Tag: 05. Transformation

Physical, emotional, or spiritual changes

The Wind in the Pine Tree

A divine Pine Tree planted by a heavenly deity at Takasaga becomes sacred, home to spirits of wood, water, air, and sea foam. A maiden and a youth, drawn by destiny, unite under its boughs. They grow old together, yet in death, transform into youthful, eternal beings, ascending through the Pine Tree’s branches, where the wind eternally sings of love and life’s mysteries.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Sacred Spaces: The Pine Tree, planted by a heavenly deity, becomes a sacred site inhabited by various spirits, symbolizing a holy and haunted place.

Eternal Life and Mortality: Their transformation in death into youthful, eternal beings signifies themes of immortality and the transcendence of life.

Transformation: The metamorphosis of the lovers into eternal beings illustrates a significant change, both physical and spiritual.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

It was a Deity from High Heaven that planted the Pine Tree.

So long ago that the crane cannot remember it, and the tortoise knows it only by hearsay from his great-grandmother, the heavenly deity descended. Lightly, lightly he came by way of the Floating Bridge, bearing the tree in his right hand. Lightly, lightly his feet touched the earth.

He said, “I have come to the Land of the Reed Plains. I have come to the Land of Fresh Rice Ears. It is a good land; I am satisfied.”

► Continue reading…

And he planted the Pine Tree within the sound of the sea at Takasaga, which is in the Province of Harima. Then he went up again to High Heaven by way of the Floating Bridge.

But the Pine Tree flourished. So great it grew, there was not a greater in all the Land of the Reed Plains. Its trunk was rosy red, and beneath it spread a brown carpet of fallen needles.

In the sweet nights of summer the Children of the Woods came hand in hand to the Pine Tree by moonlight, slipping their slim dark feet upon the moss, and tossing back their long green hair.

The Children of the Water came by moonlight, all drenching wet their sleeves, and the bright drops fell from their finger-tips. The Children of the Air rested in the Pine Tree’s branches, and made murmuring music all the live-long night. The Children of the Sea Foam crept up the yellow sands; and from the confines of Yomi came the Mysteries, the Sounds and the Scents of the Dark–with faces veiled and thin grey forms, they came, and they hung upon the air about the place where the Pine Tree was, so that the place was holy and haunted.

Lovers wandering upon the beach at Takasaga would hear the great company of Spirits singing together.

“Joy of my heart,” they said to one another, “do you hear the wind in the Pine Tree?”

Poor souls lying sick a-bed would listen, and fishermen far out at sea would pause in their labour to whisper, “The wind, the wind in the Pine Tree! How the sound carries over the water!”

As for the coming of the Maiden, the crane cannot remember it, but the tortoise has it of his great-grandmother that she was born of poor parents in Takasaga. The Maiden was brown and tall and slender; in face and form most lovely. Her hair hung down to her knees. She rose at dawn to help her mother; she found sticks for the fire, she drew water at the well. She could spin and weave with the best; and for long, long hours she sat and plied her wheel or her shuttle in the shade of the great Pine Tree, whilst her ears heard the sound of the wind in its branches. Sometimes her eyes looked out over the paths of the sea, as one who waits and watches. She was calm, not restless, more grave than gay, though she smiled not seldom. Her voice was the voice of a Heavenly Being.

Now concerning the Youth from the far province, of him the crane knows something, for the crane is a great traveller. She was flying over the streams and the valleys of the far province, so she says, when she saw the Youth at work in the green rice-fields. The crane lingered, circling slowly in the bright air. The Youth stood up. He looked round upon the valleys and streams; he looked into the sky.

“I hear the call,” he said. “I may tarry no longer. Voice in my heart, I hear and I obey.”

With that he left the rice-field, and bade farewell to his mother and his father and his sisters and his brothers and his friends. All together, they came down to the seashore, weeping and clinging to each other. The Youth took a boat and went away to sea, and the rest of them stood upon the beach.

On sped the boat for many a day over the unknown paths of the sea. And the white crane flew behind the boat. And when the wind failed, she pushed the boat forward with the wind of her strong wings.

At last, one evening about the hour of sunset, the Youth heard the sound of sweet singing. The sound came to him from the land, and it travelled over the paths of the sea. He stood up in his boat, and the crane beat her strong white wings and guided his boat to the shore till its keel touched the yellow sand of the sea-beach of Takasaga.

When the Youth had come ashore he pushed the boat out again with the waves, and watched it drift away. Then he turned his face inland. The sound of music was still in his ears. The voice was like the voice of a Heavenly Being, and strange and mystical were the words of the song:–

“The lover brought a love gift to his mistress,
Jewels of jade upon a silken string;
Well-carved jewels,
Well-rounded jewels,
Green as the grass,
Upon a silken string.
The jewels know not one another,
The string they know,
Oh, the strength of the silken string!”

The Youth went inland and came to the great Pine Tree and to the Maid that sat beneath, weaving diligently and singing. The crane came flying with her strong white wings, and perched upon the Tree’s topmost branches. The tortoise lay below on the brown carpet of needles. He watched and saw much with his little eyes, but he said nothing, being very silent by nature.

The Youth stood before the Maiden, waiting.

“Whence come you?” she said, lifting up her eyes.

“I have come across the sea path. I have come from afar.”

“And wherefore came you?”

“That you must know best, seeing it was your voice that sang in my heart.”

“Do you bring me the gift?” she said.

“Indeed, I bring you the complete gift, jewels of jade upon a silken string.”

“Come,” she said, and rose and took him by the hand. And they went to her father’s house.

So they drank the “Three Times Three,” and were made man and wife, and lived in sweet tranquillity many, many years.

All the time the crane dwelt in the Pine Tree’s topmost branches, and the tortoise on the brown carpet of needles below.

At last the Youth and Maiden, that once were, became white-haired, old, and withered, by the swift, relentless passage of years.

“Fair love,” said the old man, “how weary I grow! It is sad to be old.”

“Say not so, dear delight of my heart,” said the old woman; “say not so, the best of all is to come.”

“My dear,” said the old man, “I have a desire to see the great Pine Tree before I die, and to listen once more to the song of the wind in its branches.”

“Come, then,” she said, and rose and took him by the hand.

Old and faint and worn, with feeble, tottering steps, and hand in hand they came.

“How faint I grow,” said the old man. “Ah, I am afraid! How dark it is! Hold you my hand….”

“I have it fast in mine. There, lie down, lie down, dear love; be still and listen to the wind in the Pine Tree.”

He lay on the soft brown bed beneath the Pine Tree’s boughs; and the wind sang.

She who was his love and his wife bent over him and sheltered him. And he suffered the great change.

Then he opened his eyes and looked at her. She was tall and straight and slender, in face and form most lovely, and each of them was young as the gods are young. He put out his hand and touched her. “Your long black hair …” he said.

Once more she bade him, “Come.” Lightly they left the ground. To the sound of the wind’s music they swayed, they floated, they rose into the air. Higher they rose and higher. The branches of the Pine Tree received them, and they were no more seen.

Still, in the sweet nights of summer, the Children of the Woods come hand in hand to the Pine Tree by moonlight, slipping their slim dark feet upon the moss, and tossing back their long green hair.

The Children of the Water come by moonlight, all drenching wet their sleeves, and the bright drops fall from their finger-tips. The Children of the Air rest in the Pine Tree’s branches, and make murmuring music all the live-long night. The Children of the Sea Foam creep up the yellow sands; and from the confines of Yomi come the Mysteries, the Sounds and the Scents of the Dark–with faces veiled and thin grey forms, they come, and they hang upon the air about the place where the Pine Tree is, so that the place is holy and haunted.

Lovers wandering upon the beach at Takasaga hear the great company of Spirits singing together.

“Joy of my heart,” they say to one another, “do you hear the wind in the Pine Tree?”

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Horaizan

Jofuku, the Wise Man of China, sought immortality but was troubled by Mutability. Forced by a tyrant, he ventured to Horaizan, the Island of Eternal Youth. There, pain and death were forgotten. Wasobiobe, the Wise Man of Japan, also reached Horaizan but longed for Humanity. He returned home, embracing mortality, proving that life’s true essence lies in its impermanence and connections.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Eternal Life and Mortality: Both Jofuku and Wasobiobe seek immortality on Horaizan but ultimately confront the natural cycle of life and death.

Transformation: Their experiences on Horaizan lead to profound personal changes, influencing their perspectives on life and mortality.

Illusion vs. Reality: The allure of immortality on Horaizan contrasts with the reality of life’s impermanence, highlighting the tension between desire and truth.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

Jofuku was the Wise Man of China. Many books he read, and he never forgot what was in them. All the characters he knew as he knew the lines in the palm of his hand. He learned secrets from birds and beasts, and herbs and flowers and trees, and rocks and metals. He knew magic and poetry and philosophy. He grew full of years and wisdom. All the people honoured him; but he was not happy, for he had a word written upon his heart.

The word was Mutability. It was with him day and night, and sorely it troubled him. Moreover, in the days of Jofuku a tyrant ruled over China, and he made the Wise Man’s life a burden.

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“Jofuku,” he said, “teach the nightingales of my wood to sing me the songs of the Chinese poets.”

Jofuku could not do it for all his wisdom.

“Alas, liege,” he said, “ask me another thing and I will give it you, though it cost me the blood of my heart.”

“Have a care,” said the Emperor, “look to your ways. Wise men are cheap in China; am I one to be dishonoured?”

“Ask me another thing,” said the Wise Man.

“Well, then, scent me the peony with the scent of the jessamine. The peony is brilliant, imperial; the jessamine is small, pale, foolish. Nevertheless, its perfume is sweet. Scent me the peony with the scent of the jessamine.”

But Jofuku stood silent and downcast.

“By the gods,” cried the Emperor, “this wise man is a fool! Here, some of you, off with his head.”

“Liege,” said the Wise Man, “spare me my life and I will set sail for Horaizan where grows the herb Immortality. I will pluck this herb and bring it back to you again, that you may live and reign for ever.”

The Emperor considered.

“Well, go,” he said, “and linger not, or it will be the worse for you.”

Jofuku went and found brave companions to go with him on the great adventure, and he manned a junk with the most famous mariners of China, and he took stores on board, and gold; and when he had made all things ready he set sail in the seventh month, about the time of the full moon.

The Emperor himself came down to the seashore.

“Speed, speed, Wise Man,” he said; “fetch me the herb Immortality, and see that you do it presently. If you return without it, you and your companions shall die the death.”

“Farewell, liege,” called Jofuku from the junk. So they went with a fair wind for their white sails. The boards creaked, the ropes quivered, the water splashed against the junk’s side, the sailors sang as they steered a course eastward, the brave companions were merry. But the Wise Man of China looked forward and looked back, and was sad because of the word written upon his heart–Mutability.

