Island had a beautiful daughter whom Bantugan wished to marry, but the home of the Sultan was far off, and whoever went to carry Bantugan’s proposal would have a long and hazardous journey. All the head men consulted together regarding who should be sent, and at last it was decided that Bantugan’s own son, Balatama, was the one to go.

► Continue reading…

Balatama was young but he was strong and brave, and when the arms of his father were given him to wear on the long journey his heart swelled with pride. More than once on the way, however, his courage was tried, and only the thought of his brave father gave him strength to proceed.

Once he came to a wooden fence which surrounded a stone in the form of a man, and as it was directly in his path he drew his fighting knife to cut down the fence. Immediately the air became as black as night and stones rained down as large as houses. This made Balatama cry, but he protected himself with his father’s shield and prayed, calling on the winds from the homeland until they came and cleared the air again.

Thereupon Balatama encountered a great snake in the road, and it inquired his errand. When told, the snake said:

“You cannot go on, for I am guard of this road and no one can pass.”

The animal made a move to seize him, but with one stroke of his fighting knife the boy cut the snake into two pieces, one of which he threw into the sea and the other into the mountains.

After many days the weary lad came to a high rock in the road, which glistened in the sunlight. From the top he could look down into the city for which he was bound. It was a splendid place with ten harbors. Standing out from the other houses was one of crystal and another of pure gold. Encouraged by this sight he went on, but though it seemed but a short distance, it was some time before he at last stood at the gate of the town.

It was not long after this, however, before Balatama had made known his errand to the Sultan, and that monarch, turning to his courtiers, said:

“You, my friends, decide whether or not I shall give the hand of my daughter to Bantugan in marriage.”

The courtiers slowly shook their heads and began to offer objections.

Said one, “I do not see how Bantugan can marry the Sultan’s daughter because the first gift must be a figure of a man or woman in pure gold.”

“Well,” said the son of Bantugan, “I am here to learn what you want and to say whether or not it can be given.”

Then a second man spoke: “You must give a great yard with a floor of gold, which must be three feet thick.”

“All this can be given,” answered the boy.

And the sister of the Princess said: “The gifts must be as many as the blades of grass in our city.”

“It shall be granted,” said Balatama.

“You must give a bridge built of stone to cross the great river,” said one.

And another: “A ship of stone you must give, and you must change into gold all the cocoanuts and leaves in the Sultan’s grove.”

“All this can be done,” said Balatama. “My uncles will give all save the statue of gold, and that I shall give myself. But first I must go to my father’s town to secure it.”

At this they were angry and declared that he had made sport of them and unless he produced the statue at once they would kill him.

“If I give you the statue now,” said he, “there will come dreadful storms, rain, and darkness.”

But they only laughed at him and insisted on having the statue, so he reached in his helmet and drew it forth.

Immediately the earth began to quake. A great storm arose, and stones as large as houses rained until the Sultan called to Balatama to put back the statue lest they all be killed.

“You would not believe what I told you,” said the boy; “and now I am going to let the storm continue.”

But the Sultan begged him and promised that Bantugan might marry his daughter with no other gifts at all save the statue of gold. Balatama put back the statue into his helmet, and the air became calm again to the great relief of the Sultan and his courtiers. Then Balatama prepared to return home, promising that Bantugan would come in three months for the wedding.

All went well with the boy on the way home until he came to the fence surrounding the stone in the form of a man, and there he was detained and compelled to remain four months.

Now about this time a Spanish general heard that Bantugan was preparing to marry the Sultan’s daughter, whom he determined to wed himself. A great expedition was prepared, and he with all his brothers embarked on his large warship which was followed by ten thousand other ships. They went to the Sultan’s city, and their number was so great that they filled the harbor, frightening the people greatly.

Then the General’s brother disembarked and came to the house of the Sultan. He demanded the Princess for the General, saying that if the request were refused, the fleet would destroy the city and all its people. The Sultan and his courtiers were so frightened that they decided to give his daughter to the General, the next full moon being the date set for the wedding.

In the meantime Bantugan had been preparing everything for the marriage which he expected to take place at the appointed time. But as the days went by and Balatama did not return, they became alarmed, fearing he was dead. After three months had passed, Bantugan prepared a great expedition to go in search of his son, and the great warship was decorated with flags of gold.

