The Fowl and the Hippopotamus; or, the Cause of the Enmity among Birds and Animals

A Fowl’s deceptive claim of selling its leg for wealth leads a greedy Hippopotamus to sell its own leg, resulting in its death. Blaming the Fowl, Hippopotami enlist Hawks, Kites, and wildcats to attack Fowls, prompting retaliation involving Crocodiles and humans. This tale explains how deceit introduced lasting enmity, violence, and death among animals and birds, weaving a cautionary lesson on honesty and greed.

Source
Among Congo Cannibals
by John H. Weeks
Seeley, Service & Co.,London, 1913


► Themes of the story

Cunning and Deception: The Fowl deceives the Hippopotamus by pretending to have sold its leg for wealth, leading the Hippopotamus to a fatal decision.

Conflict with Nature: The tale depicts the ensuing strife between different animal species, highlighting the disruption of natural harmony due to individual actions.

Origin of Things: This narrative explains the cause of the enduring enmity among birds and animals, providing a mythological origin for observed natural hostilities.

► From the same Region or People

Learn more about Bantu peoples


A Fowl, on returning from a trading journey, hid one of his legs under his wing and said: “I sold my leg for two thousand brass rods in the towns I have been visiting.” A greedy hippopotamus, hearing this, said: “If the Fowl could receive two thousand brass rods for his small leg, how much shall I receive for mine?” So calling some of his friends they entered a canoe and paddled down-river to the towns. On arriving, the leg of the Hippopotamus was cut off, carried ashore, and sold for a large number of brass rods.

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When the Hippopotami returned to the canoe, after selling the leg, they discovered that their friend had bled to death, so they picked up their paddles in great anger and returned to their town.

On arriving at their town they sought out the Fowl and charged him with the death of their friend, for they said, “Because of your lying deception he went and sold his leg.”

In their anger they called on the Hawks and Kites to swoop down and carry off the chickens belonging to the Fowls; and they told the wild bush-cat that whenever he found the door of the Fowl-house open he was to creep in and kill the Fowls.

In this way so many Fowls were killed, that in defence the Fowls called on the Crocodiles to bite the Hippopotami and wound them to death; and they asked Man whenever he saw a Hippopotamus to hurl his spear at it and kill it. Thus, through the Fowl’s one deception, enmity, quarrels, and death were first introduced among the birds and animals.


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The Adventures of Libanza; or, a Boloki version of Jack and the Beanstalk

Libanza and Nsongo’s journey intertwines magic, resilience, and folklore. Libanza disguises himself, showcasing extraordinary abilities, like catching monkeys or breaking pestles, to escape oppressive masters. Through transformation, wit, and strength, he overcomes challenges, rescues his sister, and ultimately defeats Ngombe the Swallower using molten iron. Rooted in Boloki myths, Libanza’s tales emphasize his mystical origins, resourcefulness, and legendary deeds, embodying cultural storytelling and heroism.

Source
Among Congo Cannibals
by John H. Weeks
Seeley, Service & Co.,London, 1913


► Themes of the story

Cunning and Deception: Libanza uses his wit and deceptive transformations to outsmart those who oppress him and his sister, enabling their escape and success in various situations.

Quest: The narrative follows Libanza and his sister, Nsongo, on their journey filled with trials and adventures, reflecting the classic quest motif.

Trials and Tribulations: Throughout their journey, Libanza and Nsongo face and overcome numerous challenges, including oppressive masters and dangerous creatures, highlighting the theme of enduring and surmounting hardships.

► From the same Region or People

Learn more about Bantu peoples


Libanza and his sister, Nsongo, started on their travels in the long ago, and as they journeyed Libanza changed himself into a boy covered with yaws. A man out hunting turned aside from his party of hunters, and meeting Libanza and his sister, he exclaimed: “I have found some slaves!” He thereupon took possession of them and led them to the hunting camp. Their new master and the other hunters were there for the purpose of snaring monkeys, and although their master caught some, yet he was not very successful. So one day Libanza said to him: “Give me the snares, and let me try to catch some monkeys.”