The junk of Jofuku was for many days upon the wild sea, steering a course eastwards. He and the sailors and the brave companions suffered many things. The great heat burnt them, and the great cold froze them. Hungry and thirsty they were, and some of them fell sick and died. More were slain in a fight with pirates. Then came the dread typhoon, and mountain waves that swept the junk. The masts and the sails were washed away with the rich stores, and the gold was lost for ever. Drowned were the famous mariners, and the brave companions every one. Jofuku was left alone.

In the grey dawn he looked up. Far to the east he saw a mountain, very faint, the colour of pearl, and on the mountain top there grew a tree, tall, with spreading branches. The Wise Man murmured:

“The Island of Horaizan is east of the east, and there is Fusan, the Wonder Mountain. On the heights of Fusan there grows a tree whose branches hide the Mysteries of Life.”

Jofuku lay weak and weary and could not lift a finger. Nevertheless, the junk glided nearer and nearer to the shore. Still and blue grew the waters of the sea, and Jofuku saw the bright green grass and the many-coloured flowers of the island. Soon there came troops of young men and maidens bearing garlands and singing songs of welcome; and they waded out into the water and drew the junk to land. Jofuku was aware of the sweet and spicy odours that clung to their garments and their hair. At their invitation he left the junk, which drifted away and was no more seen.

He said, “I have come to Horaizan the Blest.” Looking up he saw that the trees were full of birds with blue and golden feathers. The birds filled the air with delightful melody. On all sides there hung the orange and the citron, the persimmon and the pomegranate, the peach and the plum and the loquat. The ground at his feet was as a rich brocade, embroidered with every flower that is. The happy dwellers in Horaizan took him by the hands and spoke lovingly to him.

“How strange it is,” said Jofuku, “I do not feel my old age any more.”

“What is old age?” they said.

“Neither do I feel any pain.”

“Now what is pain?” they said.

“The word is no longer written on my heart.”

“What word do you speak of, beloved?”

“Mutability is the word.”

“And what may be its interpretation?”

“Tell me,” said the Wise Man, “is this death?”

“We have never heard of death,” said the inhabitants of Horaizan.

* * * * *

The Wise Man of Japan was Wasobiobe. He was full as wise as the Wise Man of China. He was not old but young. The people honoured him and loved him. Often he was happy enough.

It was his pleasure to venture alone in a frail boat out to sea, there to meditate in the wild and watery waste. Once as he did this it chanced that he fell asleep in his boat, and he slept all night long, while his boat drifted out to the eastward. So, when he awoke in the bright light of morning, he found himself beneath the shadow of Fusan, the Wonder Mountain. His boat lay in the waters of a river of Horaizan, and he steered her amongst the flowering iris and the lotus, and sprang on shore.

“The sweetest spot in the world!” he said. “I think I have come to Horaizan the Blest.”

Soon came the youths and maidens of the island, and with them the Wise Man of China, as young and as happy as they.

“Welcome, welcome, dear brother,” they cried, “welcome to the Island of Eternal Youth.”

When they had given him to eat of the delicious fruit of the island, they laid them down upon a bank of flowers to hear sweet music. Afterwards they wandered in the woods and groves. They rode and hunted, or bathed in the warm sea-water. They feasted and enjoyed every delightful pleasure. So the long day lingered, and there was no night, for there was no need of sleep, there was no weariness and no pain.

* * * * *

The Wise Man of Japan came to the Wise Man of China. He said:

“I cannot find my boat.”

“What matter, brother?” said Jofuku. “You want no boat here.”

“Indeed, my brother, I do. I want my boat to take me home. I am sick for home. There’s the truth.”

“Are you not happy in Horaizan?”

“No, for I have a word written upon my heart. The word is Humanity. Because of it I am troubled and have no peace.”

“Strange,” said the Wise Man of China. “Once I too had a word written on my heart. The word was Mutability, but I have forgotten what it means. Do you too forget.”

“Nay, I can never forget,” said the Wise Man of Japan.

He sought out the Crane, who is a great traveller, and besought her, “Take me home to my own land.”

“Alas,” the Crane said, “if I did so you would die. This is the Island of Eternal Youth; do you know you have been here for a hundred years? If you go away you will feel old age and weariness and pain, then you will die.”

“No matter,” said Wasobiobe, “take me home.”

Then the Crane took him on her strong back and flew with him. Day and night she flew and never tarried and never tired. At last she said, “Do you see the shore?”

And he said, “I see it. Praise be to the gods.”

She said, “Where shall I carry you?… You have but a little time to live.”

“Good Crane, upon the dear sand of my country, under the spreading pine, there sits a poor fisherman mending his net. Take me to him that I may die in his arms.”

So the Crane laid Wasobiobe at the poor fisherman’s feet. And the fisherman raised him in his arms. And Wasobiobe laid his head against the fisherman’s humble breast.

“I might have lived for ever,” he said, “but for the word that is written on my heart.”

“What word?” said the fisherman.

“Humanity is the word,” the Wise Man murmured. “I am grown old–hold me closer. Ah, the pain….” He gave a great cry.

Afterwards he smiled. Then his breath left him with a sigh, and he was dead.

“It is the way of all flesh,” said the fisherman.

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Black Bowl

In a remote village, a poor, kind girl wears a heavy black wooden bowl on her head, per her dying mother’s advice, to protect her beauty. Mocked and rejected, she works hard and finds shelter with a kind farmer. The farmer’s son falls in love with her, bowl and all, and on their wedding day, the bowl shatters, revealing priceless jewels. Yet her true beauty remains her gentle heart and sparkling eyes.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Transformation: The girl undergoes a significant change when the black bowl shatters, revealing her hidden beauty and the jewels, symbolizing a transformation in her life circumstances.

Trials and Tribulations: The girl faces hardships, including mockery and rejection, yet she endures these challenges with resilience.

Sacred Objects: The black bowl serves as a significant artifact, embodying protection and concealment, and plays a crucial role in the unfolding of the story.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

Long ago, in a part of the country not very remote from Kioto, the great gay city, there dwelt an honest couple. In a lonely place was their cottage, upon the outskirts of a deep wood of pine trees. Folks had it that the wood was haunted. They said it was full of deceiving foxes; they said that beneath the mossy ground the elves built their kitchens; they said that long-nosed Tengu had tea-parties in the forest thrice a month, and that the fairies’ children played at hide-and-seek there every morning before seven. Over and above all this they didn’t mind saying that the honest couple were queer in their ways, that the woman was wise, and that the man was a warlock–which was as may be.

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But sure it was that they did no harm to living soul, that they lived as poor as poor, and that they had one fair daughter. She was as neat and pretty as a princess, and her manners were very fine; but for all that she worked as hard as a boy in the rice-fields, and within doors she was the housewife indeed, for she washed and cooked and drew water. She went barefoot in a grey homespun gown, and tied her back hair with a tough wistaria tendril. Brown she was and thin, but the sweetest beggar-maid that ever made shift with a bed of dry moss and no supper.

By-and-by the good man her father dies, and the wise woman her mother sickens within the year, and soon she lies in a corner of the cottage waiting for her end, with the maid near her crying bitter tears.

“Child,” says the mother, “do you know you are as pretty as a princess?”

“Am I that?” says the maid, and goes on with her crying.

“Do you know that your manners are fine?” says the mother.

“Are they, then?” says the maid, and goes on with her crying.

“My own baby,” says the mother, “could you stop your crying a minute and listen to me?”

So the maid stopped crying and put her head close by her mother’s on the poor pillow.

“Now listen,” says the mother, “and afterwards remember. It is a bad thing for a poor girl to be pretty. If she is pretty and lonely and innocent, none but the gods will help her. They will help you, my poor child, and I have thought of a way besides. Fetch me the great black rice-bowl from the shelf.”

The girl fetched it.

“See, now, I put it on your head and all your beauty is hidden away.”

“Alack, mother,” said the poor child, “it is heavy.”

“It will save you from what is heavier to bear,” said the mother. “If you love me, promise me that you will not move it till the time comes.”

“I promise! I promise! But how shall I know when the time comes?”

“That you shall know…. And now help me outside, for the sweet morning dawns and I’ve a fancy to see the fairies’ children once again, as they run in the forest.”

So the child, having the black bowl upon her head, held her mother in her arms in a grassy place near the great trees, and presently they saw the fairies’ children threading their way between the dark trunks as they played at hide-and-seek. Their bright garments fluttered, and they laughed lightly as they went. The mother smiled to see them; before seven she died very sweetly as she smiled.

When her little store of rice was done, the maid with the wooden bowl knew well enough that she must starve or go and find more. So first she tended her father’s and mother’s graves and poured water for the dead, as is meet, and recited many a holy text. Then she bound on her sandals, kilted her grey skirts to show her scarlet petticoat, tied her household gods in a blue printed handkerchief, and set out all alone to seek her fortunes, the brave girl!

For all her slenderness and pretty feet she was a rarely odd sight, and soon she was to know it. The great black bowl covered her head and shadowed her face. As she went through a village two women looked up from washing in the stream, stared and laughed.

“It’s a boggart come alive,” says one.

“Out upon her,” cries the other, “for a shameless wench! Out upon her false modesty to roam the country thus with her head in a black bowl, as who should cry aloud to every passing man, ‘Come and see what is hidden!’ It is enough to make a wholesome body sick.”

On went the poor maid, and sometimes the children pelted her with mud and pebbles for sport. Sometimes she was handled roughly by village louts, who scoffed and caught at her dress as she went; they even laid hands upon the bowl itself and sought to drag it from her head by force. But they only played at that game once, for the bowl stung them as fiercely as if it had been a nettle, and the bullies ran away howling.

The beggar-maiden might seek her fortune, but it was very hard to find. She might ask for work; but see, would she get it? None were wishful to employ a girl with a black bowl on her head.

At last, on a fine day when she was tired out, she sat her upon a stone and began to cry as if her heart would break. Down rolled her tears from under the black bowl. They rolled down her cheeks and reached her white chin.

A wandering ballad-singer passed that way, with his biwa slung across his back. He had a sharp eye and marked the tears upon the maid’s white chin. It was all he could see of her face, and, “Oh, girl with the black bowl on your head,” quoth he, “why do you sit weeping by the roadside?”

“I weep,” she answered, “because the world is hard. I am hungry and tired…. No one will give me work or pay me money.”

“Now that’s unfortunate,” said the ballad-singer, for he had a kind heart; “but I haven’t a rin of my own, or it would be yours. Indeed I am sorry for you. In the circumstances the best I can do for you is to make you a little song.” With that he whips his biwa round, thrums on it with his fingers and starts as easy as you please. “To the tears on your white chin,” he says, and sings:

“The white cherry blooms by the roadside,
How black is the canopy of cloud!
The wild cherry droops by the roadside,
Beware of the black canopy of cloud.
Hark, hear the rain, hear the rainfall
From the black canopy of cloud.
Alas, the wild cherry, its sweet flowers are marred,
Marred are the sweet flowers, forlorn on the spray!”