As they came in sight of the Sultan’s city, they saw the Spanish fleet in the harbor, and one of his brothers advised Bantugan not to enter until the Spaniards left They then brought their ship to anchor. But all were disappointed that they could not go farther, and one said, “Why do we not go on? Even if the blades of grass turn into Spaniards we need not fear.” Another said: “Why do we fear? Even if the cannon-balls come like rain, we can always fight.” Finally some wanted to return to their homes and Bantugan said: “No, let us seek my son. Even though we must enter the harbor where the Spaniards are, let us continue our search.” So at his command the anchors were lifted, and they sailed into the harbor where the Spanish fleet lay.

Now at this very time the Spanish general and his brother were with the Sultan, intending to call upon the Princess. As the brother talked with one of the sisters of the Princess they moved toward the window, and looking down they saw Bantugan’s ships entering the harbor. They could not tell whose flags the ships bore. Neither could the Sultan when he was called. Then he sent his brother to bring his father who was a very old man, to see if he could tell. The father was kept in a little dark room by himself that he might not get hurt, and the Sultan said to his brother:

“If he is so bent with age that he cannot see, talk, or walk, tickle him in the ribs and that will make him young again; and, my Brother, carry him here yourself lest one of the slaves should let him fall and he should hurt himself.”

So the old man was brought, and when he looked out upon the ships he saw that the flags were those of the father of Bantugan who had been a great friend of his in his youth. And he told them that he and Bantugan’s father years ago had made a contract that their children and children’s children should intermarry, and now since the Sultan had promised his daughter to two people, he foresaw that great trouble would come to the land. Then the Sultan said to the General:

“Here are two claimants to my daughter’s hand. Go aboard your ships and you and Bantugan make war on each other, and the victor shall have my daughter.”

So the Spaniards opened fire upon Bantugan, and for three days the earth was so covered with smoke from the battle that neither could see his enemy. Then the Spanish general said:

“I cannot see Bantugan or the fleet anywhere, so let us go and claim the Princess.”

But the Sultan said: “We must wait until the smoke rises to make sure that Bantugan is gone.”

When the smoke rose, the ships of Bantugan were apparently unharmed and the Sultan said:

“Bantugan has surely won, for his fleet is uninjured while yours is badly damaged. You have lost.”

“No,” said the General, “we will fight it out on dry land.”

So they both landed their troops and their cannon, and a great fight took place, and soon the ground was covered with dead bodies. And the Sultan commanded them to stop, as the women and children in the city were being killed by the cannon-balls, but the General said:

“If you give your daughter to Bantugan we shall fight forever or until we die.”

Then the Sultan sent for Bantugan and said:

“We must deceive the Spaniard in order to get him to go away. Let us tell him that neither of you will marry my daughter, and then after he has gone, we shall have the wedding.”

Bantugan agreed to this, and word was sent to the Spaniards that the fighting must cease since many women and children were being killed. So it was agreed between the Spaniard and Bantugan that neither of them should marry the Princess. Then they both sailed away to their homes.

Bantugan soon returned, however, and married the Princess, and on the way back to his home they found his son and took him with them. For about a week the Spanish general sailed toward his home and then he, too, turned about to go back, planning to take the Princess by force. When he found that she had already been carried away by Bantugan, his wrath knew no bounds. He destroyed the Sultan, his city, and all its people. And then he sailed away to prepare a great expedition with which he should utterly destroy Bantugan and his country as well.

One morning Bantugan looked out and saw at the mouth of the Rio Grande the enormous fleet of the Spaniards whose numbers were so great that in no direction could the horizon be seen. His heart sank within him, for he knew that he and his country were doomed.

Though he could not hope to win in a fight against such great numbers, he called his headmen together and said:

“My Brothers, the Christian dogs have come to destroy the land. We cannot successfully oppose them, but in the defense of the fatherland we can die.”

So the great warship was again prepared, and all the soldiers of Islam embarked, and then with Bantugan standing at the bow they sailed forth to meet their fate.

The fighting was fast and furious, but soon the great warship of Bantugan filled with water until at last it sank, drawing with it hundreds of the Spanish ships. And then a strange thing happened. At the very spot where Bantugan’s warship sank, there arose from the sea a great island which you can see today not far from the mouth of the Rio Grande. It is covered with bongo palms, and deep within its mountains live Bantugan and his warriors. A Moro sailboat passing this island is always scanned by Bantugan’s watchers, and if it contains women such as he admires, they are snatched from their seats and carried deep into the heart of the mountain. For this reason Moro women fear even to sail near the island of Bongos.

When the wife of Bantugan saw that her husband was no more and that his warship had been destroyed, she gathered together the remaining warriors and set forth herself to avenge him. In a few hours her ship was also sunk, and in the place where it sank there arose the mountain of Timaco.