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But as he appeared to be such a poor, weak boy covered with yaws, the master laughed at him, and twitted him with his smallness. However, on being repeatedly asked, the master gave the boy the snares, and he caught thirty monkeys in a very little time, and brought them back to the camp to be divided among the hunters.

While the hunters were busy dividing the monkeys, Libanza and his sister took some meat and ran away. After journeying for a long distance they came near to a large town, and again Libanza turned himself into a boy covered with yaws.

The people of the town were pounding sugar-canes for making sugar-cane wine; but a man seeing them claimed them as his slaves, and brought them and sat them on the end of the large wooden mortar in which the other men were pounding up the canes.

After a time Libanza said: “Give me a pestle, [the pestles for crushing sugar-canes are like heavy clubs, made of hard wood, and weigh from 20 lbs. to 30 lbs. each] so that I may crush the canes.” But the people laughed that so small a lad should make such a request.

However, after he had repeatedly asked, they gave him a pestle, and Libanza used it with such vigour that it snapped in two. They brought him two others, and taking one in each hand he pounded so strongly that they also broke; and thus he broke all they had in the town except the last one, and with that he ran away, and the people feared to follow him.

As they travelled, Nsongo caught sight of a person in the distance and wanted to marry him; but on being called the person would not come to her. So Libanza changed himself, first into a shell and then into a saucepan, and followed the man; but in these disguises Libanza was not able to catch the man for his sister because he ran away filled with fear,

Libanza then turned himself into the handle of an axe, and when the man came to pick up the handle, Libanza caught him and led him to his sister. Now this person had only one leg and simple stumps for fingers; and Nsongo, on a closer view observing these deformities, refused to have him for a husband.

Libanza and his sister, Nsongo, resumed their wanderings, and on passing a palm tree Nsongo saw a bunch of ripe palm nuts, and she implored her brother to ascend the tree and cut down the nuts. Libanza climbed the palm tree, and as he ascended it the palm tree grew higher and higher and higher, until the top was hid in the heavens, [the word used here is bolobo = the upper regions, of which place they had very hazy ideas. About tlie lower regions — longa — they always spoke more definitely, and would describe what took place there] and there Libanza alighted, leaving his sister down below on the earth.

When Nsongo was left on the earth she heard a rumbling noise, which she thought was her brother, Libanza, scolding up above. She called a “wizard,” and asked him how she could rejoin her brother.

The “wizard” said: “You must call a Hawk, and tell him you want to send a packet to your brother, Libanza; and then tie yourself up into a packet and put yourself on the roof of a house, and when the Hawk sees it he will say, ‘That is surely the parcel I am to take,’ and the Hawk will carry you up above.”

Nsongo did as she was told by the “wizard,” and the Hawk saw the bundle and picked it up; but twice on the way the Hawk rested and tried to open the parcel, and would have done so, but at each attempt he heard a deep sigh proceed from the interior of the bundle, and desisted.

At last the Hawk reached the place where Libanza was, and said to him, “Here is a packet which your sister has sent to you.” Now when Libanza essayed to undo the parcel, out came his sister.

Libanza became a blacksmith, and there was in that country a person whose name was Ngombe, and because he swallowed people every day he was also called Emele Ngombe (Ngombe the Swallower).

When Libanza heard about this Swallower of people, he called his bellows blower, Nkumba (Tortoise), and they heated an ingot of iron. Now as the Swallower was passing the smithy he made the sound “Kililili,” and Libanza mocked him by sajnng, “Alalalala.” Ngombe the Swallower then asked: “Who dares to ridicule me?” And again he murmured, “Kililili.” And Libanza answered him by saying: “Ngalalala, [his is the full name of Libanza. It means: The one who makes things with force and noise and runs oif with them, whose scraped fingernails are tied with cane, he who is Libanza the brother of Nsongo] I am anjaka-njaka lokwala la lotungi, Libanza, the brother of Nsongo.”

The Swallower went at Libanza with his mouth wide[1]stretched to gulp him down, and as he went his lower jaw dragged along the ground. Libanza stirred the molten metal, the Tortoise blew the bellows, and as the Swallower rushed forward with his mouth wide open Libanza threw the liquid metal right into the gaping jaws, and the Swallower of people fell dead.