“Sir, I do not understand your song,” said the girl with the bowl on her head.

“Yet it is plain enough,” said the ballad-singer, and went his way. He came to the house of a passing rich farmer. In he went, and they asked him to sing before the master of the house.

“With all the will in the world,” says the ballad-singer. “I will sing him a new song that I have just made.” So he sang of the wild cherry and the great black cloud.

When he had made an end, “Tell us the interpretation of your song,” says the master of the house.

“With all the will in the world,” quoth the ballad-singer. “The wild cherry is the face of a maiden whom I saw sitting by the wayside. She wore a great black wooden bowl upon her head, which is the great black cloud in my song, and from under it her tears flowed like rain, for I saw the drops upon her white chin. And she said that she wept for hunger, and because no one would give her work nor pay her money.”

“Now I would I might help the poor girl with the bowl on her head,” said the master of the house.

“That you may if you wish,” quoth the ballad-singer. “She sits but a stone’s throw from your gate.”

The long and short of it was that the maid was put to labour in the rich farmer’s harvest-fields. All the day long she worked in the waving rice, with her grey skirts kilted and her sleeves bound back with cords. All day long she plied the sickle, and the sun shone down upon the black bowl; but she had food to eat and good rest at night, and was well content.

She found favour in her master’s eyes, and he kept her in the fields till all the harvest was gathered in. Then he took her into his house, where there was plenty for her to do, for his wife was but sickly. Now the maiden lived well and happily as a bird, and went singing about her labours. And every night she thanked the august gods for her good fortune. Still she wore the black bowl upon her head.

At the New Year time, “Bustle, bustle,” says the farmer’s wife; “scrub and cook and sew; put your best foot foremost, my dear, for we must have the house look at its very neatest.”

“To be sure, and with all my heart,” says the girl, and she put her back into the work; “but, mistress,” she says, “if I may be so bold as to ask, are we having a party, or what?”

“Indeed we are, and many of them,” says the farmer’s wife. “My son that is in Kioto, the great and gay, is coming home for a visit.”

Presently home he comes, the handsome young man. Then the neighbours were called in, and great was the merry-making. They feasted and they danced, they jested and they sang, many a bowl of good red rice they ate, and many a cup of good saké they drank. All this time the girl, with bowl on her head, plied her work modestly in the kitchen, and well out of the way she was–the farmer’s wife saw to that, good soul! All the same, one fine day the company called for more wine, and the wine was done, so the son of the house takes up the saké bottle and goes with it himself to the kitchen. What should he see there but the maiden sitting upon a pile of faggots, and fanning the kitchen fire with a split bamboo fan!

“My life, but I must see what is under that black bowl,” says the handsome young man to himself. And sure enough he made it his daily care, and peeped as much as he could, which was not very much; but seemingly it was enough for him, for he thought no more of Kioto, the great and gay, but stayed at home to do his courting.

His father laughed and his mother fretted, the neighbours held up their hands, all to no purpose.

“Oh, dear, dear maiden with the wooden bowl, she shall be my bride and no other. I must and will have her,” cried the impetuous young man, and very soon he fixed the wedding-day himself.

When the time came, the young maidens of the village went to array the bride. They dressed her in a fair and costly robe of white brocade, and in trailing hakama of scarlet silk, and on her shoulders they hung a cloak of blue and purple and gold. They chattered, but as for the bride she said never a word. She was sad because she brought her bridegroom nothing, and because his parents were sore at his choice of a beggar-maid. She said nothing, but the tears glistened on her white chin.

“Now off with the ugly old bowl,” cried the maidens; “it is time to dress the bride’s hair and to do it with golden combs.” So they laid hands to the bowl and would have lifted it away, but they could not move it.

“Try again,” they said, and tugged at it with all their might. But it would not stir.

“There’s witchcraft in it,” they said; “try a third time.” They tried a third time, and still the bowl stuck fast, but it gave out fearsome moans and cries.

“Ah! Let be, let be for pity’s sake,” said the poor bride, “for you make my head ache.”

They were forced to lead her as she was to the bridegroom’s presence.

“My dear, I am not afraid of the wooden bowl,” said the young man.

So they poured the saké from the silver flagon, and from the silver cup the two of them drank the mystic “Three Times Three” that made them man and wife.

Then the black bowl burst asunder with a loud noise, and fell to the ground in a thousand pieces. With it fell a shower of silver and gold, and pearls and rubies and emeralds, and every jewel of price. Great was the astonishment of the company as they gazed upon a dowry that for a princess would have been rich and rare.

But the bridegroom looked into the bride’s face. “My dear,” he said, “there are no jewels that shine like your eyes.”

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The Good Thunder

Rai-den, the Thunder God, sends his son Rai-Taro to live among men. Choosing a poor, childless peasant, Rai-Taro brings rain, prosperity, and joy to his foster parents. As he matures, Rai-Taro must return to his heavenly father, leaving behind the lessons of labor, suffering, and love. Transformed into a white cloud, he reunites with Rai-den, while his foster parents await their reunion in eternity.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Transformation: Rai-Taro undergoes a transformation from a divine being to a human child, experiencing human emotions and labor, and eventually returns to his divine form as a white cloud.

Sacrifice: Rai-Taro sacrifices his celestial existence to live a humble life on earth, aiding the peasant couple and bringing them joy and prosperity.

Harmony with Nature: Rai-Taro’s presence brings beneficial rain, leading to bountiful harvests and illustrating a harmonious relationship between divine forces and the natural world.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

Folks say that Rai-den, the Thunder, is an unloving spirit, fearful and revengeful, cruel to man. These are folks who are mortally afraid of the storm, and who hate lightning and tempest; they speak all the evil they can of Rai-den and of Rai-Taro, his son. But they are wrong.

Rai-den Sama lived in a Castle of Cloud set high in the blue heaven. He was a great and mighty god, a Lord of the Elements. Rai-Taro was his one and only son, a brave boy, and his father loved him.

► Continue reading…

In the cool of the evening Rai-den and Rai-Taro walked upon the ramparts of the Castle of Cloud, and from the ramparts they viewed the doings of men upon the Land of Reed Plains. North and South and East and West they looked. Often they laughed–oh, very often; sometimes they sighed. Sometimes Rai-Taro leaned far over the castle walls to see the children that went to and fro upon earth.

One night Rai-den Sama said to Rai-Taro, “Child, look well this night upon the doings of men!”

Rai-Taro answered, “Father, I will look well.”

From the northern rampart they looked, and saw great lords and men-at-arms going forth to battle. From the southern rampart they looked, and saw priests and acolytes serving in a holy temple where the air was dim with incense, and images of gold and bronze gleamed in the twilight. From the eastern rampart they looked, and saw a lady’s bower, where was a fair princess, and a troop of maidens, clad in rose colour, that made music for her. There were children there, too, playing with a little cart of flowers.

“Ah, the pretty children!” said Rai-Taro.

From the western rampart they looked, and saw a peasant toiling in a rice-field. He was weary enough and his back ached. His wife toiled with him by his side. If he was weary, it is easy to believe that she was more weary still. They were very poor and their garments were ragged.

“Have they no children?” said Rai-Taro. Rai-den shook his head.

Presently, “Have you looked well, Rai-Taro?” he said. “Have you looked well this night upon the doings of men?”

“Father,” said Rai-Taro, “indeed, I have looked well.”

“Then choose, my son, choose, for I send you to take up your habitation upon the earth.”

“Must I go among men?” said Rai-Taro.

“My child, you must.”

“I will not go with the men-at-arms,” said Rai-Taro; “fighting likes me very ill.”

“Oho, say you so, my son? Will you go, then, to the fair lady’s bower?”

“No,” said Rai-Taro, “I am a man. Neither will I have my head shaved to go and live with priests.”

“What, then, do you choose the poor peasant? You will have a hard life and scanty fare, Rai-Taro.”

Rai-Taro said, “They have no children. Perhaps they will love me.”

“Go, go in peace,” said Rai-den Sama; “for you have chosen wisely.”

“How shall I go, my father?” said Rai-Taro.

“Honourably,” said his father, “as it befits a Prince of High Heaven.”

Now the poor peasant man toiled in his rice-field, which was at the foot of the mountain Hakusan, in the province of Ichizen. Day after day and week after week the bright sun shone. The rice-field was dry, and young rice was burnt up.

“Alack and alas!” cried the poor peasant man, “and what shall I do if my rice-crop fails? May the dear gods have mercy on all poor people!”

With that he sat himself down on a stone at the rice-field’s edge and fell asleep for very weariness and sorrow.

When he woke the sky was black with clouds. It was but noonday, but it grew as dark as night. The leaves of the trees shuddered together and the birds ceased their singing.

“A storm, a storm!” cried the peasant. “Rai-den Sama goes abroad upon his black horse, beating the great drum of the Thunder. We shall have rain in plenty, thanks be.”

Rain in plenty he had, sure enough, for it fell in torrents, with blinding lightning and roaring thunder.

“Oh, Rai-den Sama,” said the peasant, “saving your greatness, this is even more than sufficient.”

At this the bright lightning flashed anew and fell to the earth in a ball of living fire, and the heavens cracked with a mighty peal of thunder.

“Ai! Ai!” cried the poor peasant man. “Kwannon have mercy on a sinful soul, for now the Thunder Dragon has me indeed.” And he lay on the ground and hid his face.

Howbeit the Thunder Dragon spared him. And soon he sat up and rubbed his eyes. The ball of fire was gone, but a babe lay upon the wet earth; a fine fresh boy with the rain upon his cheeks and his hair.

“Oh, Lady, Lady Kwannon,” said the poor peasant man, “this is thy sweet mercy.” And he took the boy in his arms and carried him to his own home.

As he went the rain still fell, but the sun came out in the blue sky, and every flower in the cooler air shone and lifted up its grateful head.

The peasant came to his cottage door.

“Wife, wife,” he called, “I have brought you something home.”

“What may it be?” said his wife.

The man answered, “Rai-Taro, the little eldest son of the Thunder.”

Rai-Taro grew up straight and strong, the tallest, gayest boy of all that country-side. He was the delight of his foster-parents, and all the neighbours loved him. When he was ten years old he worked in the rice-fields like a man. He was the wonderful weather prophet.

“My father,” he said, “let us do this and that, for we shall have fair weather”; or he said, “My father, let us the rather do this or that, for to-night there will be a storm,” and whatever he had said, so, sure enough, it came to pass. And he brought great good fortune to the poor peasant man, and all his works prospered.