On this thickly wooded island are found white monkeys, the servants of the Princess, who still lives in the center of the mountain. On a quiet day high up on the mountain side one can hear the chanting and singing of the waiting-girls of the wife of Bantugan.


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Mythology of Mindanao

The legend of Indarapatra and Sulayman tells of four monstrous creatures terrorizing Mindanao, devastating its people and lands. King Indarapatra sends his brother Sulayman to defeat them. Sulayman slays three beasts but dies fighting a giant bird. Indarapatra revives him using heavenly water and kills the final monster. Peace is restored, the people emerge from hiding, and Indarapatra marries the headman’s daughter, uniting the land in harmony.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Hero’s Journey: Both Indarapatra and Sulayman embark on transformative adventures, facing formidable challenges to restore peace to their land.

Supernatural Beings: The narrative features monstrous creatures like Kurita, Tarabusaw, and the seven-headed bird, highlighting interactions with supernatural entities.

Good vs. Evil: The struggle between the heroic brothers and the malevolent monsters embodies the classic conflict between opposing forces.

► From the same Region or People

Learn more about Philippines peoples


A long, long time ago Mindanao was covered with water, and the sea extended over all the lowlands so that nothing could be seen but mountains. Then there were many people living in the country, and all the highlands were dotted with villages and settlements.

For many years the people prospered, living in peace and contentment. Suddenly there appeared in the land four horrible monsters which, in a short time, had devoured every human being they could find.

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Kurita, a terrible creature with many limbs, lived partly on land and partly in the sea, but its favorite haunt was the mountain where the rattan grew; and here it brought utter destruction on every living thing. The second monster, Tarabusaw, an ugly creature in the form of a man, lived on Mt. Matutun, and far and wide from that place he devoured the people, laying waste the land. The third, an enormous bird called Pah, was so large that when on the wing it covered the sun and brought darkness to the earth. Its egg was as large as a house. Mt. Bita was its haunt, and there the only people who escaped its voracity were those who hid in caves in the mountains. The fourth monster was a dreadful bird also, having seven heads and the power to see in all directions at the same time. Mt. Gurayn was its home and like the others it wrought havoc in its region.

So great was the death and destruction caused by these terrible animals that at length the news spread even to the most distant lands, and all nations were grieved to hear of the sad fate of Mindanao.

Now far across the sea in the land of the golden sunset was a city so great that to look at its many people would injure the eyes of man. When tidings of these great disasters reached this distant city, the heart of the king Indarapatra was filled with compassion, and he called his brother, Sulayman, begging him to save the land of Mindanao from the monsters.

Sulayman listened to the story, and as he heard he was moved with pity.

“I will go,” said he, zeal and enthusiasm adding to his strength, “and the land shall be avenged.”

King Indarapatra, proud of his brother’s courage, gave him a ring and a sword as he wished him success and safety. Then he placed a young sapling by his window and said to Sulayman:

“By this tree I shall know your fate from the time you depart from here, for if you live, it will live; but if you die, it will die also.”

So Sulayman departed for Mindanao, and he neither walked nor used a boat, but he went through the air and landed on the mountain where the rattan grew. There he stood on the summit and gazed about on all sides. He looked on the land and the villages, but he could see no living thing. And he was very sorrowful and cried out:

“Alas, how pitiful and dreadful is this devastation!”

No sooner had Sulayman uttered these words than the whole mountain began to move, and then shook. Suddenly out of the ground came the horrible creature, Kurita. It sprang at the man and sank its claws into his flesh. But Sulayman, knowing at once that this was the scourge of the land, drew his sword and cut the Kurita to pieces.

Encouraged by his first success, Sulayman went on to Mt. Matutun where conditions were even worse. As he stood on the heights viewing the great devastation there was a noise in the forest and a movement in the trees. With a loud yell, forth leaped Tarabusaw. For a moment they looked at each other, neither showing any fear. Then Tarabusaw threatened to devour the man, and Sulayman declared that he would kill the monster. At that the animal broke large branches off the trees and began striking at Sulayman who, in turn, fought back. For a long time the battle continued until at last the monster fell exhausted to the ground and then Sulayman killed him with his sword.

The next place visited by Sulayman was Mt. Bita. Here havoc was present everywhere, and though he passed by many homes, not a single soul was left. As he walked along, growing sadder at each moment, a sudden darkness which startled him fell over the land. As he looked toward the sky he beheld a great bird descending upon him. Immediately he struck at it, cutting off its wing with his sword, and the bird fell dead at his feet; but the wing fell on Sulayman, and he was crushed.