There are several folk-lore stories that have crystallized for us their ideas concerning Libanza, and it is interesting to note that such stories are called Mabanza (plural form of Libanza), and these contain a statement of some of the doings of Libanza, whereas their word for fable, parable, story is mokulu. The common opinion was that Libanza lived on the earth, and was the first to go into heaven. His origin, life, and adventures as told in their folk stories are briefly as follows:

Libanza’s mother (names of father and mother were never given) gave birth first to elephants, the various kinds of bush animals, the different varieties of flies and insects, and to the amphibia; then his mother told him to come out, but before Libanza would do so he ordered his mother to scrape her finger-nails; when she had done this he threw out spears, shield, a chair covered with brass nails, and finally came out himself.

Libanza’s father, according to another folk story, was trapped and killed while stealing some nsafu fruit for his wife. And he acquainted his wife of his death by causing a fetish horn he had left with her to overflow with blood. As soon as Libanza was born he inquired about his father and the manner of his death, and set himself to punish the one who had killed him, which after a series of futile attempts he finally accomplished by slaying the murderer of his father. Then comes the story of his own adventures, which reach their climax in the destruction of the Swallower of people.

It is not at all improbable that Libanza is the name of some great chief who by his resource and courage delivered the people from great peril and oppression, and around whose name have gathered many myths, and to him is ascribed great magical power. In the original story much magic is performed to meet the various difficulties that arise, as changing himself into different shapes, making horns and saucepans move and speak, and resurrecting broken and dead animals. No moral qualities were ascribed to Libanza, but he was regarded as being very strong, and rich. When our steamer, the Peace, made her first journey up-river, the Boloki of Monsembe told me that they thought it was “Libanza going to Singitingi (Stanley Falls) to visit his sister Nsongo.” They could hear the noise of the engines, but as they could see no paddles they thought that “the river mingoli (water-spirits) were pushing the steamer along.”


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The Battle of the Crabs

A group of land crabs, annoyed by noisy waves, decides to wage war against them. A shrimp mocks their plan, but after being pinched, agrees to help. At the shore, the crabs mock the shrimp’s backward gaze, miss the approaching waves, and are drowned. Their wives, seeking them, meet the same fate. Their descendants now scurry along the shore, embodying their ancestors’ doomed defiance.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Conflict with Nature: The crabs’ decision to wage war against the waves represents a struggle against natural forces.

Cunning and Deception: The shrimp’s initial mockery and subsequent reluctant agreement to assist the crabs involve elements of wit and subtle deceit.

Tragic Flaw: The crabs’ hubris and failure to recognize their limitations lead to their downfall.

► From the same Region or People

Learn more about Philippines peoples


One day the land crabs had a meeting and one of them said: “What shall we do with the waves? They sing so loudly all the time that we cannot possibly sleep.”

“Well,” answered one of the oldest of the crabs, “I think we should make war on them.”

The others agreed to this, and it was decided that the next day all the male crabs should get ready to fight the waves. They started for the sea, as agreed, when they met a shrimp.

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“Where are you going, my friends?” asked the shrimp.

“We are going to fight the waves,” answered the crabs, “for they make so much noise at night that we cannot sleep.”

“I do not think you will succeed,” said the shrimp, “for the waves are very strong and your legs are so weak that even your bodies bend almost to the ground when you walk.” Wherewith he laughed loudly.

This made the crabs very angry, and they pinched the shrimp until he promised to help them win the battle.

Then they all went to the shore. But the crabs noticed that the eyes of the shrimp were set unlike their own, so they thought his must be wrong and they laughed at him and said:

“Friend shrimp, your face is turned the wrong way. What weapon have you to fight with the waves?”

“My weapon is a spear on my head,” replied the shrimp, and just then he saw a big wave coming and ran away. The crabs did not see it, however, for they were all looking toward the shore, and they were covered with water and drowned.

By and by the wives of the crabs became worried because their husbands did not return, and they went down to the shore to see if they could help in the battle. No sooner had they reached the water, however, than the waves rushed over them and killed them.