When Rai-Taro was eighteen years old all the neighbours were bidden to his birthday feast. There was plenty of good saké, and the good folk were merry enough; only Rai-Taro was silent and sad and sorry.

“What ails you, Rai-Taro?” said his foster-mother. “You who are wont to be the gayest of the gay, why are you silent, sad and sorry?”

“It is because I must leave you,” Rai-Taro said.

“Nay,” said his foster-mother, “never leave us, Rai-Taro, my son. Why would you leave us?”

“Mother, because I must,” said Rai-Taro in tears.

“You have been our great good fortune; you have given us all things. What have I given you? What have I given you, Rai-Taro, my son?”

Rai-Taro answered, “Three things have you taught me–to labour, to suffer, and to love. I am more learned than the Immortals.”

Then he went from them. And in the likeness of a white cloud he scaled heaven’s blue height till he gained his father’s castle. And Rai-den received him. The two of them stood upon the western rampart of the Castle of Cloud and looked down to earth.

The foster-mother stood weeping bitterly, but her husband took her hand.

“My dear,” he said, “it will not be for long. We grow old apace.”

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The Tea-Kettle

A holy priest acquires a mysterious tea-kettle, which transforms into a badger, dancing and causing chaos. Frightened, the priest sells it to a tinker. The tea-kettle, named Bumbuku-Chagama, befriends the tinker and performs as a showpiece, earning them fame and fortune. When its time ends, it becomes an ordinary kettle, gifted to Morinji Temple as a sacred treasure, revered for generations.

Source
Japanese Fairy Tales
by Grace James
Macmillan & Co., London, 1912

► Themes of the story

Transformation: The tea-kettle metamorphoses into a badger, showcasing a physical change central to the narrative.

Cunning and Deception: The badger’s antics, including dancing and causing chaos, reflect its cunning nature, leading to various events in the story.

Moral Lessons: The narrative imparts lessons on greed, contentment, and the unforeseen consequences of one’s actions.

► From the same Region or People

Learn more about Japanese Mythology & Folklore

Long ago, as I’ve heard tell, there dwelt at the temple of Morinji, in the Province of Kotsuke, a holy priest.

Now there were three things about this reverend man. First, he was wrapped up in meditations and observances and forms and doctrines. He was a great one for the Sacred Sutras, and knew strange and mystical things. Then he had a fine exquisite taste of his own, and nothing pleased him so much as the ancient tea ceremony of the Cha-no-yu; and for the third thing about him, he knew both sides of a copper coin well enough and loved a bargain.

► Continue reading…

None so pleased as he when he happened upon an ancient tea-kettle, lying rusty and dirty and half-forgotten in a corner of a poor shop in a back street of his town.

“An ugly bit of old metal,” says the holy man to the shopkeeper; “but it will do well enough to boil my humble drop of water of an evening. I’ll give you three rin for it.” This he did and took the kettle home, rejoicing; for it was of bronze, fine work, the very thing for the Cha-no-yu.

A novice cleaned and scoured the tea-kettle, and it came out as pretty as you please. The priest turned it this way and that, and upside down, looked into it, tapped it with his finger-nail. He smiled. “A bargain,” he cried, “a bargain!” and rubbed his hands. He set the kettle upon a box covered over with a purple cloth, and looked at it so long that first he was fain to rub his eyes many times, and then to close them altogether. His head dropped forward and he slept.

And then, believe me, the wonderful thing happened. The tea-kettle moved, though no hand was near it. A hairy head, with two bright eyes, looked out of the spout. The lid jumped up and down. Four brown and hairy paws appeared, and a fine bushy tail. In a minute the kettle was down from the box and going round and round looking at things.

“A very comfortable room, to be sure,” says the tea-kettle.

Pleased enough to find itself so well lodged, it soon began to dance and to caper nimbly and to sing at the top of its voice. Three or four novices were studying in the next room. “The old man is lively,” they said; “only hark to him. What can he be at?” And they laughed in their sleeves.

Heaven’s mercy, the noise that the tea-kettle made! Bang! bang! Thud! thud! thud!

The novices soon stopped laughing. One of them slid aside the kara-kami and peeped through.

“Arah, the devil and all’s in it!” he cried. “Here’s the master’s old tea-kettle turned into a sort of a badger. The gods protect us from witchcraft, or for certain we shall be lost!”

“And I scoured it not an hour since,” said another novice, and he fell to reciting the Holy Sutras on his knees.

A third laughed. “I’m for a nearer view of the hobgoblin,” he said.

So the lot of them left their books in a twinkling, and gave chase to the tea-kettle to catch it. But could they come up with the tea-kettle? Not a bit of it. It danced and it leapt and it flew up into the air. The novices rushed here and there, slipping upon the mats. They grew hot. They grew breathless.

“Ha, ha! Ha, ha!” laughed the tea-kettle; and “Catch me if you can!” laughed the wonderful tea-kettle.

Presently the priest awoke, all rosy, the holy man.

“And what’s the meaning of this racket,” he says, “disturbing me at my holy meditations and all?”

“Master, master,” cry the novices, panting and mopping their brows, “your tea-kettle is bewitched. It was a badger, no less. And the dance it has been giving us, you’d never believe!”

“Stuff and nonsense,” says the priest; “bewitched? Not a bit of it. There it rests on its box, good quiet thing, just where I put it.”

Sure enough, so it did, looking as hard and cold and innocent as you please. There was not a hair of a badger near it. It was the novices that looked foolish.

“A likely story indeed,” says the priest. “I have heard of the pestle that took wings to itself and flew away, parting company with the mortar. That is easily to be understood by any man. But a kettle that turned into a badger–no, no! To your books, my sons, and pray to be preserved from the perils of illusion.”

That very night the holy man filled the kettle with water from the spring and set it on the hibachi to boil for his cup of tea. When the water began to boil–

“Ai! Ai!” the kettle cried; “Ai! Ai! The heat of the Great Hell!” And it lost no time at all, but hopped off the fire as quick as you please.

“Sorcery!” cried the priest. “Black magic! A devil! A devil! A devil! Mercy on me! Help! Help! Help!” He was frightened out of his wits, the dear good man. All the novices came running to see what was the matter.

“The tea-kettle is bewitched,” he gasped; “it was a badger, assuredly it was a badger … it both speaks and leaps about the room.”

“Nay, master,” said a novice, “see where it rests upon its box, good quiet thing.”

And sure enough, so it did.

“Most reverend sir,” said the novice, “let us all pray to be preserved from the perils of illusion.”

The priest sold the tea-kettle to a tinker and got for it twenty copper coins.

“It’s a mighty fine bit of bronze,” says the priest. “Mind, I’m giving it away to you, I’m sure I cannot tell what for.” Ah, he was the one for a bargain! The tinker was a happy man and carried home the kettle. He turned it this way and that, and upside down, and looked into it.

“A pretty piece,” says the tinker; “a very good bargain.” And when he went to bed that night he put the kettle by him, to see it first thing in the morning.

He awoke at midnight and fell to looking at the kettle by the bright light of the moon.

Presently it moved, though there was no hand near it.

“Strange,” said the tinker; but he was a man who took things as they came.

A hairy head, with two bright eyes, looked out of the kettle’s spout. The lid jumped up and down. Four brown and hairy paws appeared, and a fine bushy tail. It came quite close to the tinker and laid a paw upon him.

“Well?” says the tinker.

“I am not wicked,” says the tea-kettle.

“No,” says the tinker.

“But I like to be well treated. I am a badger tea-kettle.”

“So it seems,” says the tinker.

“At the temple they called me names, and beat me and set me on the fire. I couldn’t stand it, you know.”

“I like your spirit,” says the tinker.

“I think I shall settle down with you.”

“Shall I keep you in a lacquer box?” says the tinker.

“Not a bit of it, keep me with you; let us have a talk now and again. I am very fond of a pipe. I like rice to eat, and beans and sweet things.”

“A cup of saké sometimes?” says the tinker.

“Well, yes, now you mention it.”

“I’m willing,” says the tinker.

“Thank you kindly,” says the tea-kettle; “and, as a beginning, would you object to my sharing your bed? The night has turned a little chilly.”

“Not the least in the world,” says the tinker.

The tinker and the tea-kettle became the best of friends. They ate and talked together. The kettle knew a thing or two and was very good company.

One day: “Are you poor?” says the kettle.

“Yes,” says the tinker, “middling poor.”

“Well, I have a happy thought. For a tea-kettle, I am out-of-the-way–really very accomplished.”

“I believe you,” says the tinker.

“My name is Bumbuku-Chagama; I am the very prince of Badger Tea-Kettles.”

“Your servant, my lord,” says the tinker.

“If you’ll take my advice,” says the tea-kettle, “you’ll carry me round as a show; I really am out-of-the-way, and it’s my opinion you’d make a mint of money.”

“That would be hard work for you, my dear Bumbuku,” says the tinker.

“Not at all; let us start forthwith,” says the tea-kettle.

So they did. The tinker bought hangings for a theatre, and he called the show Bumbuku-Chagama. How the people flocked to see the fun! For the wonderful and most accomplished tea-kettle danced and sang, and walked the tight rope as to the manner born. It played such tricks and had such droll ways that the people laughed till their sides ached. It was a treat to see the tea-kettle bow as gracefully as a lord and thank the people for their patience.

The Bumbuku-Chagama was the talk of the country-side, and all the gentry came to see it as well as the commonalty. As for the tinker, he waved a fan and took the money. You may believe that he grew fat and rich. He even went to Court, where the great ladies and the royal princesses made much of the wonderful tea-kettle.

At last the tinker retired from business, and to him the tea-kettle came with tears in its bright eyes.

“I’m much afraid it’s time to leave you,” it says.

“Now, don’t say that, Bumbuku, dear,” says the tinker. “We’ll be so happy together now we are rich.”

“I’ve come to the end of my time,” says the tea-kettle. “You’ll not see old Bumbuku any more; henceforth I shall be an ordinary kettle, nothing more or less.”

“Oh, my dear Bumbuku, what shall I do?” cried the poor tinker in tears.

“I think I should like to be given to the temple of Morinji, as a very sacred treasure,” says the tea-kettle.

It never spoke or moved again. So the tinker presented it as a very sacred treasure to the temple, and the half of his wealth with it.

And the tea-kettle was held in wondrous fame for many a long year. Some persons even worshipped it as a saint.

Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

Kapeepeekauila; or, The Rocks of Kana

The legend of Kapeepeekauila revolves around the northern Molokai landmark of Haupu and its dramatic cliffs. Kapeepeekauila, a hairy man, captures Hina, wife of Hakalanileo. After failed attempts by warriors, Kana and his brother Niheu intervene. Despite setbacks, Kana ultimately defeats Kapeepeekauila by destroying the enchanted kamani tree, restoring Hina, and reshaping the cliffs. The rocks of Haupu remain as enduring symbols of Kana’s triumph.