Now at this very time King Indarapatra was sitting at his window, and looking out he saw the little tree wither and dry up.

“Alas!” he cried, “my brother is dead”; and he wept bitterly.

Then although he was very sad, he was filled with a desire for revenge, and putting on his sword and belt he started for Mindanao in search of his brother.

He, too, traveled through the air with great speed until he came to the mountain where the rattan grew. There he looked about, awed at the great destruction, and when he saw the bones of Kurita he knew that his brother had been there and gone. He went on till he came to Matutun, and when he saw the bones of Tarabusaw he knew that this, too, was the work of Sulayman.

Still searching for his brother, he arrived at Mt. Bita where the dead bird lay on the ground, and as he lifted the severed wing he beheld the bones of Sulayman with his sword by his side. His grief now so overwhelmed Indarapatra that he wept for some time. Upon looking up he beheld a small jar of water by his side. This he knew had been sent from heaven, and he poured the water over the bones, and Sulayman came to life again. They greeted each other and talked long together. Sulayman declared that he had not been dead but asleep, and their hearts were full of joy.

After some time Sulayman returned to his distant home, but Indarapatra continued his journey to Mt. Gurayn where he killed the dreadful bird with the seven heads. After these monsters had all been destroyed and peace and safety had been restored to the land, Indarapatra began searching everywhere to see if some of the people might not be hidden in the earth still alive.

One day during his search he caught sight of a beautiful woman at a distance. When he hastened toward her she disappeared through a hole in the ground where she was standing. Disappointed and tired, he sat down on a rock to rest, when, looking about, he saw near him a pot of uncooked rice with a big fire on the ground in front of it. This revived him and he proceeded to cook the rice. As he did so, however, he heard someone laugh near by, and turning he beheld an old woman watching him. As he greeted her, she drew near and talked with him while he ate the rice.

Of all the people in the land, the old woman told him, only a very few were still alive, and they hid in a cave in the ground from whence they never ventured. As for herself and her old husband, she went on, they had hidden in a hollow tree, and this they had never dared leave until after Sulayman killed the voracious bird, Pah.

At Indarapatra’s earnest request, the old woman led him to the cave where he found the headman with his family and some of his people. They all gathered about the stranger, asking many questions, for this was the first they had heard about the death of the monsters. When they found what Indarapatra had done for them, they were filled with gratitude, and to show their appreciation the headman gave his daughter to him in marriage, and she proved to be the beautiful girl whom Indarapatra had seen at the mouth of the cave.

Then the people all came out of their hiding-place and returned to their homes where they lived in peace and happiness. And the sea withdrew from the land and gave the lowlands to the people.


Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Widow’s Son

A widow and her son lived happily, farming and hunting in their village. One day, the son hunted a mystical pig, leading him to a magical stone dwelling where he befriended its spirit master. Later, he fought seven warriors and a giant in epic battles, guided by a protective spirit. Eventually, peace was restored, and the son married an orphan girl in a grand feast of reconciliation.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Quest: The protagonist embarks on a journey to hunt a mystical pig, leading him to a magical stone dwelling and a series of challenges.

Supernatural Beings: The boy encounters and befriends a spirit master residing in the magical stone dwelling, indicating interactions with supernatural entities.

Sacred Spaces: The magical stone dwelling serves as a significant location where the protagonist’s transformative experiences occur.

► From the same Region or People

Learn more about Philippines peoples


In a little house at the edge of a village lived a widow with her only son, and they were very happy together. The son was kind to his mother, and they made their living by growing rice in clearings on the mountain side and by hunting wild pig in the forest.

One evening when their supply of meat was low, the boy said:

“Mother, I am going to hunt pig in the morning, and I wish you would prepare rice for me before daylight.”

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So the widow rose early and cooked the rice, and at dawn the boy started out with his spear and dog.

Some distance from the village, he entered the thick forest. He walked on and on, ever on the lookout for game, but none appeared. At last when he had traveled far and the sun was hot, he sat down on a rock to rest and took out his brass box to get a piece of betel-nut. He prepared the nut and leaf for chewing, and as he did so he wondered why it was that he had been so unsuccessful that day. But even as he pondered he heard his dog barking sharply, and cramming the betel-nut into his mouth he leaped up and ran toward the dog.

As he drew near he could see that the game was a fine large pig, all black save its four legs which were white. He lifted his spear and took aim, but before he could throw the pig started to run, and instead of going toward a water course it ran straight up the mountain. The boy went on in hot pursuit, and when the pig paused he again took aim, but before he could throw it ran on.