Some time after this thousands of little crabs appeared near the shore, and the shrimp often visited them and told them of the sad fate of their parents. Even today these little crabs can be seen on the shore, continually running back and forth. They seem to rush down to fight the waves, and then, as their courage fails, they run back to the land where their forefathers lived. They neither live on dry land, as their ancestors did, nor in the sea where the other crabs are, but on the beach where the waves wash over them at high tide and try to dash them to pieces.


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The Spider and the Fly

This story explains the enduring animosity between spiders and flies. Mr. Spider repeatedly proposed to Miss Fly, who consistently rejected him. When he approached her house once more, she defended herself by throwing boiling water at him. Enraged, Mr. Spider vowed eternal enmity toward her and her kind. This tale illustrates their timeless conflict, symbolizing nature’s perpetual predator-prey dynamics.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Good vs. Evil: The narrative portrays the conflict between Mr. Spider’s persistent advances and Miss Fly’s defensive actions, highlighting the struggle between opposing forces.

Cunning and Deception: Miss Fly’s clever tactic of using boiling water to fend off Mr. Spider demonstrates the use of wit to achieve her goal.

Conflict with Nature: The story reflects the natural animosity between spiders and flies, symbolizing inherent conflicts in the animal kingdom.

► From the same Region or People

Learn more about Philippines peoples


Mr. Spider wanted to marry Miss Fly. Many times he told her of his love and begged her to become his wife, but she always refused for she did not like him. One day when she saw Mr. Spider coming again Miss Fly closed all the doors and windows of her house and made ready a pot of boiling water. Then she waited, and when Mr. Spider called, begging her to allow him to enter, she answered by throwing boiling water at him. This made Mr. Spider very angry and he cried: “I will never forgive you for this, but I and my descendants will always despise you. We will never give you any peace.” Mr. Spider kept his word, and even today one can see the hatred of the spider for the fly.

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The Hawk and the Hen

A hawk proposes to a hen, who accepts on the condition of growing wings like his. She receives an engagement ring but later discards it under pressure from a jealous cock. When the hawk returns, he discovers the ring missing. Angered by her deceit, he vows to return only if she finds it, punishing hens to eternally scratch the ground, searching for the lost ring.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Forbidden Love: The hen’s acceptance of the hawk’s proposal goes against societal expectations, especially considering her prior promise to the cock.

Cunning and Deception: The hen deceives the hawk about the fate of the ring, leading to consequences for her actions.

Transformation through Love: The hen’s interactions with the hawk and the cock lead to a transformation in her behavior, symbolized by the eternal scratching for the lost ring.

► From the same Region or People

Learn more about Philippines peoples


A hawk flying about in the sky one day decided that he would like to marry a hen whom he often saw on earth. He flew down and searched until he found her, and then asked her to become his wife. She at once gave her consent on the condition that he would wait until she could grow wings like his, so that she might also fly high. The hawk agreed and flew away, after giving her a ring as an engagement present and telling her to take good care of it.

The hen was very proud of the ring and placed it around her neck. The next day, however, she met the cock who looked at her in astonishment and said:

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“Where did you get that ring? Do you not know that you promised to be my wife? You must not wear the ring of anyone else. Throw it away.”

And the hen threw away the beautiful ring.

Not long after this the hawk came down bringing beautiful feathers to dress the hen. When she saw him coming she was frightened and ran to hide behind the door, but the hawk called to her to come and see the beautiful dress he had brought her.

The hen came out, and the hawk at once saw that the ring was gone.

“Where is the ring I gave you?” he asked. “Why do you not wear it?”

The hen was frightened and ashamed to tell the truth so she answered:

“Oh, sir, yesterday when I was walking in the garden, I met a large snake and he frightened me so that I ran as fast as I could to the house. Then I missed the ring and I searched everywhere but could not find it.”

The hawk looked sharply at the hen, and he knew that she was deceiving him. Then he said to her:

“I did not believe that you could behave so badly. When you have found the ring I will come down again and make you my wife. But as a punishment for breaking your promise, you must always scratch the ground to look for the ring. And every chicken of yours that I find, I shall snatch away.”