Source
Hawaiian Folk Tales
a collection of native legends
compiled by Thos. G. Thrum
A.C. McClurg & Co., Chicago, 1907

► Themes of the story

Quest: Kana and his brother Niheu embark on a mission to rescue Hina from Kapeepeekauila, facing numerous challenges along the way.

Family Dynamics: The narrative delves into the relationships between Hina, her husband Hakalanileo, and their sons Kana and Niheu, emphasizing familial bonds and responsibilities.

Transformation: The destruction of the enchanted kamani tree and the subsequent reshaping of the cliffs symbolize significant changes in the physical and metaphysical landscape.

► From the same Region or People

Learn more about the Hawaiians

by Rev. A.O. Forbes

On the northern side of the island of Molokai, commencing at the eastern end and stretching along a distance of about twenty miles, the coast is a sheer precipice of black rock varying in height from eight hundred to two thousand feet. The only interruptions to the continuity of this vast sea wall are formed by the four romantic valleys of Pelekunu, Puaahaunui, Wailau, and Waikolu. Between the valleys of Pelekunu and Waikolu, juts out the bold, sharp headland of Haupu, forming the dividing ridge between them, and reminding one somewhat of an axe-head turned edge upward. Directly in a line with this headland, thirty or forty rods out in the ocean, arise abruptly from the deep blue waters the rocks of Haupu, three or four sharp, needle-like points of rock varying from twenty to one hundred feet in height.

► Continue reading…

This is the spot associated with the legend of Kapeepeekauila, and these rocks stand like grim sentinels on duty at the eastern limit of what is now known as the settlement of Kalawao. The legend runs as follows:

Keahole was the father, Hiiaka-noholae was the mother, and Kapeepeekauila was the son. This Kapeepeekauila was a hairy man, and dwelt on the ridge of Haupu.

Once on a time Hakalanileo and his wife Hina, the mother of Kana, came and dwelt in the valley of Pelekunu, on the eastern side of the ridge of Haupu.

Kapeepeekauila, hearing of the arrival of Hina, the beautiful daughter of Kalahiki, sent his children to fetch her. They went and said to Hina, “Our royal father desires you as his wife, and we have come for you.”

“Desires me for what?” said she.

“Desires you for a wife,” said they.

This announcement pleased the beautiful daughter of Kalahiki, and she replied, “Return to your royal father and tell him he shall be the husband and I will be the wife.”

When this message was delivered to Kapeepeekauila, he immediately sent a messenger to the other side of the island to summon all the people from Keonekuina to Kalamaula; for we have already seen that he was a hairy man, and it was necessary that this blemish should be removed. Accordingly, when the people had all arrived, Kapeepeekauila laid himself down and they fell to work until the hairs were all plucked out. He then took Hina to wife, and they two dwelt together on the top of Haupu.

Poor Hakalanileo, the husband of Hina, mourned the loss of his companion of the long nights of winter and the shower-sprinkled nights of summer. Neither could he regain possession of her, for the ridge of Haupu grew till it reached the heavens. He mourned and rolled himself in the dust in agony, and crossed his hands behind his back. He went from place to place in search of some powerful person who should be able to restore to him his wife. In his wanderings, the first person to whom he applied was Kamalalawalu, celebrated for strength and courage. This man, seeing his doleful plight, asked, “Why these tears, O my father?”

Hakalanileo replied, “Thy mother is lost.”

“Lost to whom?”

“Lost to Kapeepee.”

“What Kapeepee?”

“Kapeepee-kauila.”

“What Kauila?”

“Kauila, the dauntless, of Haupu.”

“Then, O father, thou wilt not recover thy wife. Our stick may strike; it will but hit the dust at his feet. His stick, when it strikes back, will hit the head. Behold, measureless is the height of Haupu.”

Now, this Kamalalawalu was celebrated for his strength in throwing stones. Of himself, one side was stone, and the other flesh. As a test he seized a large stone and threw it upwards. It rose till it hit the sky and then fell back to earth again. As it came down, he turned his stony side toward it, and the collision made his side rattle. Hakalanileo looked on and sadly said, “Not strong enough.”

On he went, beating his breast in his grief, till he came to the celebrated Niuloihiki. Question and answer passed between them, as in the former case, but Niuloihiki replied, “It is hopeless; behold, measureless is the height of Haupu.”

Again he prosecuted his search till he met the third man of fame, whose name was Kaulu. Question and answer passed, as before, and Kaulu, to show his strength, seized a river and held it fast in its course. But Hakalanileo mournfully said, “Not strong enough.”

Pursuing his way with streaming eyes, he came to the fourth hero, Lonokaeho by name. As in the former cases, so in this, he received no satisfaction. These four were all he knew of who were foremost in prowess, and all four had failed him. It was the end, and he turned sadly toward the mountain forest, to return to his home.

Meantime, the rumor had reached the ears of Niheu, surnamed “the Rogue.” Some one told him a father had passed along searching for some one able to recover him his wife.

“Where is this father of mine?” inquired Niheu.

“He has gone inland,” was the reply.

“I’ll overtake him; he won’t escape me,” said Niheu. So he went after the old man, kicking over the trees that came in his way. The old man had gone on till he was tired and faint, when Niheu overtook him and brought him back to his house. Then Niheu asked him, “What made you go on without coming to the house of Niheu?”

“What, indeed,” answered the old man; “as though I were not seeking to recover thy mother, who is lost!”

Then came question and answer, as in former cases, and Niheu said, “I fear thou wilt not recover thy wife, O my father. But let us go inland to the foster son of Uli.” So they went. But Niheu ran on ahead and told Kana, the foster son of Uli: “Behold, here comes Hakalanileo, bereft of his wife. We are all beat.”

“Where is he?” inquired Kana.

“Here he is, just arrived.”

Kana looked forth, and Hakalanileo recoiled with fear at the blazing of his eyes.

Then spoke Niheu: “Why could you not wait before looking at our father? Behold, you have frightened him, and he has run back.”

On this, Kana, remaining yet in the house, stretched forth his hand, and, grasping the old man in the distance, brought him back and sat him on his lap. Then Kana wept. And the impudent Niheu said, “Now you are crying; look out for the old man, or he will get water-soaked.”

But Kana ordered Niheu to bestir himself and light a fire, for the tears of Kana were as the big dropping rains of winter, soaking the plain. And Kana said to the old man, “Now, dry yourself by the fire, and when you are warm, tell your story.”

The old man obeyed, and when he was warm enough, told the story of his grief. Then said Kana, “Almost spent are my years; I am only waiting for death, and behold I have at last found a foeman worthy of my prowess.”

Kana immediately espoused the cause of Hakalanileo, and ordered his younger brother, Niheu, to construct a canoe for the voyage. Poor Niheu worked and toiled without success until, in despair, he exclaimed, upbraidingly, “Thy work is not work; it is slavery. There thou dwellest at thy ease in thy retreat, while with thy foot thou destroyest my canoe.”

Upon this, Kana pointed out to Niheu a bush, and said, “Can you pull up that bush?”

“Yes,” replied Niheu, for it was but a small bush, and he doubted not his ability to root it up; so he pulled and tugged away, but could not loosen it.

Kana looking on, said, tauntingly, “Your foeman will not be overcome by you.”

Then Kana stretched forth his hands, scratching among the forests, and soon had a canoe in one hand; a little more and another canoe appeared in the other hand. The twin canoes were named Kaumueli. He lifted them down to the shore, provided them with paddles, and then appointed fourteen rowers. Kana embarked with his magic rod called Waka-i-lani. Thus they set forth to wage war upon Kapeepeekauila. They went on until the canoes grounded on a hard ledge.

Niheu called out, “Behold, thou sleepest, O Kana, while we all perish.”

Kana replied, “What is there to destroy us? Are not these the reefs of Haupu? Away with the ledges, the rock points, and the yawning chasms! Smite with Waka-i-lani, thy rod.”

Niheu smote, the rocks crumbled to pieces, and the canoes were freed. They pursued their course again until Niheu, being on the watch, cried out, “Why sleepest thou, O Kana? Here we perish, again. Thy like for sleeping I never saw!”

“Wherefore perish?” said Kana.

“Behold,” replied Niheu, “the fearful wall of water. If we attempt to pass it, it will topple over and destroy us all.”

Then said Kana: “Behold, behind us the reefs of Haupu. That is the destruction passed. As for the destruction before us, smite with thy rod.”

Niheu smote, the wall of water divided, and the canoes passed safely through. Then they went on their course again, as before. After a time, Niheu again called out, “Alas, again we perish. Here comes a great monster. If he falls upon us, we are all dead men.”

And Kana said, “Look sharp, now, and when the pointed snout crosses our bow, smite with thy rod.”

And he did so, and behold, this great thing was a monster fish, and when brought on board it became food for them all. So wonderfully great was this fish that its weight brought the rim of the canoes down to the water’s edge.

They continued on their way, and next saw the open mouth of the sharp-toothed shark–another of the outer defences of Haupu–awaiting them.

“Smite with thy rod,” ordered Kana.

Niheu smote, and the shark died.

Next they came upon the great turtle, another defence of Haupu. Again the sleepy Kana is aroused by the cry of the watchful Niheu, and the turtle is slain by the stroke of the magic rod. All this was during the night. At last, just as the edge of the morning lifted itself from the deep, their mast became entangled in the branches of the trees. Niheu flung upward a stone. It struck. The branches came rattling down, and the mast was free. On they went till the canoes gently stood still. On this, Niheu cried out, “Here you are, asleep again, O Kana, and the canoes are aground!”

Kana felt beneath; there was no ground. He felt above; the mast was entangled in weeds. He pulled, and the weeds and earth came down together. The smell of the fresh-torn weeds was wafted up to Hale-huki, the house where Kapeepeekauila lived. His people, on the top of Haupu, looked down on the canoes floating at the foot. “Wondrous is the size of the canoes!” they cried. “Ah! it is a load of opihis (shell-fish) from Hawaii for Hina,” for that was a favorite dish with her.

Meantime, Kana despatched Niheu after his mother. “Go in friendly fashion,” said the former.

Niheu leaped ashore, but slipped and fell on the smooth rocks. Back he went to the canoes.

“What sort of a coming back is this?” demanded Kana.

“I slipped and fell, and just escaped with my life,” answered Niheu.

“Back with you!” thundered Kana.

Again the luckless Niheu sprang ashore, but the long-eyed sand-crabs (ohiki-makaloa) made the sand fly with their scratching till his eyes were filled. Back to the canoes again he went. “Got it all in my eyes!” said he, and he washed them out with sea-water.