Six times the pig stopped just long enough for the boy to take aim, and then started on before he could throw. The seventh time, however, it halted on the top of a large flat rock and the boy succeeded in killing it.

He tied its legs together with a piece of rattan and was about to start for home with the pig on his back, when to his surprise a door in the large stone swung open and a man stepped out.

“Why have you killed my master’s pig?” asked the man.

“I did not know that this pig belonged to anyone,” replied the widow’s son. “I was hunting, as I often do, and when my dog found the pig I helped him to catch it”

“Come in and see my master,” said the man, and the boy followed him into the stone where he found himself in a large room. The ceiling and floor were covered with peculiar cloth that had seven wide stripes of red alternating with a like number of yellow stripes. When the master of the place appeared his trousers were of seven colors, as were also his jacket and the kerchief about his head.

The master ordered betel-nut, and when it was brought they chewed together. Then he called for wine, and it was brought in a jar so large that it had to be set on the ground under the house, and even then the top came so high above the floor that they brought a seat for the widow’s son, and it raised him just high enough to drink from the reed in the top of the jar. He drank seven cups of wine, and then they ate rice and fish and talked together.

The master did not blame the boy for killing the pig, and declared that he wished to make a brother of him. So they became friends, and the boy remained seven days in the stone. At the end of that time, he said that he must return to his mother who would be worried about him. In the early morning he left the strange house and started for home.

At first he walked briskly, but as the morning wore on he went more slowly, and finally when the sun was high he sat down on a rock to rest. Suddenly looking up, he saw before him seven men each armed with a spear, a shield, and a sword. They were dressed in different colors, and each man had eyes the same color as his clothes. The leader, who was dressed all in red with red eyes to match, spoke first, asking the boy where he was going. The boy replied that he was going home to his mother who would be looking for him, and added:

“Now I ask where you are going, all armed ready for war.”

“We are warriors,” replied the man in red. “And we go up and down the world killing whatever we see that has life. Now that we have met you, we must kill you also.”

The boy, startled by this strange speech, was about to answer when he heard a voice near him say: “Fight, for they will try to kill you,” and upon looking up he saw his spear, shield, and sword which he had left at home. Then he knew that the command came from a spirit, so he took his weapons and began to fight. For three days and nights they contended, and never before had the seven seen one man so brave. On the fourth day the leader was wounded and fell dead, and then, one by one, the other six fell.

When they were all killed, the widow’s son was so crazed with fighting that he thought no longer of returning home, but started out to find more to slay.

In his wanderings he came to the home of a great giant whose house was already full of the men he had conquered in battle, and he called up from outside:

“Is the master of the house at home? If he is, let him come out and fight.”

This threw the giant into a rage, and seizing his shield and his spear, the shaft of which was the trunk of a tree, he sprang to the door and leaped to the ground, not waiting to go down the notched pole which served for steps. He looked around for his antagonist, and seeing only the widow’s son he roared:

“Where is the man that wants to fight? That thing? It is only a fly!”

The boy did not stop to answer, but rushed at the giant with his knife; and for three days and nights they struggled, till the giant fell, wounded at the waist.

After that the widow’s son stopped only long enough to burn the giant’s house, and then rushed on looking for someone else to slay. Suddenly he again heard the voice which had bade him fight with the seven men, and this time it said: “Go home now, for your mother is grieved at your absence.” In a rage he sprang forward with his sword, though he could see no enemy. Then the spirit which had spoken to him made him sleep for a short time. When he awoke the rage was spent.

Again the spirit appeared, and it said: “The seven men whom you killed were sent to kill you by the spirit of the great stone, for he looked in your hand and saw that you were to marry the orphan girl whom he himself wished to wed. But you have conquered. Your enemies are dead. Go home now and prepare a great quantity of wine, for I shall bring your enemies to life again, and you will all live in peace.”

So the widow’s son went home, and his mother, who had believed him dead, was filled with joy at his coming, and all the people in the town came out to welcome him. When he had told them his story, they hastened to get wine, and all day they bore jarsful to the widow’s house.

That night there was a great feast, and the spirit of the great stone, his seven warriors, the friendly spirit, and the giant all came. The widow’s son married the orphan girl, while another beautiful woman became the wife of the spirit of the stone.


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The Sun and the Moon

This myth explains the celestial and natural phenomena of the Sun, Moon, stars, tides, and lightning. The Sun, depicted as quarrelsome, chases the Moon eternally, symbolizing their cosmic dance. Their children include the scattered stars, created from a violent act, and a colossal crab responsible for tides and lightning. The crab’s hostility toward the Moon is thwarted by humans’ protective actions during lunar eclipses.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Origin of Things: The tale explains natural phenomena, such as the creation of stars from the Sun’s actions and the behavior of tides and lightning attributed to their crab offspring.