Then he flew away, and ever since all the hens throughout the world have been scratching to find the hawk’s ring.


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Mansumandig

A poor man, Mansumandig, attempts to earn money by selling rice at the same price he buys it, unknowingly making no profit. His wife, realizing his folly, takes over their finances, weaving hemp into cloth and turning a modest investment into significant wealth. With her earnings, they buy carabao, improve their farming, and secure a comfortable life, teaching the value of resourcefulness and practical business acumen.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Family Dynamics: The interaction between Mansumandig and his wife reflects the dynamics of marital partnership, where the wife’s intervention and management of finances lead to the family’s improved circumstances.

Trials and Tribulations: The couple faces economic hardship, and through perseverance and adaptation, they overcome their challenges, demonstrating resilience in the face of adversity.

Cunning and Deception: While not involving deceit towards others, the wife’s cleverness in identifying the flaw in her husband’s business approach and devising a successful strategy underscores the theme of using wit to achieve goals.

► From the same Region or People

Learn more about Philippines peoples


One day a man said to his wife: “My wife, we are getting very poor and I must go into business to earn some money.” – “That is a good idea,” replied his wife. “How much capital have you?” – “I have twenty-five centavos,” answered the man; “and I am going to buy rice and carry it to the mines, for I have heard that it brings a good price there.”

So he took his twenty-five centavos and bought a half-cavan of rice which he carried on his shoulder to the mine. Arriving there he told the people that he had rice for sale, and they asked eagerly how much he wanted for it.

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“Why, have you forgotten the regular price of rice?” asked the man. “It is twenty-five centavos.”

They at once bought the rice, and the man was very glad because he would not have to carry it any longer. He put the money in his belt and asked if they would like to buy any more.

“Yes,” said they, “we will buy as many cavans as you will bring.”

When the man reached home his wife asked if he had been successful.

“Oh, my wife,” he answered, “it is a very good business. I could not take the rice off my shoulder before the people came to buy it.”

“Well, that is good,” said the wife; “we shall become very rich.”

The next morning the man bought a half-cavan of rice the same as before and carried it to the mine and when they asked how much it would be, he said:

“It is the same as before–twenty-five centavos.” He received the money and went home.

“How is the business today?” asked his wife.

“Oh, it is the same as before,” he said. “I could not take the rice off my shoulder before they came for it.”

And so he went on with his business for a year, each day buying a half-cavan of rice and selling it for the price he had paid for it. Then one day his wife said that they would balance accounts, and she spread a mat on the floor and sat down on one side of it, telling her husband to sit on the opposite side. When she asked him for the money he had made during the year, he asked:

“What money?”

“Why, give me the money you have received,” answered his wife; “and then we can see how much you have made.”

“Oh, here it is,” said the man, and he took the twenty-five centavos out of his belt and handed it to her.

“Is that all you have received this year?” cried his wife angrily. “Haven’t you said that rice brought a good price at the mines?”

“That is all,” he replied.

“How much did you pay for the rice?”

“Twenty-five centavos.”

“How much did you receive for it?”

“Twenty-five centavos.”

“Oh, my husband,” cried his wife, “how can you make any gain if you sell it for just what you paid for it.”

The man leaned his head against the wall and thought. Ever since then he has been called “Mansumandig,” a man who leans back and thinks.

Then the wife said, “Give me the twenty-five centavos, and I will try to make some money.” So he handed it to her, and she said, “Now you go to the field where the people are gathering hemp and buy twenty-five centavos worth for me, and I will weave it into cloth.”

When Mansumandig returned with the hemp she spread it in the sun, and as soon as it was dry she tied it into a long thread and put it on the loom to weave. Night and day she worked on her cloth, and when it was finished she had eight varas. This she sold for twelve and a half centavos a vara, and with this money she bought more hemp. She continued weaving and selling her cloth, and her work was so good that people were glad to buy from her.