“You fool!” shouted Kana; “what were you looking down for? The sand-crabs are not birds. If you had been looking up, as you ought, you would not have got the sand in your eyes. Go again!”

This time he succeeded, and climbed to the top of Haupu. Arriving at the house, Hale-huki, where Hina dwelt, he entered at once. Being asked “Why enterest thou this forbidden door?” he replied:

“Because I saw thee entering by this door. Hadst thou entered some other way, I should not have come in at the door.” And behold, Kapeepeekauila and Hina sat before him. Then Niheu seized the hand of Hina and said, “Let us two go.” And she arose and went.

When they had gone about half-way to the brink of the precipice, Kapeepeekauila exclaimed, “What is this? Is the woman gone?”

Mo-i, the sister of Kana, answered and said, “If you wish the woman, now is the time; you and I fight.”

Great was the love of Kapeepeekauila for Hina, and he said, “No war dare touch Haupu; behold, it is a hill, growing even to the heavens.” And he sent the kolea (plover) squad to desecrate the sacred locks of Niheu; for the locks of Niheu were kapu, and if they should be touched, he would relinquish Hina for very shame. So the kolea company sailed along in the air till they brushed against the sacred locks of Niheu, and for very shame he let go his mother and struck at the koleas with his rod and hit their tail feathers and knocked them all out, so that they remain tailless to this day. And he returned to the edge of the shore, while the koleas bore off Hina in triumph.

When Niheu reached the shore, he beat his forehead with stones till the blood flowed; a trick which Kana perceived from on board the canoes. And when Niheu went on board he said, “See! we fought and I got my head hurt.”

But Kana replied, “There was no fight; you did it yourself, out of shame at your defeat.”

And Niheu replied, “What, then, shall we fight?”

“Yes,” said Kana, and he stood up.

Now, one of his legs was named Keauea and the other Kaipanea, and as he stood upon the canoes, he began to lengthen himself upward until the dwellers on top of Haupu exclaimed in terror, “We are all dead men! Behold, here is a great giant towering above us.”

And Kapeepeekauila, seeing this, hastened to prune the branches of the kamani tree (Calophyllum inophyllum), so that the bluff should grow upward. And the bluff rose, and Kana grew. Thus they strove, the bluff rising higher and Kana growing taller, until he became as the stalk of a banana leaf, and gradually spun himself out till he was no thicker than a strand of a spider’s web, and at last he yielded the victory to Kapeepeekauila.

Niheu, seeing the defeat of Kana, called out, “Lay yourself along to Kona, on Hawaii, to your grandmother, Uli.”

And he laid himself along with his body in Kona, while his feet rested on Molokai. His grandmother in Kona fed him until he became plump and fat again. Meanwhile, poor Niheu, watching at his feet on Molokai, saw their sides fill out with flesh while he was almost starved with hunger. “So, then,” quoth he, “you are eating and growing fat while I die with hunger.” And he cut off one of Kana’s feet for revenge.

The sensation crept along up to his body, which lay in Kona, and Kana said to his grandmother, Uli, “I seem to feel a numbness creeping over me.”

And she answered, and said, “Thy younger brother is hungry with watching, and seeing thy feet grow plump, he has cut off one of them; therefore this numbness.” Kana, having at last grown strong and fat, prepared to wage war again upon Kapeepeekauila. Food was collected in abundance from Waipio, and when it was prepared, they embarked again in their canoes and came back to Haupu, on Molokai. But his grandmother, Uli, had previously instructed him to first destroy all the branches of the kamani tree of Haupu. Then he showed himself, and began again to stretch upward and tower above the bluff. Kapeepeekauila hastened again to trim the branches of the kamani, that the bluff might grow as before; but behold, they were all gone! It was the end; Kapeepeekauila was at last vanquished. The victorious Kana recovered his sister, Mo-i, restored to poor Hakalanileo his wife, Hina, and then, tearing down the bluff of Haupu, kicked off large portions of it into the sea, where they stand to this day, and are called “The Rocks of Kana.”

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Lonopuha; or, Origin of the Art of Healing in Hawaii

During Milu’s time in Waipio, Hawaii, foreigners from Kahiki arrived, spreading diseases and introducing healing practices through Kamakanuiahailono. He trained Lonopuha, a skilled healer who cured Milu of severe illnesses. Despite warnings, Milu’s curiosity and impatience led to fatal consequences—first through a mythical bird’s attack and later during surf sports. His repeated disobedience symbolized the tragic cost of ignoring wisdom and guidance.

Source
Hawaiian Folk Tales
a collection of native legends
compiled by Thos. G. Thrum
A.C. McClurg & Co., Chicago, 1907

► Themes of the story

Origin of Things: The tale explains the introduction of diseases and the practice of healing in Hawaii, detailing how foreigners from Kahiki brought illnesses and how Kamakanuiahailono introduced medicinal practices.

Transformation: The narrative illustrates the transformation of Hawaiian society with the advent of new diseases and the subsequent development of healing arts, marking a significant change in their way of life.

Tragic Flaw: Milu’s repeated disobedience and curiosity lead to his demise, highlighting the consequences of ignoring wisdom and guidance.

► From the same Region or People

Learn more about the Hawaiians

Translated by Thos.G. Thrum

During the time that Milu was residing at Waipio, Hawaii, the year of which is unknown, there came to these shores a number of people, with their wives, from that vague foreign land, Kahiki. But they were all of godly kind (ano akua nae), it is said, and drew attention as they journeyed from place to place. They arrived first at Niihau, and from there they travelled through all the islands. At Hawaii they landed at the south side, thence to Puna, Hilo, and settled at Kukuihaele, Hamakua, just above Waipio. On every island they visited there appeared various diseases, and many deaths resulted, so that it was said this was their doings, among the chiefs and people. The diseases that followed in their train were chills, fevers, headache, pani, and so on.

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These are the names of some of these people: Kaalaenuiahina, Kahuilaokalani, Kaneikaulanaula, besides others. They brought death, but one Kamakanuiahailono followed after them with healing powers. This was perhaps the origin of sickness and the art of healing with medicines in Hawaii.

As has been said, diseases settled on the different islands like an epidemic, and the practice of medicine ensued, for Kamakanuiahailono followed them in their journeyings. He arrived at Kau, stopping at Kiolakaa, on the west side of Waiohinu, where a great multitude of people were residing, and Lono was their chief. The stranger sat on a certain hill, where many of the people visited him, for the reason that he was a newcomer, a custom that is continued to this day. While there he noticed the redness of skin of a certain one of them, and remarked, “Oh, the redness of skin of that man!”

The people replied, “Oh, that is Lono, the chief of this land, and he is a farmer.”

He again spoke, asserting that his sickness was very great; for through the redness of the skin he knew him to be a sick man.

They again replied that he was a healthy man, “but you consider him very sick.” He then left the residents and set out on his journey.

Some of those who heard his remarks ran and told the chief the strange words, “that he was a very sick man.” On hearing this, Lono raised up his oo (digger) and said, “Here I am, without any sign of disease, and yet I am sick.” And as he brought down his oo with considerable force, it struck his foot and pierced it through, causing the blood to flow freely, so that he fell and fainted away. At this, one of the men seized a pig and ran after the stranger, who, hearing the pig squealing, looked behind him and saw the man running with it; and as he neared him he dropped it before him, and told him of Lono’s misfortune, Kamakanuiahailono then returned, gathering on the way the young popolo seeds and its tender leaves in his garment (kihei). When he arrived at the place where the wounded man was lying he asked for some salt, which he took and pounded together with the popolo and placed it with a cocoanut covering on the wound. From then till night the flowing of the blood ceased. After two or three weeks had elapsed he again took his departure.

While he was leisurely journeying, some one breathing heavily approached him in the rear, and, turning around, there was the chief, and he asked him: “What is it, Lono, and where are you going?”

Lono replied, “You healed me; therefore, as soon as you had departed I immediately consulted with my successors, and have resigned my offices to them, so that they will have control over all. As for myself, I followed after you, that you might teach me the art of healing.”

The kahuna lapaau (medical priest) then said, “Open your mouth.” When Lono opened his mouth, the kahuna spat into it, [an initiatory act, as in the priesthood] by which he would become proficient in the calling he had chosen, and in which he eventually became, in fact, very skilful.

As they travelled, he instructed Lono (on account of the accident to his foot he was called Lonopuha) in the various diseases, and the different medicines for the proper treatment of each. They journeyed through Kau, Puna, and Hilo, thence onward to Hamakua as far as Kukuihaele. Prior to their arrival there, Kamakanuiahailono said to Lonopuha, “It is better that we reside apart, lest your healing practice do not succeed; but you settle elsewhere, so as to gain recognition from your own skill.”

For this reason, Lonopuha went on farther and located in Waimanu, and there practised the art of healing. On account of his labors here, he became famous as a skilful healer, which fame Kamakanuiahailono and others heard of at Kukuihaele; but he never revealed to Kaalaenuiahina ma (company) of his teaching of Lonopuha, through which he became celebrated. It so happened that Kaalaenuiahina ma were seeking an occasion to cause Milu’s death, and he was becoming sickly through their evil efforts.

When Milu heard of the fame of Lonopuha as a skilful healer, because of those who were afflicted with disease and would have died but for his treatment, he sent his messenger after him. On arriving at Milu’s house, Lonopuha examined and felt of him, and then said, “You will have no sickness, provided you be obedient to my teachings.” He then exercised his art, and under his medical treatment Milu recovered.

Lonopuha then said to him: “I have treated you, and you are well of the internal ailments you suffered under, and only that from without remains. Now, you must build a house of leaves and dwell therein in quietness for a few weeks, to recuperate.” These houses are called pipipi, such being the place to which invalids are moved for convalescent treatment unless something unforeseen should occur.

Upon Milu’s removal thereto, Lonopuha advised him as follows: “O King! you are to dwell in this house according to the length of time directed, in perfect quietness; and should the excitement of sports with attendant loud cheering prevail here, I warn you against these as omens of evil for your death; and I advise you not to loosen the ti leaves of your house to peep out to see the cause, for on the very day you do so, that day you will perish.”

Some two weeks had scarcely passed since the King had been confined in accordance with the kahuna’s instructions, when noises from various directions in proximity to the King’s dwelling were heard, but he regarded the advice of the priest all that day. The cause of the commotion was the appearance of two birds playing in the air, which so excited the people that they kept cheering them all that day.

Three weeks had almost passed when loud cheering was again heard in Waipio, caused by a large bird decorated with very beautiful feathers, which flew out from the clouds and soared proudly over the palis (precipices) of Koaekea and Kaholokuaiwa, and poised gracefully over the people; therefore, they cheered as they pursued it here and there. Milu was much worried thereby, and became so impatient that he could no longer regard the priest’s caution; so he lifted some of the ti leaves of his house to look out at the bird, when instantly it made a thrust at him, striking him under the armpit, whereby his life was taken and he was dead (lilo ai kona ola a make iho la).