Cosmic Order and Chaos: The eternal chase between the Sun and the Moon symbolizes the balance and tension in the cosmos, reflecting themes of order and disorder.

Mythical Creatures: The inclusion of a gigantic crab with supernatural abilities introduces a mythical being that influences natural events.

► From the same Region or People

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The Sun and the Moon were married, but the Sun was very ugly and quarrelsome. One day he became angry at the Moon and started to chase her. She ran very fast until she was some distance ahead of him, when she grew tired and he almost caught her. Ever since he has been chasing her, at times almost reaching her, and again falling far behind. The first child of the Sun and Moon was a large star, and he was like a man. One time the Sun, becoming angry at the star, cut him up into small pieces and scattered him over the whole sky just as a woman scatters rice, and ever since there have been many stars.

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Another child of the Sun and Moon was a gigantic crab. He still lives and is so powerful that every time he opens and closes his eyes there is a flash of lightning. Most of the time the crab lives in a large hole in the bottom of the sea, and when he is there we have high tide; but when he leaves the hole, the waters rush in and there is low tide. His moving about also causes great waves on the surface of the sea.

The crab is quarrelsome like his father; and he sometimes becomes so angry with his mother, the Moon, that he tries to swallow her. When the people on earth, who are fond of the Moon, see the crab near her, they run out of doors and shout and beat on gongs until he is frightened away, and thus the Moon is saved.


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The Children of the Limokon

In ancient times, the limokon, a powerful talking dove, laid two eggs along the Mayo River. From these hatched a man and a woman. The man, lonely by the river, discovered a woman’s hair and followed the river upstream, finding his companion. They married and became the ancestors of the Mandaya people who still live along the Mayo River today.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Creation: The tale explains the origin of the Mandaya people, detailing how the first man and woman came into existence.

Ancestral Spirits: The narrative underscores the connection between the Mandaya people and their mythical ancestors, emphasizing the significance of lineage and heritage.

Sacred Spaces: The Mayo River serves as a sacred location in the story, being the birthplace of the first ancestors and the homeland of their descendants.

► From the same Region or People

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In the very early days before there were any people on the earth, the limokon (a kind of dove) were very powerful and could talk like men though they looked like birds. One limokon laid two eggs, one at the mouth of the Mayo River and one farther up its course. After some time these eggs hatched, and the one at the mouth of the river became a man, while the other became a woman. The man lived alone on the bank of the river for a long time, but he was very lonely and wished many times for a companion. One day when he was crossing the river something was swept against his legs with such force that it nearly caused him to drown.

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On examining it, he found that it was a hair, and he determined to go up the river and find whence it came. He traveled up the stream, looking on both banks, until finally he found the woman, and he was very happy to think that at last he could have a companion.

They were married and had many children, who are the Mandaya still living along the Mayo River.


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In the Beginning

In the beginning, four beings lived on a tiny island with one bird. They sent the bird across the waters, and it returned with earth, rattan, and fruit. Melu, the greatest of the four, shaped the earth and planted seeds, creating a lush world. To populate it, they first attempted to make people from wax but failed. Using clay, they succeeded, leaving the mark of Melu’s hurried touch on human faces.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Creation: The narrative describes the formation of the earth by Melu, the greatest of the four beings, who shapes the land and plants seeds to create a lush world.

Origin of Things: It explains natural phenomena, such as the presence of rattan and fruit-bearing trees, and cultural practices, like the mark on human faces attributed to Melu’s hurried touch.

Cultural Heroes: Melu and his companions serve as foundational figures who shape the world and humanity, playing a crucial role in the cultural heritage of the Bilaan people.

► From the same Region or People
From the , , lore

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In the beginning there were four beings, and they lived on an island no larger than a hat. On this island there were no trees or grass or any other living thing besides these four people and one bird. One day they sent this bird out across the waters to see what he could find, and when he returned he brought some earth, a piece of rattan, and some fruit. Melu, the greatest of the four, took the soil and shaped it and beat it with a paddle in the same manner in which a woman shapes pots of clay, and when he finished he had made the earth. Then he planted the seeds from the fruit, and they grew until there was much rattan and many trees bearing fruit.

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The four beings watched the growth for a long time and were well pleased with the work, but finally Melu said:

“Of what use is this earth and all the rattan and fruit if there are no people?”

And the others replied, “Let us make some people out of wax.”