At the end of a year she again spread the mat on the floor and took her place on one side of it, while her husband sat on the opposite side. Then she poured the money out of the blanket in which she kept it upon the mat. She held aside her capital, which was twenty-five centavos, and when she counted the remainder she found that she had three hundred pesos. Mansumandig was greatly ashamed when he remembered that he had not made cent, and he leaned his head against the wall and thought After a while the woman pitied him, so she gave him the money and told him to buy carabao.

He was able to buy ten carabao and with these he plowed his fields. By raising good crops they were able to live comfortably all the rest of their lives.


Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Story of a Monkey

A mischievous monkey’s quest to remove a thorn from his tail leads to a series of trades and escalating demands, beginning with a barber’s razor and ending in firewood and cakes. However, his cunning comes to an abrupt end when he encounters a dog, which bites him fatally and eats the cakes. The tale humorously explores greed, consequences, and the unexpected twists of fate.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Cunning and Deception: Throughout the tale, the monkey employs deceitful tactics to achieve his goals, such as convincing the barber, the old woman, and the cake maker to give him what he desires.

Conflict with Nature: The monkey’s initial injury from a thorn and his subsequent encounters highlight a struggle against natural elements and creatures, culminating in his fatal encounter with the dog.

Tragic Flaw: The monkey’s greed and overconfidence serve as his downfall, illustrating how personal weaknesses can lead to one’s demise.

► From the same Region or People

Learn more about Philippines peoples


One day when a monkey was climbing a tree in the forest in which he lived, he ran a thorn into his tail. Try as he would, he could not get it out, so he went to a barber in the town and said: “Friend Barber, I have a thorn in the end of my tail. Pull it out, and I will pay you well.”

The barber tried to pull out the thorn with his razor, but in doing so he cut off the end of the tail. The monkey was very angry and cried: “Barber, Barber, give me back my tail, or give me your razor!”

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The barber could not put back the end of the monkey’s tail, so he gave him his razor.

On the way home the monkey met an old woman who was cutting wood for fuel, and he said to her:

“Grandmother, Grandmother, that is very hard. Use this razor and then it will cut easily.”

The old woman was very pleased with the offer and began to cut with the razor, but before she had used it long it broke. Then the monkey cried:

“Grandmother, Grandmother, you have broken my razor! You must get a new one for me or else give me all the firewood.”

The old woman could not get a new razor so she gave him the firewood.

The monkey took the wood and was going back to town to sell it, when he saw a woman sitting beside the road making cakes.

“Grandmother, Grandmother,” said he, “your wood is most gone; take this of mine and bake more cakes.”

The woman took the wood and thanked him for his kindness, but when the last stick was burned, the monkey cried out:

“Grandmother, Grandmother, you have burned up all my wood! Now you must give me all your cakes to pay for it.”

The old woman could not cut more dry wood at once, so she gave him all the cakes.

The monkey took the cakes and started for the town, but on the way he met a dog which bit him so that he died. And the dog ate all the cakes.


Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

The Presidente Who Had Horns

An unjust presidente, wishing for horns to frighten his people, finds his wish granted. The barber, sworn to secrecy, whispers the truth into a hole beneath bamboo trees. The bamboo mysteriously echoes his words, spreading the secret. As rumors grow, the council confirms the presidente’s horns, deeming him unfit to rule. Overcome by shame and exposed, the presidente is ultimately overthrown and killed.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Divine Punishment: The presidente’s unjust behavior leads to a supernatural punishment—growing horns—that signifies his moral corruption and unfitness to rule.

Cunning and Deception: The barber’s attempt to secretly divulge the presidente’s condition by whispering into the ground reflects themes of secrecy and the unintended consequences of deceit.

Illusion vs. Reality: The presidente’s outward appearance, altered by the horns, becomes a manifestation of his inner corruption, highlighting the disparity between appearance and true nature.

► From the same Region or People

Learn more about Philippines peoples


Once there was a presidente who was very unjust to his people, and one day he became so angry that he wished he had horns so that he might frighten them. No sooner had he made this rash wish, than horns began to grow on his head.

He sent for a barber who came to his house to cut his hair, and as he worked the presidente asked: “What do you see on my head?”