The priest saw the bird flying with the liver of Milu; therefore, he followed after it. When it saw that it was pursued, it immediately entered into a sunken rock just above the base of the precipice of Koaekea. As he reached the place, the blood was spattered around where the bird had entered. Taking a piece of garment (pahoola), he soaked it with the blood and returned and placed it in the opening in the body of the dead King and poured healing medicine on the wound, whereby Milu recovered. And the place where the bird entered with Milu’s liver has ever since been called Keakeomilu (the liver of Milu).

A long while afterward, when this death of the King was as nothing (i mea ole), and he recovered as formerly, the priest refrained not from warning him, saying: “You have escaped from this death; there remains for you one other.”

After Milu became convalescent from his recent serious experience, a few months perhaps had elapsed, when the surf at Waipio became very high and was breaking heavily on the beach. This naturally caused much commotion and excitement among the people, as the numerous surf-riders, participating in the sport, would land upon the beach on their surf-boards. Continuous cheering prevailed, and the hilarity rendered Milu so impatient at the restraint put upon him by the priest that he forsook his wise counsel and joined in the exhilarating sport.

Seizing a surf-board he swam out some distance to the selected spot for suitable surfs. Here he let the first and second combers pass him; but watching his opportunity he started with the momentum of the heavier third comber, catching the crest just right. Quartering on the rear of his board, he rode in with majestic swiftness, and landed nicely on the beach amid the cheers and shouts of the people. He then repeated the venture and was riding in as successfully, when, in a moment of careless abandon, at the place where the surfs finish as they break on the beach, he was thrust under and suddenly disappeared, while the surf-board flew from under and was thrown violently upon the shore. The people in amazement beheld the event, and wildly exclaimed: “Alas! Milu is dead! Milu is dead!” With sad wonderment they searched and watched in vain for his body. Thus was seen the result of repeated disobedience.

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Doctor All-Wise

A poor peasant named Crab aspired to become a doctor after selling wood to a wealthy physician. Following the doctor’s humorous advice, Crab rebranded himself as “Doctor All-Wise.” Through a mix of luck and misinterpretation, he uncovered stolen gold for a nobleman without revealing the thieves. Praised for his wisdom, he received rewards and gained fame, solidifying his new identity.

Source
Folk-lore and Legends: German
Printed by T. and A. Constable, Printers to Her Majesty, at the Edinburgh University Press
W.W. Gibbings, London, 1892

► Themes of the story

Cunning and Deception: Crab’s rise to fame is based on the clever use of his assumed identity and the misinterpretations of others, showcasing the power of wit and perception.

Trickster: Crab embodies the trickster archetype, using his newfound role to navigate situations to his advantage without malicious intent.

Transformation: The tale highlights Crab’s transformation from a poor peasant to a celebrated doctor, emphasizing personal change and social mobility.

From the lore

Learn more about German Folklore

There was a poor peasant, named Crab, who once drove two oxen, with a load of wood, into the city, and there sold it for two dollars to a doctor. The doctor counted out the money to him as he sat at dinner, and the peasant, seeing how well he fared, yearned to live like him, and would needs be a doctor too. He asked if he could not become a doctor. “Oh yes,” said the doctor, “that may be easily managed. In the first place you must purchase an A, B, C book, only taking care that it is one that has got in the front of it a picture of a cock crowing. Then sell your cart and oxen, and buy with the money clothes, and all the other things needful. Thirdly, and lastly, have a sign painted with the words, ‘I am Doctor All-Wise,’ and have it nailed up before the door of your house.”

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The peasant did exactly as he had been told; and after he had doctored a little while, it chanced that a certain nobleman was robbed of a large sum of money. Some one told him that there lived in the village hard by a Doctor All-Wise, who was sure to be able to tell him where his money had gone. The nobleman at once ordered his carriage to be got ready and rode into the city, and having come to the doctor, asked him if he was Dr. All-Wise.

“Oh yes,” answered he, “I am Doctor All-Wise, sure enough.”

“Will you go with me, then,” said the nobleman, “and get me back my money?”

“To be sure I will,” said the doctor; “but my wife Grethel must go with me.”

The nobleman was pleased to hear this, made them both get into the carriage with him, and away they all rode together. When they arrived at the nobleman’s house dinner was already prepared, and he desired the doctor to sit down with him.

“My wife Grethel, too,” said the doctor.

As soon as the first servant brought in the first dish, which was some great delicacy, the doctor nudged his wife, and said–

“Grethel, that is the first,” meaning the first dish.

The servant overheard his remark, and thought he meant to say he was the first thief, which was actually the case, so he was sore troubled, and said to his comrades–

“The doctor knows everything. Things will certainly fall out ill, for he said I was the first thief.”

The second servant would not believe what he said, but at last he was obliged, for when he carried the second dish into the room, the doctor remarked to his wife–

“Grethel, that is the second.”

The second servant was now as much frightened as the first, and was pleased to leave the apartment. The third served no better, for the doctor said–

“Grethel, that is the third.”

Now the fourth carried in a dish which had a cover on it, and the nobleman desired the doctor to show his skill by guessing what was under the cover. Now it was a crab. The doctor looked at the dish, and then at the cover, and could not at all divine what they contained, nor how to get out of the scrape. At length he said, half to himself and half aloud–

“Alas! poor crab!”

When the nobleman heard this, he cried out–

“You have guessed it, and now I am sure you will know where my money is.”

The servant was greatly troubled at this, and he winked to the doctor to follow him out of the room, and no sooner did he do so than the whole four who had stolen the gold stood before him, and said that they would give it up instantly, and give him a good sum to boot, provided he would not betray them, for if he did their necks would pay for it. The doctor promised, and they conducted him to the place where the gold lay concealed. The doctor was well pleased to see it, and went back to the nobleman, and said–

“My lord, I will now search in my book and discover where the money is.”

Now the fifth servant had crept into an oven to hear what the doctor said. He sat for some time turning over the leaves of his A, B, C book, looking for the picture of the crowing cock, and as he did not find it readily, he exclaimed–

“I know you are in here, and you must come out.”

Then the man in the oven, thinking the doctor spoke of him, jumped out in a great fright, saying–

“The man knows everything.”

Then Doctor All-Wise showed the nobleman where the gold was hidden, but he said nothing as to who stole it. So he received a great reward from all parties, and became a very famous man.

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The Legend of Rheineck

Graf Ulric von Rheineck squandered his wealth and heritage through reckless indulgence, leaving his castle in decay and himself in solitude. A mysterious pilgrim offered him hope through a treasure concealed by his ancestors, but the quest led Ulric to a horrifying confrontation with a fiend. Redeemed by a spectral child, he repented and died a wanderer. Legend claims his restless spirit haunts the ruins.

Source
Folk-lore and Legends: German
Printed by T. and A. Constable, Printers to Her Majesty, at the Edinburgh University Press
W.W. Gibbings, London, 1892

► Themes of the story

Transformation: Ulric undergoes a profound change from a reckless noble to a repentant wanderer.

Divine Intervention: The appearance of the spectral child guiding Ulric towards redemption.

Quest: Ulric’s journey to uncover the hidden treasure of his ancestors.

From the lore

Learn more about German Folklore

Graf Ulric Von Rheineck was a very wild youth. Recklessly and without consideration did he plunge into every excess. Dissipation grew to be the habit of his life, and no sensual indulgence did he deny himself which could be procured by any means whatever.

Amply provided for as he was, the revenues of his wide possessions, which comprehended Thal Rheineck, and the adjacent country, to the shore of the Rhine, and as far as the mouth of the Aar, were soon discovered to be insufficient for all his absorbing necessities.

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One by one his broad lands were alienated from him, piece after piece of that noble possession fell from his house, until finally he found himself without a single inch of ground which he could call his own, save the small and unproductive spot on which Rheineck stood. This he had no power to transfer, or perhaps it would have gone with the remainder. The castle had fallen sadly into disrepair, through his protracted absence from home, and his continual neglect of it,–indeed there was scarcely a habitable room within its precincts, and he now had no means to make it the fitting abode of any one, still less of a nobleman of his rank and consequence. All without, as well as all within it, was desolate and dreary to the last degree. The splendid garden, previously the pride of his ancestors, was overrun with weeds, and tangled with parasites and creepers. The stately trees, which once afforded shelter and shade, as well as fruits of the finest quality and rarest kinds, were all dying or withered, or had their growth obstructed by destroying plants. The outer walls were in a ruinous condition, the fortifications were everywhere fallen into decay, and the alcoves and summer-houses had dropped down, or were roofless, and exposed to the weather. It was a cheerless prospect to contemplate, but he could not now help himself, even if he had the will to do so. Day after day the same scene of desolation presented itself to his eyes, night after night did the same cheerless chamber present itself to his view. It was his own doing. That he could not deny, and bitterly he rued it. To crown his helplessness and misery, his vassals and domestic servants abandoned him by degrees, one after another, and at last he was left entirely alone in the house of his fathers–a hermit in that most dismal of all solitudes, the desolate scene of one’s childish, one’s happiest recollections.

One evening about twilight, as he sat at the outer gate, looking sadly on the broad, bright river which flowed calmly beneath, he became aware of the presence of a stranger, who seemed to toil wearily up the steep acclivity on the summit of which the castle is situated. The stranger–an unusual sight within those walls then–soon reached the spot where Ulric sat, and, greeting the youth in the fashion of the times, prayed him for shelter during the night, and refreshment after his most painful journey.

“I am,” quoth the stranger, “a poor pilgrim on my way to Cologne, where, by the merits of the three wise kings–to whose shrine I am bound–I hope to succeed in the object of my journey.”

Graf Ulric von Rheineck at once accorded him the hospitality he required, for though he had but scant cheer for himself, and nought of comfort to bestow, he had still some of the feeling of a gentleman left in him.

“I am alone here now,” said he to the pilgrim, with a deep sigh. “I am myself as poor as Job. Would it were not so! My menials have left me to provide for themselves, as I can no longer provide for them. ‘Twas ever the way of the world, and I blame them not for it. The last departed yesterday. He was an old favourite of my father’s, and he once thought that he would not leave my service but with his life. We must now look to ourselves, however,–at least so he said. But that has nothing to do with the matter, so enter, my friend.”

They entered. By their joint exertions a simple evening meal was soon made ready, and speedily spread forth on a half-rotten plank, their only table.

“I have no better to offer you,” observed the young Count, “but I offer you what I have with right goodwill. Eat, if you can, and be merry.”

They ate in silence, neither speaking during the meal.

“Surely,” said the pilgrim, when it was over,–“surely it may not be that the extensive cellars of this great castle contain not a single cup of wine for the weary wayfarer.”