So they took some wax and worked long, fashioning it into forms, but when they brought them to the fire the wax melted, and they saw that men could not be made in that way.

Next they decided to try to use dirt in making people, and Melu and one of his companions began working on that. All went well till they were ready to make the noses. The companion, who was working on that part, put them on upside down. Melu told him that the people would drown if he left them that way, but he refused to change them.

When his back was turned, however, Melu seized the noses, one by one, and turned them as they now are. But he was in such a hurry that he pressed his finger at the root, and it left a mark in the soft clay which you can still see on the faces of people.


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The Story of the Creation

In the beginning, Melu, a colossal being with golden teeth and pure white skin, created the earth from his dead skin. He shaped two humans but clashed with Tau Tana, who gave them upside-down noses. After rain endangered them, Melu fixed their noses, saving their lives. Grateful, the people obeyed his guidance, leading to the creation of more humans.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Creation: Melu forms the earth from his dead skin and creates the first humans, detailing the origins of the world and humanity.

Supernatural Beings: The narrative features Melu and Tau Tana, both possessing extraordinary abilities and influencing the mortal realm.

Origin of Things: The tale explains the beginnings of the earth, human beings, and certain human features, providing cultural context for their existence.

► From the same Region or People

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In the very beginning there lived a being so large that he can not be compared with any known thing. His name was Melu, and when he sat on the clouds, which were his home, he occupied all the space above. His teeth were pure gold, and because he was very clean and always rubbed himself with his hands, his skin became pure white. The dead skin which he rubbed off his body was placed on one side in a pile, and by and by this pile became so large that he was annoyed and set himself to consider what he could do with it. Finally Melu decided to make the earth; so he worked very hard in putting the dead skin into shape, and when it was finished he was so pleased with it that he determined to make two beings like himself, though smaller, to live on it.

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Taking the remnants of the material left after making the earth he fashioned two men but just as they were all finished except their noses, Tau Tana from below the earth appeared and wanted to help him.

Melu did not wish any assistance, and a great argument ensued. Tau Tana finally won his point and made the noses which he placed on the people upside down. When all was finished, Melu and Tau Tana whipped the forms until they moved. Then Melu went to his home above the clouds, and Tau Tana returned to his place below the earth.

All went well until one day a great rain came, and the people on the earth nearly drowned from the water which ran off their heads into their noses. Melu, from his place on the clouds, saw their danger, and he came quickly to earth and saved their lives by turning their noses the other side up.

The people were very grateful to him, and promised to do anything he should ask of them. Before he left for the sky, they told him that they were very unhappy living on the great earth all alone, so he told them to save all the hair from their heads and the dry skin from their bodies and the next time he came he would make them some companions. And in this way there came to be a great many people on the earth.


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Lumabet

Lumabet, a legendary figure believed to be sent by Manama, the Great Spirit, performed extraordinary feats throughout his life. Renowned for his perseverance, he chased a white deer around the world nine times, surviving on magically replenished food. He demonstrated divine power by reviving his father multiple times. Leading followers to the sky, Lumabet left doubters transformed into animals. A homesick spirit returned to earth, becoming an owl.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Quest: His relentless pursuit of the white deer around the world nine times exemplifies a classic quest, showcasing determination and endurance.

Journey to the Otherworld: Leading his followers to the sky, a realm beyond the earthly plane, signifies a transition to another world or dimension.

Supernatural Beings: The narrative is populated with spirits, buso, and other entities beyond the mortal realm, indicating interactions with supernatural beings.

► From the same Region or People

Learn more about Philippines peoples


Soon after people were created on the earth, there was born a child named Lumabet, who lived to be a very, very old man. He could talk when he was but one day old, and all his life he did wonderful things until the people came to believe that he had been sent by Manama, the Great Spirit.

When Lumabet was still a young man he had a fine dog, and he enjoyed nothing so much as taking him to the mountains to hunt. One day the dog noticed a white deer. Lumabet and his companions started in pursuit, but the deer was very swift and they could not catch it.

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On and on they went until they had gone around the world, and still the deer was ahead. One by one his companions dropped out of the chase, but Lumabet would not give up until he had the deer.

All the time he had but one banana and one camote (sweet potato) for food, but each night he planted the skins of these, and in the morning he found a banana tree with ripe fruit and a sweet potato large enough to eat. So he kept on until he had been around the world nine times, and he was an old man and his hair was gray. At last he caught the deer, and then he called all the people to a great feast, to see the animal.