“I see nothing,” answered the barber; for although he could see the horns plainly, he was afraid to say so.

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Soon, however, the presidente put up his hands and felt the horns, and then when he inquired again the barber told him that he had two horns.

“If you tell anyone what you have seen, you shall be hanged,” said the presidente as the barber started away, and he was greatly frightened.

When he reached home, the barber did not intend to tell anyone, for he was afraid; but as he thought of his secret more and more, the desire to tell someone became so strong that he knew he could not keep it. Finally he went to the field and dug a hole under some bamboo, and when the hole was large enough he crawled in and whispered that the presidente had horns. He then climbed out, filled up the hole, and went home.

By and by some people came along the road on their way to market, and as they passed the bamboo they stopped in amazement, for surely a voice came from the trees, and it said that the presidente had horns. These people hastened to market and told what they had heard, and the people there went to the bamboo to listen to the strange voice. They informed others, and soon the news had spread all over the town. The councilmen were told, and they, too, went to the bamboo. When they had heard the voice, they ran to the house of the presidente. But his wife said that he was ill and they could not see him.

By this time the horns had grown until they were one foot in length, and the presidente was so ashamed that he bade his wife tell the people that he could not talk. She told this to the councilmen when they came on the following day, but they replied that they must see him, for they had heard that he had horns, and if this were true he had no right to govern the people.

She refused to let them in, so they broke down the door. They saw the horns on the head of the presidente and killed him. For, they said, he was no better than an animal.


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The Tattooed Men

Two close friends, envious of others’ tattoos, decide to tattoo each other. One skillfully tattoos his friend, but when it’s his turn, the other covers him in soot, sparking a fight. In anger, the tattooed one transforms into a lizard and hides, while the sooty one becomes a crow, flying away. Their disagreement explains the origins of lizards and crows in this tale.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Transformation: The friends undergo physical changes, turning into a lizard and a crow, symbolizing the consequences of their actions.

Cunning and Deception: The act of smearing soot instead of properly tattooing reflects deceit between the friends.

Mythical Creatures: The transformation into a lizard and a crow ties into the cultural significance of these creatures in folklore.

► From the same Region or People

Learn more about Philippines peoples


Once there were two young men, very good friends, who were unhappy because neither of them had been tattooed. They felt that they were not as beautiful as their friends.

One day they agreed to tattoo each other. One marked the breast and back of the other, his arms and legs, and even his face. And when he had finished, he took soot off the bottom of a cooking-pot and rubbed it into all the marks; and he was tattooed beautifully.

The one who had done the work said to the other: “Now, my friend, you are very beautiful, and you must tattoo me.”

► Continue reading…

Then the tattooed one scraped a great pile of black soot off the cooking-pots, and before the other knew what he was about, he had rubbed it all over him from the top of his head to the bottom of his feet; and he was very black and greasy. The one who was covered with soot became very angry and cried:

“Why do you treat me so when I tattooed you so carefully?” They began to fight, but suddenly the beautifully tattooed one became a great lizard which ran away and hid in the tall grass, while the sooty one became a crow and flew away over the village.


Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page

Dogedog

Dogedog, a lazy man living in poverty, ventures into the forest to improve his home but repeatedly loses his food to a cat. After catching the cat and sparing its life, it magically transforms into a cock. Accompanied by an alligator, deer, ant mound, and monkey, Dogedog wins contests at a cockfight, earning wealth. He buys a mansion and lives in comfort, avoiding work forever.

Source
Philippine Folk Tales
compiled and annotated by
Mabel Cook Cole
A.C. McClurg & Co., Chicago, 1916


► Themes of the story

Magic and Enchantment: The cat’s magical transformation introduces an element of the supernatural, highlighting the role of magic in the narrative.

Cunning and Deception: Dogedog’s cleverness in capturing the cat and later using the cock to win contests demonstrates the use of wit to achieve goals.

Quest: Dogedog’s journey to the cockfight at Magsingal represents a pursuit of fortune and a better life.