The Count was at once struck by the idea. It seemed to him as if he had never thought of it before, though in reality he had ransacked every corner of the cellars more than once.

“Come, let us go together and try,” continued the pilgrim; “it will go hard with us if we find nought to wash down our homely fare.”

Accompanied by his persuasive guest, the Count descended to the vaults, where the wines of Rheineck had been stored for ages. Dark and dreary did they seem to him. A chill fell on his soul as he strode over the mouldy floor.

“Here,” said the pilgrim, with great glee,–“here, here! Look ye, my master, look ye! See! I have found a cup of the best.”

The Count passed into a narrow cellar whither the pilgrim had preceded him. There stood his companion beside a full butt of burgundy, holding in his hand a massive silver cup, foaming over with the generous beverage, and with the other he pointed exultingly to his prize. The scene seemed like a dream to Ulric. The place was wholly unknown to him. The circumstances were most extraordinary. He mused a moment, but he knew not what to do in the emergency.

“We will enjoy ourselves here,” said the pilgrim. “Here, on this very spot, shall we make us merry! Ay, here, beside this noble butt of burgundy. See, ’tis the best vintage! Let us be of good cheer!”

The Count and his boon companion sat down on two empty casks, and a third served them for a table. They plied the brimming beakers with right goodwill; they drank with all their might and main. The Count became communicative, and talked about his private affairs, as men in liquor will. The pilgrim, however, preserved a very discreet silence, only interrupting by an occasional interjection of delight, or an opportune word of encouragement to his garrulous friend.

“I’ll tell you what,” began the pilgrim, when the Count had concluded his tale,–“I’ll tell you what. Listen: I know a way to get you out of your difficulties, to rid you of all your embarrassments.”

The Count looked at him incredulously for a moment; his eye could not keep itself steady for a longer space of time. There was something in the pilgrim’s glance as it met his that greatly dissipated his unbelief, and he inquired of him how these things could be brought about.

“But, mayhap,” continued the pilgrim, apparently disregarding the manifest change in his companion’s impressions regarding him,–“mayhap you would be too faint-hearted to follow my advice if I gave it you.”

The Count sprang on his feet in a trice, and half-unsheathed his sword to avenge this taunt on his manhood, but the pilgrim looked so unconcerned, and evinced so little emotion at this burst of anger, that the action and its result were merely momentary. Ulric resumed his seat, and the pilgrim proceeded–

“You tell me that you once heard from your father, who had it from his father, that your great-grandfather, in the time when this castle was beleaguered by the Emperor Conrad, buried a vast treasure in some part of it, but which part his sudden death prevented him from communicating to his successor?”

The Count nodded acquiescence.

“It is even so,” he said.

“In Eastern lands have I learned to discover where concealed treasures are hidden,” pursued the pilgrim; “and—-“

The Count grasped him by the hand.

“Find them,” he cried,–“find them for me, and a full half is thine! Oh, there is gold, and there are diamonds and precious stones of all kinds. They are there in abundance. My father said so! ‘Tis true, ’tis true! Find them, find them, and then shall this old hall ring once more with the voice of merriment. Then shall we live! ay, we shall live! that we shall.”

The pilgrim did not attempt to interrupt his ecstasies, or to interpose between him and the excess of his glee, but let him excite himself to the highest pitch with pictures of the pleasing future, until they had acquired almost the complexion of fact and the truth of reality for his distracted imagination. When he had exhausted himself, the wily tempter resumed–

“Oh yes, I know it all. I know where the treasure is. I can put your finger on it if I like. I was present when the old man buried it in the—-“

“You present!” exclaimed Ulric, his hair standing on end with horror, for he had no doubts of the truth of the mysterious stranger’s statements,–“you present!”

“Yes,” resumed the pilgrim; “I was present.”

“But he is full a hundred years dead and buried,” continued the Count.

“No matter for that, no matter for that,” replied the guest abruptly; “many and many a time have we drunk and feasted and revelled together in this vault–ay, in this very vault.”

The Count knew not what to think, still less what to reply to this information. He could not fail to perceive its improbability, drunk as he was, but still he could not, for the life of him, discredit it.

“But,” added the pilgrim, “trouble not yourself with that at present which you have not the power to comprehend, and speculate not on my proceedings, but listen to my words, and follow my advice, if you will that I should serve you in the matter.”

The Count was silent when the stranger proceeded.

“This is Walpurgis night,” he said. “All the spirits of earth and sea and sky are now abroad on their way to the Brocken. Hell is broke loose, you know, for its annual orgies on that mountain. When the castle clock tolls twelve go you into the chapel, and proceed to the graves of your grandfather, your great-grandfather, and your great-great-grandfather; take from their coffins the bones of their skeletons–take them all, mind ye. One by one you must then remove them into the moonlight, outside the walls of the building, and there lay them softly on the bit of green sward which faces to the south. This done, you must next place them in the order in which they lay in their last resting-place. When you have completed that task, you must return to the chapel, and in their coffins you will find the treasures of your forefathers. No one has power over an atom of them, until the bones of those who in spirit keep watch and ward over them shall have been removed from their guardianship. So long as they rest on them, or oversee them, to the dead they belong. It is a glorious prize. ‘Twill be the making of you, man, for ever!”

Ulric was shocked at the proposal. To desecrate the graves of his fathers was a deed which made him shudder, and, bad as he was, the thought filled him with the greatest horror, but the temptation was irresistible.

At the solemn hour of midnight he proceeded to the chapel, accompanied by the pilgrim. He entered the holy place with trembling, for his heart misgave him. The pilgrim stayed without, apparently anxious and uneasy as to the result of the experiment about to be made. To all the solicitations of the Count for assistance in his task he turned a deaf ear; nothing that he could say could induce him to set foot within the chapel walls.

Ulric opened the graves in the order in which they were situated, beginning with the one first from the door of the chapel. He proceeded to remove the rotting remains from their mouldering coffins. One by one did he bear their bleached bones into the open air, as he had been instructed, and placed them as they had lain in their narrow beds, under the pale moonbeams, on the plot of green sward facing the south, outside the chapel walls. The coffins were all cleared of their tenants, except one which stood next to the altar, at the upper end of the aisle. Ulric approached this also to perform the wretched task he had set himself, the thoughts of the treasure he should become possessed of but faintly sustaining his sinking soul in the fearful operation. Removing the lid of this last resting-place of mortality, his heart failed him at the sight he beheld. There lay extended, as if in deep sleep, the corpse of a fair child, fresh and comely, as if it still felt and breathed and had lusty being. The weakness Ulric felt was but momentary. His companion called aloud to him to finish his task quickly, or the hour would have passed when his labour would avail him. As he touched the corpse of the infant the body stirred as if it had sensation. He shrank back in horror as the fair boy rose gently in his coffin, and at length stood upright within it.

“Bring back yon bones,” said the phantom babe,–“bring back yon bones; let them rest in peace in the last home of their fathers. The curse of the dead will be on you otherwise. Back! back! bring them back ere it be too late.”

The corpse sank down in the coffin again as it uttered these words, and Ulric saw a skeleton lying in its place. Shuddering, he averted his gaze, and turned it towards the chapel door, where he had left his companion. But, horror upon horror! as he looked he saw the long, loose, dark outer garment fall from the limbs of the pilgrim. He saw his form dilate and expand in height and in breadth, until his head seemed to touch the pale crescent moon, and his bulk shut out from view all beyond itself. He saw his eyes firing and flaming like globes of lurid light, and he saw his hair and beard converted into one mass of living flame. The fiend stood revealed in all his hideous deformity.

His hands were stretched forth to fasten on the hapless Count, who, with vacillating step, like the bird under the eye of the basilisk, involuntarily, though with a perfect consciousness of his awful situation, and the fearful fate which awaited him, every moment drew nearer and nearer to him. The victim reached the chapel door–he felt all the power of that diabolical fascination–another step and he would be in the grasp of the fiend who grinned to clutch him. But the fair boy who spoke from the grave suddenly appeared once more, and, flinging himself between the wretched Count and the door, obstructed his further progress.

“Avaunt, foul fiend!” spake the child, and his voice was like a trumpet-note; “avaunt to hell! He is no longer thine. Thou hast no power over him. Your hellish plot has failed. He is free, and shall live and repent.”

As he said this he threw his arms around Ulric, and the Count became, as it were, at once surrounded by a beatific halo, which lighted up the chapel like day. The fiend fled howling like a wild beast disappointed of its prey.

The remains of his ancestors were again replaced in their coffins by the Count, long ere the morning broke, and on their desecrated graves he poured forth a flood of repentant tears. With the dawn of day he quitted the castle of Rheineck. It is said that he traversed the land in the garb of a lowly mendicant, subsisting on the alms of the charitable, and it is likewise told that he did penance at every holy shrine from Cologne to Rome, whither he was bound to obtain absolution for his sins. Years afterwards he was found dead at the foot of the ancient altar in the ruined chapel. The castle went to ruin, and for centuries nought ever dwelt within its walls save the night-birds and the beasts of prey.

Of the original structure the ruins of one old tower are all that now remain. It is still firmly believed by the peasants of the neighbourhood, that in the first and the last quarter of the moon the spirit of Ulric, the last of the old lords of Rheineck, still sweeps around the ruin at the hour of midnight, and is occasionally visible to belated wanderers.

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Horse Cursed by Sun

The Sun once tried to ride the Horse, but the Horse could not bear its weight. The Ox took its place, and the Sun cursed the Horse, decreeing it would have a fixed time of death, endless grazing without satisfaction, and perpetual unrest. This curse marked the beginning of the Horse’s mortality and discontent.

Source:
South-African Folk Tales
by James A. Honey, M.D.
New York,1910

► Themes of the story

Divine Punishment: The Sun curses the Horse for its inability to bear his weight, decreeing a fixed time of death and perpetual dissatisfaction.

Supernatural Beings: The Sun is portrayed as a powerful entity capable of interacting directly with animals and imposing curses.

Transformation: The Horse undergoes a transformation from a state of contentment to one of eternal unrest and mortality due to the Sun’s curse.

► From the same Region or People

Learn more about the Bushmen

It is said that once Sun was on earth, and caught Horse to ride it. But it was unable to bear his weight, and therefore Ox took the place of Horse, and carried Sun on its back. Since that time Horse is cursed in these words, because it could not carry Sun’s weight:

“From to-day thou shalt have a (certain) time of dying.
This is thy curse, that thou hast a (certain) time of dying.
And day and night shalt thou eat,
But the desire of thy heart shall not be at rest,
Though thou grazest till morning and again until sunset.
Behold, this is the judgment which I pass upon thee,” said Sun.

Since that day Horse’s (certain) time of dying commenced.

► Continue reading…

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