While all were making merry, Lumabet told them to take a knife and kill his father. They were greatly surprised, but did as he commanded, and when the old man was dead, Lumabet waved his headband over him and he came to life again. Eight times they killed the old man at Lumabet’s command, and the eighth time he was small like a little boy, for each time they had cut off some of his flesh. They all wondered very much at Lumabet’s power, and they were certain that he was a god.

One morning some spirits came to talk with Lumabet, and after they had gone he called the people to come into his house.

“We cannot all come in,” said the people, “for your house is small and we are many.”

“There is plenty of room,” said he; so all went in and to their surprise it did not seem crowded.

Then he told the people that he was going on a long journey and that all who believed he had great power could go with him, while all who remained behind would be changed into animals and buso. He started out, many following him, and it was as he said. For those that refused to go were immediately changed into animals and buso.

He led the people far away across the ocean to a place where the earth and the sky meet. When they arrived they saw that the sky moved up and down like a man opening and closing his jaws.

“Sky, you must go up,” commanded Lumabet.

But the sky would not obey. So the people could not go through. Finally Lumabet promised the sky that if he would let all the others through, he might have the last man who tried to pass. Agreeing to this, the sky opened and the people entered. But when near the last the sky shut down so suddenly that he caught not only the last man but also the long knife of the man before.

On that same day, Lumabet’s son, who was hunting, did not know that his father had gone to the sky. When he was tired of the chase, he wanted to go to his father, so he leaned an arrow against a baliti tree and sat down on it. Slowly it began to go down and carried him to his father’s place, but when he arrived he could find no people. He looked here and there and could find nothing but a gun made of gold. This made him very sorrowful and he did not know what to do until some white bees which were in the house said to him:

“You must not weep, for we can take you to the sky where your father is.”

So he did as they bade, and rode on the gun, and the bees flew away with him, until in three days they reached the sky.

Now, although most of the men who followed Lumabet were content to live in the sky, there was one who was very unhappy, and all the time he kept looking down on the land below. The spirits made fun of him and wanted to take out his intestines so that he would be like them and never die, but he was afraid and always begged to be allowed to go back home.

Finally Manama told the spirits to allow him to go, so they made a chain of the leaves of the karan grass and tied it to his legs. Then they let him down slowly head first, and when he reached the ground he was no longer a man but an owl.


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Origin

This Philippine origin myth recounts the story of Toglai and Toglibon, the first man and woman, whose children dispersed from their home on Mt. Apo due to a devastating drought. Each group founded new tribes named after their carried possessions or settled locations, such as the Magindanau and Bilaan. Two children who stayed survived through sugarcane, leading to the Bagobo lineage.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Creation: The tale describes the origin of different tribes from the first human couple, Toglai and Toglibon.

Loss and Renewal: The drought signifies loss, leading to the dispersal (renewal) of the population into new tribes.

Conflict with Nature: The severe drought forces the characters to leave their homeland in search of sustenance.

► From the same Region or People

Learn more about Philippines peoples


In the beginning there lived one man and one woman, Toglai and Toglibon. Their first children were a boy and a girl. When they were old enough, the boy and the girl went far away across the waters seeking a good place to live in. Nothing more was heard of them until their children, the Spaniards and Americans, came back. After the first boy and girl left, other children were born to the couple, but they all remained at Cibolan on Mt. Apo with their parents, until Toglai and Toglibon died and became spirits. Soon after that there came a great drought which lasted for three years. All the waters dried up, so that there were no rivers, and no plants could live.

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“Surely,” said the people, “Manama is punishing us and we must go elsewhere to find food and a place to dwell in.”

So they started out. Two went in the direction of the sunset, carrying with them stones from Cibolan River. After a long journey they reached a place where were broad fields of cogon grass and an abundance of water, and there they made their home. Their children still live in that place and are called Magindanau, because of the stones which the couple carried when they left Cibolan.

Two children of Toglai and Toglibon went to the south, seeking a home, and they carried with them women’s baskets (baraan). When they found a good spot, they settled down. Their descendants, still dwelling at that place, are called Baraan or Bilaan, because of the women’s baskets.

So two by two the children of the first couple left the land of their birth. In the place where each settled a new people developed, and thus it came about that all the tribes in the world received their names from things that the people carried out of Cibolan, or from the places where they settled.

All the children left Mt. Apo save two (a boy and a girl), whom hunger and thirst had made too weak to travel. One day when they were about to die the boy crawled out to the field to see if there was one living thing, and to his surprise he found a stalk of sugar-cane growing lustily. He eagerly cut it, and enough water came out to refresh him and his sister until the rains came. Because of this, their children are called Bagobo.


Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page