► From the same Region or People

Learn more about Philippines peoples


Dogedog had always been very lazy, and now that his father and mother were dead and he had no one to care for him, he lived very poorly. He had little to eat. His house was old and small and so poor that it had not even a floor. Still he would rather sit all day and idle away his time than to work and have more things.

One day, however, when the rainy season was near at hand, Dogedog began thinking how cold he would be when the storms came, and he felt so sorry for himself that he decided to make a floor in his house.

► Continue reading…

Wrapping some rice in a banana leaf for his dinner, he took his long knife and went to the forest to cut some bamboo. He hung the bundle of rice in a tree until he should need it; but while he was working a cat came and ate it. When the hungry man came for his dinner, there was none left. Dogedog went back to his miserable little house which looked forlorn to him even, now that he had decided to have a floor.

The next day he went again to the forest and hung his rice in the tree as he did before, but again the cat came and ate it. So the man had to go home without any dinner.

The third day he took the rice, but this time he fixed a trap in the tree, and when the cat came it was caught.

“Now I have you!” cried the man when he found the cat; “and I shall kill you for stealing my rice.”

“Oh, do not kill me,” pleaded the cat, “and I will be of some use to you.”

So Dogedog decided to spare the cat’s life, and he took it home and tied it near the door to guard the house.

Some time later when he went to look at it, he was very much surprised to find that it had become a cock.

“Now I can go to the cock-fight at Magsingal,” cried the man. And he was very happy, for he had much rather do that than work.

Thinking no more of getting wood for his floor, he started out at once for Magsingal with the cock under his arm. As he was crossing a river he met an alligator which called out to him:

“Where are you going, Dogedog?”

“To the cock-fight at Magsingal,” replied the man as he fondly stroked the rooster.

“Wait, and I will go with you,” said the alligator; and he drew himself out of the water.

The two walking along together soon entered a forest where they met a deer and it asked:

“Where are you going, Dogedog?”

“To the cock-fight at Magsingal,” said the man.

“Wait and I will go with you,” said the deer; and he also joined them.

By and by they met a mound of earth that had been raised by the ants, and they would have passed without noticing it had it not inquired:

“Where are you going, Dogedog?”

“To the cock-fight at Magsingal,” said the man once more; and the mound of earth joined them.

The company then hurried on, and just as they were leaving the forest, they passed a big tree in which was a monkey.

“Where are you going, Dogedog?” shrieked the monkey. And without waiting for an answer he scrambled down the tree and followed them.

As the party walked along they talked together, and the alligator said to Dogedog:

“If any man wants to dive into the water, I can stay under longer than he.”

Then the deer, not to be outdone, said:

“If any man wants to run, I can run faster.”

The mound of earth, anxious to show its strength, said:

“If any man wants to wrestle, I can beat him.”

And the monkey said:

“If any man wants to climb, I can go higher.”

They reached Magsingal in good time and the people were ready for the fight to begin. When Dogedog put his rooster, which had been a cat, into the pit, it killed the other cock at once, for it used its claws like a cat.

The people brought more roosters and wagered much money, but Dogedog’s cock killed all the others until there was not one left in Magsingal, and Dogedog won much money. Then they went outside the town and brought all the cocks they could find, but not one could win over that of Dogedog.

When the cocks were all dead, the people wanted some other sport, so they brought a man who could stay under water for a long time, and Dogedog made him compete with the alligator. But after a while the man had to come up first Then they brought a swift runner and he raced with the deer, but the man was left far behind. Next they looked around until they found a very large man who was willing to contend with the mound of earth, but after a hard struggle the man was thrown.

Finally they brought a man who could climb higher than anyone else, but the monkey went far above him, and he had to give up.

All these contests had brought much money to Dogedog, and now he had to buy two horses to carry his sacks of silver. As soon as he reached home, he bought the house of a very rich man and went to live in it. And he was very happy, for he did not have to work any more.


Running and expanding this site requires resources: from maintaining our digital platform to sourcing and curating new content. With your help, we can grow our collection, improve accessibility, and bring these incredible narratives to an even wider audience. Your sponsorship enables us to keep the world’s stories alive and thriving. ♦ Visit our Support page